The Huaihai Collection is a collection of poems created by the literary scholar Qin Guan. The earliest and most complete Song ben preserved at present is the forty volumes of the Huaihai Collection, the three volumes of the Long and Short Sentences, and the six volumes of the Later Collection, which were engraved by Gao Youjun during the Qiandao period of the Southern Song Dynasty, for a total of forty-nine volumes. This book has the "Preface to the Later Writings of the Huaihai Jushi Wen" written by Lin Ji in the ninth year of the Qiandao Dynasty (1173), which states that this book was compiled by Wang Dingguo when he was the commander of gao youjun, according to the local original collection of the "Huaihai Anthology". A total of 720 articles, forty-nine volumes, plated county treasury. "Qin Guan's prose is indeed highly accomplished and should occupy a place in the literary circles of the Northern Song Dynasty.
Huaihai Words ¥760.3 Purchase
Huaihai Words ¥146.8 Purchase
Qin Guan (1049-1100) was a Han Chinese, a Native of the Northern Song Dynasty (present-day Gaoyou, Jiangsu), known as the "Four Scholars of Sumen", nicknamed Hangou And Huaihai, known as Mr. Huaihai. He was revered as a generation of poets of the Wanyue Sect, a doctor of official zhi Taixue, and an editor of the National History Museum. A native of Gaoyoujun (present-day Gaoyou, Jiangsu). At the age of thirty, he befriended Su Shi. Su Shi was very appreciative of his poetry and introduced his poems to Wang Anshi, who also loved them. Yuanfeng eight years into the soldier and the first, professor Cai Zhou. In the third year of the Yuan Dynasty (1088), at the recommendation of Su Shi, he should be "virtuous and square, able to speak bluntly and report advice" and present thirty articles to the emperor. Later, he was a doctor of Taixue, a secretary of the provincial orthography, and an editor of the National History Institute. In the first year of Shao Sheng(1094), the new law was reinstated, and the old party was denigrated, and Qin Guan was also transferred to Hangzhou as a party member. Before he took office, he was accused of "adding or damaging" to the Records of the Divine Sect and demeaning the state liquor tax. Dismissed from office, Chenyi Prefecture, and compiled hengzhou. And migrate to Leizhou. In the third year of Yuan Fu (1100), Emperor Zhezong died and Emperor Huizong succeeded to the throne, and once adopted a lenient attitude towards the old party. Qin Guan returned to the north in this year and died of illness in Fujian Prefecture at the age of fifty-two. However, Emperor Huizong soon cracked down on the old party, and the Qin Guan anthology was banned in the second year of Chongning (1130). The Huaihai Idle Residence Collection, compiled by YuanFeng in the eighth year, only had one hundred and twelve poems and forty-nine texts by Qin Guan himself; when it was re-edited during the Qiandao period, if it was only based on this book, I am afraid that it could not suddenly increase to seven hundred and twenty. Therefore, the forty-volume Huaihai Collection was probably compiled before Qiandao, and Wang Dingguo and others only proofread it and added three volumes of "Long and Short Sentences" and six volumes of "Later Collection". The Collection of Qin Guan texts banned during the Song Dynasty may be this forty-volume Huaihai Collection.
Qin Guan's creation can be roughly divided into three periods: before, during and after.
prophase
From the second year of Xi Ning (1069) to the eighth year of Yuan Feng (1085), except for two wanderings and three times of yingju, he basically studied at home and sometimes participated in minor field labor. Two wanderings: one is that Xi Ning traveled with friends in the tangquan for nine years, and obtained thirty poems and one article; the other is that YuanFeng traveled from Su Shi for eight months in the second year and sang a hundred songs. The three should be lifted in the first year of YuanFeng, the fifth year and the eighth year. The first two times did not pass the exam, but there are poems that reflect the mood of the fallen and record the footprints of the beijing master. The works of Ji You in this period accounted for the overwhelming majority and were the beginning of his creation.
