Even today, when Guofeng music has become a system of its own and has many circle audiences, Dai Quan is still a very special existence in the field of Guofeng music. His special feature is not only the ancient chivalrous characteristics of the image, but also the angularity of the musical personality.
Unlike many or small bridges and flowing water or Qionglou Yuyu or Jinge Iron Horse ancient style, since the beginning of a "Wukong" began to be known, Dai Tsuen's works, in addition to some of the stylistic characteristics of the ancient style, more importantly, in the music, also injected a certain character, that is, the ancient chivalrous character closely related to Dai Tsuen's appearance and shape.
When the appearance and the inside, the style and personality are unified, Dai Quan has become a real chivalrous guest in the ancient world, and the jianghu in his music has thus become reckless, fireworks, temperament, and flesh and blood.
It can be said that Dai Tsuen has always lived in that jianghu world, and listening to Dai Quan's songs can make us truly feel that jianghu world, so that you can truly substitute, integrate, and perceive the sinister and warmth of that world.
Of course, this feeling can also be found in playing games like Shenwu 4. Unlike music, you can also control the character in the game, and the character lives and dies because of you, which is also another kind of jianghu gameplay.
Therefore, this time Dai Quan came to sing the "Shenwu 4" computer version of the game Su Qingtu's character theme song, at least in terms of temperament, it is very matching and right.
The song "Nine Tails" is the work of "Xiaoxu Music", written by Tian Zhuxin and composed and arranged by Deng Zheng. The melody of the whole song is compact but smooth, and in the rhythm of the ancient style, there is a wild tension of modern pop, especially rock and roll. In terms of arrangement, a large number of national instruments such as pipa, flute and flute are used to create a unique oriental situation and form another kind of inner tension full of jianghu atmosphere.
The combination of traditional and modern, Eastern and Western tensions also makes the work "Nine Tails", although the ancient style is distinct, there is no lack of modern style, and the modern style in turn injects more feelings and feelings that can resonate with contemporary people for the role of Su Qingtu.
The musical text of "Nine Tails" also breaks the style of confrontation and neatness, and in one work, it also integrates a variety of poetic endowments such as three words, five words, six words, seven words, and nine words.
It is this mixed use, on the one hand, reflects the accumulation and skill of Tian Zhuxin's writing, on the other hand, it is also more like the wanton after drunkenness, and let the text play the ultimate freedom, in the shuttle of various styles, just synchronized with Su Qingtu's kind of happy and vengeful and charming personality.
And the final complete activation of the song "Nine Tails" is naturally the interpreter's Dai Tsuen.
It can be said that although "Nine Tails" is a work with words and songs, the last thing that really completely creates the puzzle is Dai Quan's singing expression. Especially for fans who are familiar with Dai Tsuen's music, although "Nine Tails" is not Dai Tsuen's own creation, through the expression of vocals, this song is also classified into Dai Tsuen's music system, which also shows from another perspective how distinct Dai Tsuen's musical style is and how complete the music system is.
In this work, Dai Quan combines his signature drama and the unique chivalrous chanting, which seems to be between shouting and sighing, and also completely shows Su Qingtu's bold and free personality vividly.
In addition to the interaction between orchestra and folk music in the music arrangement, the fusion of opera and popularity, Dai Quan also sang a kind of antagonistic and staggered emotion in the singing of the song "Nine Tails", which not only made the sound of the work appear three-dimensional, but also reflected the complex and even contrasting personality of Su Qingtu in "Shenwu 4".
Listening to Dai Quan's "Nine Tails", many people can substitute for that happy jianghu, or galloping horses, or a leaf light boat, dashing and indulging in the world, and experiencing the "Shenwu" artistic conception through music.
At the same time that Su Qingtu's character theme song "Nine Tails" was launched, the MV performed by the well-known coser Chu Qi and Beichuan Jiao was also launched at the same time, Chu Qi played Su Qingtu, and Beichuan Xiaoyi played Xue Chihiro. Two well-known cosers bring players the story of the acquaintance of Su Qingtu and the popular character Yukichihiro of the fox tribe through the MV. Such stories and visions, and even that interactive element, can make people better perceive the dynamics in the music work.
It is also sharp and tender, and it is like a chivalrous guest and a moke, this is the demon clan young hero Su LightLy painted, but also the ancient style young hero Dai Tsuen. The so-called ancient style is not just an external form or style, the ancient style is actually the connotation of the Orientals, and even the background. It is a realistic and ideal world constructed through multiple forms such as music, literature, martial arts, architecture, etc.
Today, through more modern visual, games and other forms, we have expanded the artistic space of ancient style, so that the air wind that spans thousands of years has been reactivated through modern expression.
Of course, for the ancient style of music, Dai Quan is a good example and example, that is, in the process of creating and interpreting ancient wind music, it not only retains the cultural core of the ancient style spirit, but also achieves the inheritance of both form and god.
This time, through the interpretation of the theme song "Nine Tails" of "Shenwu 4" Su Qingtu character, it will undoubtedly allow many game fans to more deeply perceive Dai Tsuen's personal style, as well as let fans know about ancient style music, with a greater extension of ancient style culture.