Bao Gong, both Bao Zheng, he is not a folk legend. He was born on May 28, 999.
In the history of opera, no official can appear on the stage of the drama of today's dynasties so frequently as Bao Zheng, and it has not faded away for a long time, and has become a very unique type of drama common name - Bao Gong Opera. The popularity of Bao Gong opera, from south to north, involves almost all types of opera. Bao Gong in the drama is not equivalent to the real character Bao Zheng in history, but adapted from the literary Bao Zheng's image of Bao Zheng with a certain idealization, Bao Zheng is not only a clean and honest, iron-faced selfless, mentally superior, law enforcement like a mountain of Clean Officials, but also a demigod and half-mortal superman. In his body, it condensed the expectations of the common people for clean officials under the authoritarian society and the yearning for social justice. The plot of Bao Gong drama is tortuous, right and wrong, and also wins the love of today's audiences. The most popular of Bao Gong opera is "The Case of Gongmei", not only in Peking Opera, Yu Opera, Qin Opera, Huangmei Opera and other dramas have a performance version of "The Case of Huangmei".
In 1964, Changchun Film Studio brought the Peking opera "The Case of The Beauty of the United States" to the big screen and produced a stage drama film of the same name. At this point, the image of Bao Gong, which is widely spread by the people, is more well known to people.
This year, Mei Baojiu, a member of the National Committee of the Chinese People's Political Consultative Conference and a well-known Peking Opera performance artist who participated in the two sessions of the National People's Congress, proposed to the relevant departments, calling for proper and effective application to the relevant departments to make good use of funds to shoot opera films, calling for the combination of opera art and film art, inserting the wings of modern science and technology into traditional Chinese culture, and letting traditional art forms fly higher and farther.
We may wish to look back, when Chinese cinema was born in 1905, it was bundled with Peking Opera, and put "Dingjun Mountain" by Mr. Tan Xinpei, the "King of the Lingjie", on the screen. And just over 50 years ago was indeed a golden age of Chinese opera films. To say that the earliest type of chinese genre film is the opera film, which is the most Chinese characteristic and unique film.
In fact, as early as 1931, when the Chinese people began to try the first sound film "Song Girl Red Peony", there were "Yutang Chun" and "Shilang Visiting Mother" and other singing sections, until 1948, when the first color film was filmed, it was still an opera film, directed by Mr. Fei Mu and starring Mei Lanfang. The first color feature film after the founding of New China was also an opera film, the Yue opera "Liang Shanbo and Zhu Yingtai".
In the 50s and 70s of the last century, China's opera films reached a peak state, various kinds of dramas and various legends, old stories and new stories were put on the screen, in order not to be seen as the word count of the article, the names of the films are not listed one by one, and the opera films at that time also had a very nice name: stage art films.
At the time of the prevalence of domestic opera films, another form of opera feature films was also born in Hong Kong--- Huangmei tone films, the market can be said to be all over Southeast Asia, and the films producing Huang Mei tone films were most famous by the Shaw company at that time, of which "Sable Cicada" was the first Huang Mei tone film produced by Shaw.
The reason why huangmei tune movies are so popular, I am afraid that it has a lot to do with its singing voice, this kind of huangmei tune lyrics are close to the vernacular, the melody is simple and the singing voice is very beautiful at the same time, there is no strict training of Peking Opera or other operas, ordinary people can sing a few words casually, so it has been popular for more than 10 years. At that time, the three actresses of Ling Bo letti and Lin Dai were even more popular throughout East Asia. According to Ling Bo later revealed in "Kangxi Lai", when Huang Mei's film "Liang Shanbo and Zhu Yingtai" was promoted in Taiwan, the audience set off a frenzied Lingbo typhoon after its release in Taiwan in order to see her face, causing traffic jams.
This whirlwind of turbulence is hot overseas, but when it returns to Hong Kong, it creates discord within Shaw's company. Ling Bo became popular with "Liang Shanbo and Zhu Yingtai", and all the attention of the outside world was focused on Ling Bo. Leti, who played Zhu Yingtai, could not stand this cold reception and jumped to the Cathay company at that time. And how could Lin Dai, the chief female star of Shaw at that time, who won four consecutive Asian film queens, be able to withstand this breath? In 1962, when Shaw filmed the movie "Pauline Lantern", Lin Dai decided to use her existing momentum to compete with Ling Bo. So the male protagonist in the film was changed to Zheng Peipei. In addition to playing the Virgin, Lin Dai also insisted on stringing fifteen-year-old Agarwood. At that time, Lin Dai was thirty years old, her figure was slightly blessed, and no matter how cleverly dressed, she could not show the charm of the young junba of Agarwood.
In 1964, Lin Dai committed suicide and Chinese New Year's Eve years old. At that time, in addition to the movie Pauline Lamp, Lin Dai also had a "Blue and Black" and "Blue and Black Sequel" that had not been filmed. In 1966, Lin Dai's unfinished work "Blue and Black" won the Special Commemorative Award from the 13th Asian Film Festival.
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