medium term
It was from the beginning of the eighth year of Yuanfeng's examination to the first year of Shaosheng (1094), during which he experienced the entire Yuanfeng. period. Before May of the fifth year of the Yuan Dynasty (1090), the poet was appointed as a professor in Caizhou, and was later recommended as a doctor of Taixue, a secretary province proofreading huangben books, a secretary provincial orthography, and a national history academy. In the fourth year of Beijing, the poet was attacked politically twice: first, in the third year of the Yuan Dynasty, Su Shi was recommended to the dynasty with a virtuous and virtuous fang, and was rarely rebuked back to Cai Prefecture; the other was Yuan? In the sixth year, the proofreading of the yellow books was moved to orthography, and it was impeached by the Luo Party. These two political blows were not directly addressed by the poet to the chant, but only to some twists and turns in some of the psalms. The number of works in this period is large, the content is also more complex, compared with the previous period, in addition to the works of Mo Shan Fan Shui, the increase in political concern, is his creative development period.
anaphase
It was a later period from the time Shaosheng was released from the capital in March of the first year of the Yuan Dynasty (1094) to the august of the third year of the Yuan Fu (1100) in Fujian Prefecture. During this period, because the poet was in exile, on the one hand, there were emissaries who accepted the wind and strict supervision, and there was no freedom in creation; on the other hand, the residence was constantly migrating, and even if there was some creation, it was easy to be lost, so only fifty-seven poems remained. However, although there are not many works that have survived, they are far more than the first two periods in terms of lyrical depth and technique, so it is said that this is the maturity period of his creation. Qin Guan poetry involves a wide range of content. While living in the countryside, he wrote many idyllic and leisure poems. At that time, his family was not very wealthy, so when he was young, he engaged in a certain amount of field labor, wrote about the hard life of spring ploughing and autumn harvest, reflecting the reality of the rent collection of officials and the hardships of farmers. Because his family's agricultural income is one of the sources of livelihood, he shows due concern for agricultural affairs in the poem. But sometimes they are idle and self-satisfied; sometimes they are idle and sad.
While roaming Liyang, Huiji, yangzhou and other places, Qin Guan wrote a large number of jiyou poems. Among them, many works, such as "He Sun Xin's Old Dragon Cave" and "Ciyun Zi Zhan Presents the Master of Jinshan Baojue", etc., photographed the beautiful abundance of nature from different angles and expressed the poet's happy mood. Some works, such as "The Second Rhyme Joins the Army", show the poet's weakness in the face of the power of nature. It is worth mentioning the seven poems "Feeling Nostalgia on the Clouds", in which the poems use condensed and implicit techniques to pin their nostalgia for the past and express their deep sympathy for Su Shi's unjust imprisonment. In his youth, Qin Guan had lofty ideals, was generous and proud, and was determined to dedicate himself to the battlefield and serve the motherland. Therefore, there are many works in this regard in his poetry. For example, at the beginning of Yuan Fengchu, when Zeng Xiaoxu, who was known as a loyal minister in history, was transferred to guard the border defense, Qin Guan composed a poem to give it to him, saying that "Dan Qing is unswerving, and he is dressed with his son" ("Send Zeng Fengyuan"); At the beginning of yuan, he had just entered the career and expressed his views on border defense and diplomacy in the poem: "The viper first stings his hand, and the strong man breaks his wrist." Will it not be sad and hurt? The compassion is in the torso. Xiqiang sand brine land, put shu or annoy the man. Chicken ribs are not enough to go, ah secret clever calculations. ("He Xing Dunfu Qiu Huai Ten Songs" No. 5) In the eighth year of the Yuan Dynasty, Jiang Zhiqi was sent out of Zhixi Prefecture by Hubu Shilang, and he wrote in "Sending Jiang Ying's Uncle Xihe Two Songs": "Hanhai is empty of He Foot Road, in order to come to Huangge to sit on the Yuan" (the first), "It is necessary to take the Land of the Xi River and play drums liangzhou to see the Yuan." The poem is full of warm feelings that inspire morale to recover lost ground. His patriotic ideas in such poems, as a moral tradition, still have certain practical significance.
