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From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

author:Gold Broker
From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

In "Yulou Spring", Zheng Xianghong played Yao Dizhu, the miss of the Yao family, who dared to love and dare to hate, and Jump out of the way, Ben and the fourth young master of the Sun family got together to pull Lang, but he did not expect to finally marry the second master, which can be called a lively bright color in the play.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

Although the likability of the role is known, Zheng Xianghong still did not expect that Di Zhu received a high evaluation of "human sobriety" on the first day of broadcasting. Unconsciously, she debuted as a singer and also walked the road of acting more and more freely and steadily.

Yao Dizhu's people set up ceilings

In "Yulou Spring", Yao Dizhu's opening scene is the first to grab people.

The emperor draft, Di Zhu, as the pearl in the palm of the Yao family, appeared in a gorgeous red dress, which at first glance was full of pride. After the audience thinks that this is another female-style role, the camera turns, she says "willing to have a heart, the white head is not separated", as desired by the noble concubine to withdraw from the list of show girls - the original forced momentum was only Yao Dizhu's disguise, knowing that the noble concubine hated the stilt, and could not be selected by doing the opposite.

What she asked for was a husband who truly loved each other, not a rich but lonely man in the harem.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

If this opening only shows Yao Dizhu's wisdom and courtship, then the subsequent performance of Sun Yulou directly won her praise for "sobriety in the world" and "three views".

The third grandmother of the Sun family wants to match Yao Dizhu and Sun Yulou, and Di Zhuben has a good feeling for the handsome teenager in front of him, but by coincidence, he learns that he already has a sweetheart.

When the plot reaches here, it will develop according to the cliché, and it will become a dog-blood love story of a man and two women. But Yao Dizhu said, "He is the dragon and phoenix among people, and I am no worse than him, so why rob others, people will come by themselves." She disdains to be the third person between the two, and has a clear understanding and confidence in herself, not blindly following or scornful.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

After discovering that the real love is Sun Junhao, Di Zhu did not hesitate to open the female chasing male mode, took the initiative to confess, and followed the second master to the battlefield even more. She's not afraid of failure, and she doesn't mind chasing after her, she just doesn't want to miss true love because of stereotypes and red tape. Such a person can be called the ceiling of the costumed female characters, and it is no wonder that it won the favor of the audience soon after its debut.

"Every day is stress"

However, Zheng Xianghong said, "I almost missed Yao Dizhu." ”

The relationship with "Yulou Chun" also dates back to the variety show "Acting School", Zheng Xianghong participated in it as a contestant, and learned that there was a costume drama being cast. After getting the initial introduction and script, she took a look at the role of Yao Dizhu, "straightforward and brave, I like it too much." But it was later told that the casting of the role was not yet open.

I thought I had no chance to act, but after a while, Zheng Xianghong received a notice that this role had another chance. "It was crazy to be happy at that moment, not exaggerated at all, and it was very happy to try it."

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

Lost and regained, but with it comes great pressure.

Although "Yulou Spring" is still the main emotional line, the overall texture has ancient rhyme, and there are higher requirements for the actor's limbs and lines. Before entering the group, Zheng Xianghong had read through the script, and after booting, he specially adjusted the performance method, such as Yao Dizhu's clear personality, then he could not speak slowly. The walking posture and standing posture will also be deliberately distinguished according to whether the character is in the court or in the jianghu.

"The lines must be crisp and clean, and the words must be in a state of witty words. But in fact, there are quite a few lines in the play that are more difficult to mouth, so during the filming process, as soon as I have a break, I will practice, a little bit to buckle, fortunately, the final effect is not bad. ”

What's even harder is actually getting into the character.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

Yao Dizhu and Zheng Xianghong himself are so different. Di Zhu is Miss Qianjin, who loves and thinks almost invincible, and is direct and bright to almost lonely and courageous, while Zheng Xianghong's personality is not so outward, and it needs a process of adjustment. "I was in a hurry myself, and at that time, I practiced in the mirror every day, or took pictures with my mobile phone to find the state of the characters."

Would The drops talk like that? Will there be this expression? When encountering the same thing, is the corresponding reaction to Di Zhu or Zheng Xianghong himself? Characters are born little by little.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

In the interview, Zheng Xianghong mentioned a detail.

