Whether a calligraphy work is good or not needs to be evaluated from many aspects, especially in today's market, good or bad is not determined according to the circle layer.
Since the ancient literati were light, this phenomenon is particularly obvious in today's calligraphy market, this circle looks down on that circle, as long as their works are valued in the circle.
But in ancient times, unlike the so-called circle layer, good calligraphy will shine on its own, especially for those gods, and it will certainly be liked by everyone.
So back to the question itself, what aspects does a good work, known as a good calligraphy made by God, need to be evaluated?
The first is the style of writing, that is, the feeling of the rules, the first feeling is good, and there is a sense of beauty in appreciation. The second is the traditional interest of calligraphy, that is, how high the intensity that everyone gives when they talk about the rules. The chapter method is good, the calligraphy pen and ink structure is wonderful, and it is naturally good calligraphy.
Finally, speaking of influence, a work like Rao Jie's can be called the first good calligraphy among the short works of the Yuan Dynasty. Rao Jie's work is the Lanting Ti, which is treasured by the Palace Museum in Beijing.
The explanatory text of the entire work: "The Orchid Pavilion Order and the Round Jade Seal were borrowed and fortunately paid." Don't be bothered, it will be an ear. Ran wanted to sword and Yan Ping also. Don't feel chattering. Introduction to white things. Only allow the township marriage. Sincerely. ”
Looking at the very simple words, it was a letter from Rao Jie, and the content was to borrow the contents of the Orchid Pavilion Preface from Wei Yun (Chen Ruyan).
But a short essay, but wrote Rao Jiejin's dashing style of writing, too wonderful. Rao Jie's "Lan Ting Ti" appreciation: the lines are strong and old, and it is rated as the first good calligraphy!
Being called first definitely satisfies the aforementioned evaluation system and is recognized by everyone. I don't know how everyone thinks when they see this calligraphy work of Rao Jie.
From the perspective of brushwork, the whole passage is full of mood, especially you can fully feel Raosuke's indulgence and nature with his pen, especially the lines are strong and old, without exaggeration. The point is to move the pen, and it can be seen that although there is madness, he can just keep it, whether it is a press or a twist, he has a kind of law.
Good calligraphy does not play cards according to common sense, but writes its own pen style, Rao Jie's work, can be called a god's work, mainly because the penmanship is too wonderful.
Netizen evaluation: The book style feels too strong, not a work that ordinary masters can write.