In Qin Guan's thinking, there is a positive and enterprising side, and there is also a negative and decadent side. When he is ready to respond and his career is smooth, his emotions are more high; when he encounters setbacks, he becomes pessimistic and disappointed. Especially after the political blow, he was particularly dissatisfied with reality and even more distrustful of the future. For example, the poem "Self-Vigilance" writes: "Do not feel that the heavens and the earth are less inclusive, and the self-life is more narrow." The struggle for fame and profit is crazy, and the re-establishment of fame and fortune is resentful. "From then on, the two sides forgot each other, laughing and saying that qingshan had returned." It seems that he sees through the red dust and transcends everything, and his way of escaping from reality is to use the Buddha to escape into nothingness. For example, the poet's poem "Anti-Chu" composed on the day of his fiftieth birthday recalls his life and writes: "Xi Fa Yang'a, Yu Tai and Jing." The mind merges with nothingness, and the body merges with the vitality. In the three realms of the fall, the high truth is greeted. "It shows the destination of his thoughts.
The artistic styles of Qin Guanshi are diverse and colorful. Judging from the development process of his poetic style, the main style of his early period was "fresh and feminine" (Wang Anshi's "Reply to Suzi Zhan Zhan Qin Guan Shu"). For example, the poems "Na Liang", the four poems of "Returning from Guangling" and a group of Jiyou poems written by Yue Zhong, in a natural and beautiful language, write leisurely and idyllic feelings, and after reading them, people have a pleasant sense of beauty. And his "Lotus" poem not only describes the purity of the lotus after the rain, but also expresses people's thoughts and sense of not meeting. From the lotus flower to the beauty, because both have beautiful qualities, so naturally appropriate; and then from the beauty to the poet's life sorrow, the flower is in line with the Bixing tradition of the beauty of the grass. The language of the whole poem is gentle and the meaning is far-reaching.
Qin Guan's later works gradually changed from fresh and feminine to Strict Xu Gaogu, which is not only closely related to his life experience, but also inseparable from the increasing maturity of the poet's artistic experience. For example, the second part of the "Haikang Shushi": "Buju is close to the flowing water, and the small nest is yi? steep. Count the rafters all day long, but hear the birds. The incense of the furnace enters the dream, and the sea moon is lonely. The wren is a branch, and what it hates is not the forest. "Although it is also lyrical, it is less carved and woven. In the neat and condensed verses, it reflects a lonely feeling of eviction.
Qin Guanshi showed a special talent in writing scenes. As he wrote of the arrogant monk: "The guest does not pay attention to a word, and his eyes are like a star looking at a bird." ("Baoning of sending monks") writes about the aging Taoist monks: "Memorize the words and songs of the book, and send them as notes on the scriptures." "("Send Chen Taiche Daolu") is very accurate and clear to grasp the individual characteristics of the characters. Sometimes he can use objective scenes to write his feelings in detail: "The future of his children will hook foil dust, and the rain on periwinkles is like silk." ("When sitting alone with the National Courtyard, son Cham did not come out") "The wind is fixed on Xiaoxuan without leaves, and the green insects are relatively spitting autumn silk." Sometimes he can grasp the action of a moment to write infinite poetry: "The cold water birds rely on each other, and ten hundred are group plays." Passing by, pedestrians can't afford to hear the sound of ice flying together. ("Also from Guangling", part 4) "The frost falls on the Han ditch and the water is clear, and the cold stars are countless and the boats are bright." In the depths of the pu, there was no doubt, and suddenly someone laughed. Therefore, Su Shi praised him: "Those who swim less and write sharply, who are silent in their hearts and cannot be passed on by mouth, can be passed on with a pen." Of course, Qin Guan poetry sometimes cannot escape the problem of the Song people writing too many poems, such as the five-word arrangement "Ciyun Xinzhi" and "Zhengzhong Zuo Cheng's Birthday" and so on. The "Poems of Entering the South and Celebrating Qingcheng" and "The Poems of the Southern Suburbs of Jiang Yingshu's Southern Suburbs and the Tribute to the Shangqing Chuxiang Palace" are almost sentence by sentence, and the characters have a history.
Qin Guan's prose also has high achievements. He was good at various genres, according to the original classification of the "Huaihai Collection", counting eighteen kinds of strategies, advance theories, discussions, biographies, legends, tables, qi, jane, wen, shu, zhiming, praise, pao, letters, books, records, prefaces, essays, etc., in terms of its content, among which political theory, philosophical prose, travelogue and some sketches are more outstanding.