When asked about the fulcrum of Yao Dizhu's character, Zheng Xianghong thought a little, "Yao Dizhu looks very clever, speaks and does things crisply, as if he never hesitates. But have you ever found that when faced with an important choice, she has thinking, she has silence, pause, and prudence, and then she will move forward according to her own decision. She wasn't a mindless rampage. ”

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

Zheng Xianghong's understanding of di zhu is extremely good. She can put aside the surface of the floating light to touch the core background of the character, just as she understands, whether it is abandoning Sun Yulou or actively pursuing Sun Junhao, Yao Dizhu can not be afraid of rejection, but what she cares about most is the word respect. Therefore, when Sun Yulou misunderstands Di Zhu's personality, she will be so lost.

"It doesn't matter if you like me or not, but you can't touch my bottom line, am I so bad in your eyes?"

Understanding the core hidden behind all words and actions, Zheng Xianghong's Yao Dizhu also had a soul.

From singer to costume bullying heroine

Becoming an actor is a bit of an opportunity for Zheng Xianghong.

At first, she did not think about getting involved in the entertainment industry, and after graduation, she became a kindergarten teacher, until she opened the door to a new field because she participated in "Happy Girl" and "The Voice of Chinese Dreams".

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

Shortly after the show ended, she was introduced by the company to the opportunity to appear in the TV series. Although the series has not been broadcast for various reasons, Zheng Xianghong can't forget the feeling of standing in front of the camera for the first time.

"I still remember that day. On March 15, 2015, I was filming for the first time. At that time, I didn't even know what the crew was doing, and I was surprised that the original TV series shooting required so many people, and I completely learned from scratch. ”

But strangely, Zheng Xianghong found a career that he wanted to engage in for a long time. "On stage, I was a little nervous. But when I got to the shooting scene, even if the camera was too close and there were more people around me, I would relax. ”

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

Zheng Xianghong mentioned that the environment on the shooting scene of the series is generally a bit chaotic. The endless stream of tourists in Hengdian, the various noises around, the script that disrupts the order of shooting, including the tense and intensive cycle, all kinds of reasons are piled together, which is actually not conducive to the actor entering the role. But she came up with her own set of methods.

"As long as I think about what I want to do, it may also be because of the relationship between practicing since I was a child, and concentration is not a particularly difficult thing for me." When I become that character, thinking about the current plot, my emotions will come quickly. ”

It is also because of this trait that Zheng Xianghong's crying scene is extremely brilliant.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

For example, in "Yulou Spring", Yao Dizhu once couldn't chase love, even if he was a strong person, he couldn't help but be bitter and sad. Yao Dizhu looked at the sweetheart in front of him and wanted to pretend not to care, but he still couldn't hold back the tears. When performing this crying scene, Zheng Xianghong did not let the emotions flow freely, but pressed to act, but it is this restraint that can make the crying drama and sad emotions more real and moving.

The core of the performance is not to deliberately design anything, but still to experience and enter the role with the heart. Zheng Xianghong has a pure devotion and devotion to the profession of an actor, just as after many years, she can still blurt out the precise time and place of the first time she entered the group.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

Zheng Xianghong attaches great importance to the profession of an actor and also attaches importance to the feedback of the audience. Until now, Zheng Xianghong's Weibo has left a large section of role testimonials at the top, "I care if you think I play well, every role that successfully passes through life is like a friend who has always accompanied me." ”

Zheng Xianghong has received a lot of certifications. "Peerless Thousand Gold" stands out with a sweet pet dark horse, the fantasy setting of "Penglai Room" is interpreted freely, "I can't afford to use this ring" to control the humorous and funny style, and "Yulou Spring" can also transform into a love qianjin. After that, she will also bring the ultimate character of "One Thought Eternal", showing more plasticity and better performance ability.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

She also has many wishes: she wants to play a policeman, wants to have a concert, wants to keep her original intention, and continue to break through and try. In her spare time, Zheng Xianghong retained her love of music, singer-songwriter Anthony Lazaro's songs are her current favorite, and the lyrics of "Sparrow" "The sky is sometimes sunny, sometimes dark" have also been remembered for a long time because of the similar mood.

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

There is a career, there is a life, there is a fresher cognition, "I don't have a special big goal at the moment, say what must be done, no. What is more important is that there is always a steady stream of filming, focusing on the immediate, to play different roles, each time is better than the next. ”

From "Peerless Gold" to "Jade Lou Chun", Zheng Xianghong's costume hegemony is cultivated

There are not many actresses who can easily control all kinds of costumes, and it is not as easy as imagined to flexibly interpret the sweet pet plot, which Zheng Xianghong has done. Her plasticity has been verified by various episodes, and the upper limit of being an actress is constantly being broken.

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