Wen Jingtian's Introduction to "The Silence of a Young Girl"
Empty and full. There are two kinds of fullness and two kinds of emptiness. The first time was full of solid fullness, and the second time was full of spiritual harvest. The first emptiness is the emptiness of subtraction, and the second emptiness is the emptiness after experiencing loss, which is a kind of filling. So which of the second fullness or the second emptiness has the depth of the experience of life? There is no doubt that it is the second voidness, because it is based on the understanding of "loss". For the second voidness, the wise one chooses to practice and is born. And what do we choose? Shout or laugh bitterly. We don't include girls here. Only the maiden resisted all this fullness and emptiness with silence. She doesn't fight, she doesn't invade, she doesn't negotiate or beg, she balances mind and body with silence, and she realizes that winter and spring don't change anything, and Byronian innocence is useless. True innocence is actually the ordinary mind, which has a strong digestive and repulsive force. Silence is also a practice, and unlike the wise monks, the practice of the maiden is "the practice of the human world."
The girl's silence
/Wisteria Qing'er (Shandong)
The cold of winter makes everything a thing
Become more determined
At this time, the plum blossoms are blooming, and the rope of time is also crossing the mountains and mountains
You can't see the distance and enter the New Year's time
Go pray for those beauties
The expressions she liked were getting closer and closer
silent. Like the white body of snow, she made the weight lighter
Love is again complete in the expression of the self
It's spring again
Prophesied
A vast silence
Connecting the distant places endlessly
2020-1-2
Wen Jingtian's Introduction to "The Girl and Me"
Teenage girls induce art. I believe this is true. The maiden inspired the poet. There's no doubt about that. Teenage girls create the world. Noun before the matrix. There is a primitive and later cognition between the maiden and me, so half and half, the maiden is divided into two, walking through the figurative and abstract, the experience and the transcendental, the ancient and the present. Writing is the restoration and protection of young girls. The teenage girls, divided in two, add layering and ambivalence, as well as evolution. Originally there is nothing, including time and space, so if you will understand, the girl and I, originally in line with the "oneness", so no matter how fission, the girl is always there, deep in your heart.
Teenage girl and me
/Chunben (Guizhou)
A drizzle filled her left shoulder
A large area of snow is vacated on the right
Half in the moonlight
Half in the shadows
The items I mailed for her were old guys
From south to north, decrease in descending order
Yes, she is just a sequence in nature
It seems loose and subtle
But it's tight and huge
She resembles mine and she resembles someone else
Flow through the crowd
Fly in the sky
I held out my hands, but I couldn't break through the barrier
I come from ancient times, to things like water
There is extra compassion
Although she was above the sky in Kyoto
I can't whip it
But I also wanted to block the knife that came across the time for her.
Wen Jingtian's Introduction to "The Girl Who Plays the Piano"
That inner meticulous elegance, that inner swirling lyricism. It is the temperament that the poet lights up in the work, which comes from the pleasure and flow of the girl's body and mind. "The Girl Who Plays the Piano", the lyrical meaning that emanates, the steady circling of language, tells the distance between us and the girl, just like the distance between the girl and the heart: far away. Words and notes are entangled, and it is impossible to distinguish who is who is the sound and meaning. God does not exist naturally, because of the existence of the maiden, God awakens, the maiden helps God to wake up, and God protects us to go on. This maiden is every pure unity of you and me. Once the girl's heart activates the keys, the music is driven by poetry, and the skills attached to the girl are so magical and retracted.
A young girl who plays the piano
/Gu Li (Heilongjiang)
Her gentleness stemmed from the meandering currents of water on her fingertips
The shredded light of the stars combs the willows, with the night wind
Build a whirlpool of music
Wrap her up. Her face
Half clear, half in the dark
That unfathomable sea
When swimming fish perch on top of her head
Her long hair began to flutter
The arm listened silently, this hazy
Secreted overtones... why
Will you have a crush on someone far away?
The light in front of the window quietly changes
Through her distant eyes, she saw clouds and blue skies
Through distant hands, begin to play color
Through distant hearts and even souls
Fingertips are infused with excitement and joy
And the tranquility that followed
Thus, a painting is completed by that distance
The initial gaze became no longer distinct
I like it, I haven't said it yet
There is no reason to complain. Her afternoon
Probably a distant night
Night, pearl glitter
Cast a nice shadow. She was silent
Put away the meandering water flow
All illustrations from Norinobu Shinoyama, The Wild Maiden
Imitation: Nagai Ryuna
Poet Wen Jingtian
About the Author:
Wen Jingtian, poet, born in 1978 in Chengde, Hebei Province, has been practicing the neo-surrealist style of writing for many years, and has published poetry, prose poems, literary criticism, etc. in more than 200 domestic journals and magazines, published poetry collections such as "Hymns to the Immortal Wind" and "Kuang shi shu", new media person, film and television screenwriter.