Qin Guan's political theories were very lively, deeply influenced by Su Shi, and he paid special attention to the social reality of the time, and rarely wrote empty talk of scholars, so he was deeply praised by his predecessors. Lin Shu, a close friend, once said in the "Selected Translation of the Huaihai Collection": "In fact, those who learn the similarity of the eastern slope are not less traveled", and "the policy theory is on the same track as the eastern slope". Both he and Su Shi saw some of the drawbacks of the old party returning to power after the Northern Song Dynasty experienced Wang Anshi's change of law, so they put forward their own political views through policy theories in order to fill in the gaps and consolidate the rule of the Song Dynasty. His policy was to seriously study historical experience, observe social reality, and put forward a whole set of political insights from various aspects such as politics, economy, military affairs, and even human resources. Among them, the main political and economic aspects are "Theory of the State," "The Main Technique," and the "Ruling the Situation," and the first and second parts of the "Law." These policies are all beautiful political papers, which are not only sharp in writing, thorough in reasoning, citing evidence from the past and the present, and full of persuasiveness and appeal, but also have a strict structure and a well-organized rule.
For example, in the "Main Technique", the author first reveals that the art of the master of man is mainly a minister who can discuss the people in government affairs, which is the main brain of the whole article. Then, from the perspective of employing people, it is explained that people are wise and foolish, and "the lord of man thinks with one body and the wisdom of one ear and one eye", and it is impossible not to be chaotic. So what to do? So he pulled back to the subject, explaining that it was necessary to rely on the minister of political affairs as the humerus and the minister of discussion as the eyes and ears. At this point, it seems that after saying this, he suddenly opened a stroke and argued from the opposite: On the one hand, he cited the examples of Wang Feng, the favorite of Emperor Hancheng and Li Linfu, the full-time emperor of Tang Ming, to illustrate the drawbacks of using only political ministers; on the other hand, he also cited Emperor Wu of Han's heavy use of Yan Zhi, Zhu Maichen, and so on, and Tang Dezong's heavy use of Li Qiyun and Pei Yanling as examples, revealing the harm of using only the ministers of discussion. It makes people feel that Yin Jian is not far away, and the heart is satisfied and convinced. At this point, the author draws a positive conclusion, pointing out that Emperor Renzong of this dynasty can enable "ministers of government affairs to lift up their posts" and "ministers of discussion to do what they say", so that "the situation between the two is equal". Finally, the purpose of the whole article is "to learn the shortcomings of the Han and Tang Dynasties, and to take the law exclusively from Renzu". The whole work begins and turns, ups and downs, vertical and horizontal, layer by layer, in ancient political papers, it is really rare.
There is also a part of philosophical prose in the Huaihai Collection. Many of these essays have Buddha's thought, but they are eclectic in form, some are transmissions, arguments, and sayings, which actually belong to the thesis; some are sparse, inscription, congratulatory texts, and line forms, which are a kind of religious application. In these essays, there are different degrees of philosophy, and a certain elaboration of Zen thought and Lao Zhuang doctrine is made. The article is elegant, or scattered or scattered, and there are many classics in the middle, presenting a rich religious atmosphere. For example, "Gaoyou Elder Kaitang Shu" wrote: Holding the head to collect evidence, especially disintegrating the ice dissipation; singing the next undertaking, it is inevitable that the dragon head and the tail of the snake. The situation is not fast paint barrel, no hole iron chase, the disciple recognizes the shadow to be confused, but hides and screams. "Piao Si Li Liu, steady in battle, and uses words and sentences, mostly from Buddhist classics.
It is worth noting that Qin Guan is not simply inclined to Buddhism or Taoism. On the contrary, on the basis of Confucian thought, he extensively absorbed Buddhist and Taoist doctrines and formed his own unique world view. His long essay "The Legend of Haoqi", which occupies a full volume, is a masterpiece in this regard. In addition, there are also "TheOry of Change", "Gentleman's All Day Dry Saying", "Heart Saying", "Yu Zizhi Character Order", "Wei Jing Biography", and other articles. Starting from Mencius's "Wu Shan Yang Wu Haoran Qi", this part of the thesis integrates the "Zhuangzi", "Liezi", "Baopuzi", and "Yellow Emperor's Inner Classic", from Confucianism and Taoism, vertical and horizontal, repeated arguments, showing profound philosophical speculation.
