Director Li Lu's era drama "The World of Man" received rave reviews after it was broadcast.
According to the data of audiovisual big data, the rating of this drama broke 2.6%, far ahead.
It's twice as tall as the second-place "Old Girlfriend."
On Douban, more than 30,000 people scored 8.1 points, and word-of-mouth ratings are not to be let go, which is the opening drama of this year.
However, after the plot entered 30 episodes, the negative evaluation of the TV series gradually appeared.
Gradually polarized, some netizens said that this drama is real and sharp, reflecting the real life.
Some netizens also said that the screenwriter became more and more outrageous.
Many characters are not yin and yang, strange, and suspected of "dog tail sable".
The main reasons are concentrated in two points.
The first is Zhou Bingyi's collapsed house;
Second, it is Luo Shibin's whitewashing and forcible drama;
First, let's talk about the problem of human design.
Zhou Bingyi is a very decent and calm person, who has experienced great winds and waves.
However, by episode 34, when Zhou Bingyi went abroad, the human design had a turn.
He told his mother-in-law Jin Yueji about himself and Oriya.
"From literature to philosophy, to life."
Obviously, Zhou Bingyi was mentally derailed.
Jin Yueji is not an idle person.
When asked about Zhou Bingyi's "Whether Oria has ever moved the truth", she understood that Zhou Bingyi did not deny it on his lips, which meant acquiescence.
"Wipe the gun and don't go off the fire" is also a warning and advice to the son-in-law.
Zhou Bingyi is indeed a good leader, responsible, loving, and responsible.
But the change of human design caught the audience off guard.
The second reason is Luo Shibin's whitewashing, which is really a rhythm that makes many viewers want to "jump over".
The finale is coming, and everyone's fate and final destination are gradually surfacing.
The fate of Zhou Bingkun and his wife and adopted son has also become more and more entangled.
The role of Luo Shibin is not very much.
But at the end, the character's role suddenly increased a lot.
Perhaps, the screenwriter is to use the perspective of this character to show decades of change.
However, the whitewashing of the characters is indeed too deliberate.
Luo Shibin wanted to return to the child, mobilized too many relationships, coupled with Zhou Nan's ambiguous attitude, laid the foundation for his next step of "taking the son".
He took Zhou Nan to the Western restaurant and said that he wanted to pass on his business empire to his son, which was indeed very tempting.
But because of that past, it hurt Zheng Juan, and she also transformed into a famous entrepreneur.
In the latest plot, Luo Shibin found Zhou Bingkun to talk about the child, and Zhou Bingkun, who had suffered a lot of ups and downs, was forced to be anxious, and the dirty words came out.
However, Luo Shibin will not give up and will fight with him.
He also threatened that zhengjuan had made a mistake after drinking that year, and that Zheng Juan had seduced him online.
Zhou Bingkun, the good old man, was so angry that he gave him a punch.
I have to say that this person's wanton behavior has indeed brought a lot of disasters to the Zhou family.
In addition to Luo Shibin, Zhou Nan's personality is also full of controversy.
When he was young, he was still very well-behaved and sensible.
After growing up, after knowing his own lineage, he also called Zhou Bingkun, who had been raised all his life, "he".
Knowing that her mother was bullied by Luo Shibin, she also said such a sentence: "I don't think he is a bad person."
Is it possible that having money is a father, and being able to study abroad and enjoy a luxurious life is everything?
So what is nurturing grace?
Such a persona without gratitude is really difficult to resonate with, and I don't know what values the screenwriter wants to convey?
The old good man Zhou Bingkun and his wife, fate really makes people sigh, hard work for a lifetime, raising such a child, how many people are chilled.
And a rapist, after getting out of prison, but mixed up, became a very business-minded big boss, really surprising.
Some netizens believe that this is the most real life.
But shouldn't film and television works bring you some positive energy?
Is it really good to be so bitter and vengeful?
Liang Xiaosheng, the original author, once wrote:
"The life of people like us is like rugby, and the two sharp ends are the little good days we can live in life... So many days in the middle, always struggling to survive. ”
What a good moral.
The reason why the first half of the TV series can arouse the approval of many people is precisely the spirit of the Zhou family who can be kind, just, optimistic and uplifting under the difficult life of not having enough to eat and wear.
The bitter pleasure and the unique simple cohesion touched the audience.
Believe in Yang Dad's vision and look forward to the turning point in the later stage.