Qin Guan's travelogues, biographies, and various sketches are also very well written. For example, "You Tangquan Chronicle" is longer, writing about the scenery along the way, lyrical and distant feelings, sandwiching between discussions, and double-painting of scenes, which is fascinating. The "Records of the Longjing Inscriptions" writes that he went to visit the Debate Master one day after the Mid-Autumn Festival of the second year of Yuanfeng, and the full text is less than 200 words, but the night scene on the road from the West Lake to Longjing is described as quiet and quiet, full of poetry. His "Book After the Chuan Chuan Diagram" is originally a kind of inscription, but it is written with great interest, with the characteristics of travelogues, like a divine travel map. Yuan? In the third year, he was unsuccessful in his virtuous and good manners, and after returning to Caizhou, he repented with the frustrated returning general Gao Yuan at the Ancient Temple of Chengdong. In his "Gao Yuan Repentant Tail", the image of the two men full of sorrow and wild and uninhibited is portrayed vividly: "(The two) drink nothing every day, and never pay attention to current affairs." Yu drank and sang sadly, and the sound shook the forest. No regrets? Eyes familiar, hair on the punch to finish the crown. There are many strange people, and the remaining two people are also self-assured. "This is not easy to do in general. His "Biography of The Advocate" and "The Tale of the Second Hou" are all sketches, which contain profound philosophies in vivid images, and are thought-provoking after reading. The long "Biography of Mr. Qinghe", with rich canonical facts and tortuous and obscure brushwork, personifies wine and establishes a biography of wine, with novel ideas, quite similar to Han Yu's "Biography of Mao Ying". There is also the "Ghost Text", which describes the symptoms of malaria in a figurative way, which is similar to Han Yu's "Sending Poor Text". His books abbreviate daily chores, communicate friendships, and condense ancient texts, such as the Jin and Song dynasties. Therefore, Lin Shu praised: "Talk more about mundane things without being vulgar, and be noble in the chest." In short, Qin Guan's prose does have high achievements and should occupy a place in the literary circle of the Northern Song Dynasty
《Huaihai Words》
Huaihai words
Yi Xian Zi (The old carving is like a dream to make the five temples into the second temple)
The crows outside the door are crying, and the spring color is like wine. Sleeping and ironing agarwood, the jade wrist is invincible. Elimination, elimination, or fading time.
again
The night is as heavy as water, and the wind is tight and the pavilion is deeply closed. Dream broken rat peeping at the lamp, frost sent Xiao Cold invaded. Sleepless, sleepless, the horses outside the door hissed.
After the dream was hurriedly broken, the pink was red and stained the sleeves. Haruka woke up with wine, helpless jade selling flowers. Looking back, looking back, the sunset on the shore is staggering.
Also (or carved Yan Shuyuan)
The sun outside the building is full of red, and the spring will be halfway through. Tao Li couldn't help the wind, looking back at the infinity of falling. The intestines are broken, the intestines are broken, and the people are all together.
Again (or carved Zhou Meicheng)
Where Ikegami returns in the spring, there are flowers and flowers flying in full bloom. The orphanage is quietly deserted, dreaming of breaking the moon embankment and returning to the road. No-no,no-no,000, five more wind and rain outside the curtain.
Again (this two old Ben Yi)
Outside the door, there are thousands of shades, and two orioles correspond. Sleep up and walk to the Biwu Jinjing. People are quiet, people are quiet, and the wind makes a flower shadow.
The warbler's beak is red and the swallowtail is dotted with wrinkles. Refers to the cold jade sheng cold, blowing through the small plum spring. Still, still, people and Yang are all together.
Zhaojun Grievance (Kasuga means the old carved Zhao Changqing)
The leaf-leaved crow is soft, and the trumpet is obliquely shady. Yang Yan's small waist, painting the west of the building. The service is damaged, and the new worries on the eyebrows are infinite. Extremely eye to send clouds, this is the case.
Laughter Order
The Han Palace selected a woman suitable for Shan Yu, and The Ming Concubine boarded the felt car. Yu Rong was lonely and had no owner, and Gu Ying wandered and cried. The line gradually entered the Yin Mountain Road, and the eyes were broken into the clouds. The hatred of the single pipa is deeper, and the Han Palace does not see the empty review.
Review, Han Palace Road. The sandalwood groove is dancing against each other, and the jade is lonely and the flower is ownerless. Gu Ying stole the jade basket, and weiyang palace knew where it was. Watch Zheng Hongnan go.
Right King Zhaojun
Jinling used to be the imperial state, and lechang was the most popular. Once the Sui soldiers went to the river, they shared their sorrows and went to the country. Yue Gongwan rode a singing, and the sword embraced the jade man to go up to the heavens. Empty with a broken mirror to look at the red dust, the ancient river maple cage road.
Yuanlu, Jiangfeng ancient. Upstairs blowing pipes are no, and the diamond flowers are half fragrant and dusty. Where the past is prosperous, who is the lord of the old joy and the new love. Laugh at the dilemma.
Princess Right Lechang
Pu has a female cui emblem, light like nanshan jade. The king is the most favored on the day, and he often holds the guest in the middle of the seat. At the sight of Pei Lang's heart, he seemed to be drunk, and he dissected Luo Yi and the doorman at night. Xishan Temple is still le weiyang, and the music house is still singing emeralds.
Emerald, good looking. Who made the philistine lightly embellished, Pei Lang was intoxicated at first sight. Laughter stole deep meaning, Luo Yi late at night with the doorman. Dark Junction City West Rendezvous.
Right Cui emblem
Shang Shu has a female name unmatched, and the moth's eyebrows are picturesque to learn new makeup. The Yi family cyclamen are the most intelligent, and the aunt only calls Wang Lang. Shang Shu had promised in the past, and had been encountered again for several years. It is said that Xiangjiang has been in the past twenty years, and at that time, it was not necessarily a light admiration.
Admire each other, no match for women. On that day, Shang Shu Xian Zeng Xu, Wang Lang Mingjun Immortal Couple. The intestines parted from the bitterness, and after several years of hatred, they met again. Laughing pointed to the return of Xiangjiang.
Right matchless
Jincheng Spring ■ "Nichiren" flowers want to fly, burning the garden dancing garnet branches. Xiangjun went to The East Show of the Guest, saying that it was known to the people. The concubine wishes to be Liang Shangyan and meet in the twilight of the dynasty. The clouds and the moon fell into the sea, and the tears were red and the intestines were broken.
Intestines broken, embroidered curtain rolls. The concubine wishes to be Liang Shangyan and meet in the twilight of the dynasty. Mo Xie'en changed his feelings, and the red silk powder tears knew what the limit was. The Legacy of the Ancient Void.
Right burning
The swallows of the hundred-foot building fly, and the beauty of the upstairs has green eyebrows. As soon as the general went to Yin Rongluo, only the old Yan returned every year. The spring wind came to the deep courtyard last night, and the spring color was still missing. Only the bright moon shines lonely, looking back at the old grace and love.
Love, Lou Zhongyan. On the evening of the empty spring in the Swallow Building, the general went to Yin Rongluo. The empty lock building is deep in the courtyard, and the spring breeze is so heavy that no one is seen. The twelve diaphragms lean on all over.
Right eye
The Cui family has a female name warbler, and she has feelings before she knows the spring light. The river bridge soldiers were chaotic in The Xiao Temple, and the red sorrow saw Zhang Sheng. Zhang Sheng was in love with spring at first sight, and the bright moon brushed the wall and the flowers moved. In the middle of the night, the red lady hugged, and her pulse was terrified.
Spring Dreams, Fairy Cave. Rising brushing the wall flowers and trees, the west wing waiting for the moon to know who. The total feels that the jade is heavy, and the red lady sends it to the clouds late at night. Sleepy blah blah blah.
Right Warbler
In the autumn weather of Ruoye Creek, the daughter of the lotus is smiling. Across the lotus flowers, the smoke waves are faint and light. A few sounds of water tune red and delicate evening, and the boat turns back to laugh at people. Whoever breaks the intestines will hesitate to come to the shore as long as possible.
The shore is shallow and the water is shallow. Smiling lotus flowers call female companions, Yingying sunshine new makeup. The water is filled with resentment, and the flat boat is laughing at dusk. It's gut-wrenching.
Right lotus picking
Jian Hu Lou Ge and Yun Qi, upstairs daughter named Ah Xi. Fifteen can be a beautiful sentence, and the life has not been solved. Xie Lang's ingenious poems are cut and can make beautiful people move their grievances. Qiong Zhi Bi Yue Fang Period, Dou Tent double into love.
Attachment, West Lake shore. The lake terrace invaded Yunhan, and Ah Xi was originally a companion of Fei Qiong. Wind and moon Zhu Fei obliquely covered, Xie Lang ingenious poetry cut. Can move fangs and grievances.
Right smoke in the middle of the complaint
The deep girl is delicate and stupid, and the spring sorrows and spring hate the compound knowledge. The uncle only has a sense of restraint, secretly wanting to spend his heart to part. Leaving the boat to solve the spring river twilight, Ran Ran Xiang's soul went to the king. Come back to the body again, dream of the spring breeze and talk to the heart.
Heart hormone, with whom to speak. Shi Xin parted ways the most bitter, Lan Zhou wanted to solve the Spring River Twilight. Jing Shuang returned with the king, and at a different time, he joined hands to start again. Dream of spring breeze.
Right away from the soul
Raw Chazi (not loaded at all times)
The eyebrows are long, and the new garden has green eyes. The pavilion is broken and the spring is cold and shallow. The cup is too late to leak, and the candle is tired of gold knife scissors. Moonlights flickered, flower shadows and curtains rolled.
Dot lips (Taoyuan Ji or Carved Su Zi Zhan)
Drunken light boat, the flow of letters leads to the depths of the flowers. Dust is wrong, no counting flowers to live in. The smoke and water are vast, looking back at the slanting sun. The mountains are as red as rain, and they do not remember the time and road.
The moon turns and cries, and the painting hall palace is born and hates. Beauty is sullen, regardless of the fading of the robe. Clear the tear spots, swing off the soft intestines. The disgusting person asked the back lamp to steal and wipe away the residual makeup powder.
Huan Xi Sha (this first or carved Ouyang Yong Uncle)
The desert is light and cold, and the Xiaoyin rogue is like a poor autumn. Smoke and water paint the screen quietly. The free flying flowers are light like dreams, and the rain is as fine as sorrow. The treasure curtain hangs idle small silver hooks.
Also (also engraved Ouyang Yongshu)
Xiang Jing smiled shyly, and his waist was drunk. The Japanese elders were trapped downstairs. Zhaoshui has a loving chat about the whole sideburns, leaning on the unsound and more shoes. Eyes hate lazy return.
Frost silk concentric cui dai lian, red silk four corners embellished with money. Annoying incense is ambergris. The pillow suddenly suspected that it was a dream, and it could not be seen in front of the lamp. There is also another evil marriage.
On the feet of The Dragon is four inches luo, and the lips are covered with vermilion powder and more than one cherry. See people speechless but echoing. It is expected that song yu will have pity on him, but he should only be helpless to Chu Xianghe. Is there a common denominator in this life?
Also (or carved Zhang Ziye)
The brocade tent is heavily rolled up in the twilight, and the screen is curved with red teeth. Hate people for what is bitter about leaving home. On the pillow, Meng Wei fei could not go, and felt that the red sun was tilting westward. Lined with residual flowers.
Picking mulberries (Yuan carved ugly slaves)
At night, the wine woke up dreamless, and the sorrow was dry. The dew drops are light and cold, and the rain hits the hibiscus and does not dry up. After the beauty farewell, the sound dust is quiet, and it is difficult to abandon it. Mingyue has passed through the twelve rooms of the Red Chamber for no reason.
Bodhisattva
The sound of insects weeping was shocking the autumn pillow, and Luo Wei was wet with tears. Lying alone jade muscle cool, cruel and hateful long. The wind is turning over the green curtain, and the rain is dim. After all, it is not sleepy, and the crow cries the golden well cold.
Again (not loaded at all times)
The golden wind frightened the yellow leaves, and the shadow of the tall building turned into a silver toad. The dream is broken embroidery curtain hanging, and the moon is bright and the black magpie flies. The new sorrow knows a few things, and the desire is like a thousand threads. The geese are no longer heard, and the anvil is where the village is.
Minus magnolia
The end of the world is old hate, alone and desolate people do not ask. To see the ileum, cut off the small incense of the golden furnace. The moth is long, and the east wind is blowing in the east. Trapped in the dangerous building, too much Feihong character worry.
Good things near (dream work)
Spring road rain adds flowers, flowers move a mountain spring color. Walk to the depths of the creek, there are thousands of yellow orioles. Fei Yun turned the dragon snake in front of his face, and turned to the sky blue. Drunk lying in the shade of the ancient vine, I don't know the north and south.
Nguyen Lang Gui
Fading flowers and new branches, fluttering wind and flying. The swing did not dismantle the horizontal embankment, and fell red into a lichen. Butterflies are sleepy, milk warblers cry, and complain about spring and spring. The day was forbidden by alcohol early, and it was even more inseparable.
The palace waist is covered with green pines, and the night hall is deep. The gratuitous silver candles died in the autumn wind, and the spirit was dark. More limited, hate infinite, galaxy sinks into the sky. Longtou flows from west to east, and the best period is like a dream.
Xiaoxiang gate outside the horizontal paving, the moon cold sign lonely. Red makeup drink less hesitation, someone stole to the corner. Swing the jade basket, sprinkle the beads, pear blossom spring rain. Everyone has broken the intestines at the beginning, and there is no intestine.
Xiangtian wind and rain broke through the cold at the beginning, and the deep courtyard was empty. Li Chen blew off Xiao Shan Yu and wandered through the night. The dream of the country is broken, the soul of the traveler is lonely, and the age of Zhengrong is removed. Hengyang still has a goose transmission book, Chenyang and yanwu.
Again (old carved drunken Taoyuan see also merged into the present)
The blue sky is like the water moon, and the silver at the head of the city is leaking late. The wave wind animation ship moves, shy when first seen. The silver candle is dark, the green curtain is hanging, and the two hearts are self-aware. Chu Tai's soul broke Xiao Yunfei, and it was difficult to renew the joy.
Painting Hall Spring
Fall red paving path horizontal pool, make a light rain. The apricot garden is full of cuckoos, helpless to return in spring. The outer painting floor is alone, twisting the flowers and branches by hand. The flowers are speechless against the oblique, this hate who knows.
Also (or carved in the sixteenth year of the valley)
The east wind blows the first day of the day, and the rain and grass slant the sun. Apricot blossoms are scattered with swallow mud fragrance, sleeping damage red makeup. The treasure seal smokes the dragon and phoenix, and the picture screen cloud lock Xiaoxiang. The cold night is faint and thin, infinite thinking.
Begonia Spring (old engraving does not carry)
The warbler cries outside the house. Sleep is not enough, it shocks people. Cui was lightly touched by Xiao Han, and the treasure seal was heavy with smoke. Su Dai did not solve the Gong'e report. The farewell house and the sheng song will be early. Ask the begonia flowers, how many bloomed last night.
A drop rope
Yang hua flying all day long. It was difficult to stay for a long time. Although the tide is temporary, there is a place to be found. Purple House Biyun is the road. The good looks will return. Ken is as thin as Bo Xing five more winds, incomprehensible and flower-based.
Yu Mei figure
Qin Lou deep lock thin love species, the night leisurely who shared. Shame to see the pillow mandarin phoenix, sullen and clothed. The gratuitous painting corner yancheng moved, shattering a new dream. The moon outside the moon is frosted and heavy, and the plum blossom lane is thorough.
Bisha shadow made the east wind dawn, and the begonias opened overnight. There are several chirping birds on the branches, and how much makeup is known. Yu Yun hated Yu's waist and limbs, and her eyebrows were overwhelmed. Bo Fortunately does not come to the spring old, shy with Yi male grass.
Spring Music
Calamus leaf leaf knows how much, only one, bees are wonderful. Rain and red and pink bloomed together, a little dewy, delicate and small. Long ago, it was stormed by the wind, and it was more spring and old. How to get the deep fragrance of flowers, be a bee hug. (The original floral fragrance is incense, I am afraid it is the language of the time.) ）
Nan Gezi (gifted to Tao Xin'er)
The jade leak is exhausted, and the silver is faint. Dreaming back to the house wine has not fully woken up, has been urged by the neighbor chicken, afraid of the dawn. The makeup on his arms is still there, and the tears between his plackets are still full. The lights of Shui Yao are gradually moving, and there is a hook of the moon outside the sky, with three stars.
Sorrowful sideburns, delicate eyes jade cut. Who is the moon wind for, the sky does not know the sound consumption, all kinds of guesses. Gyokuro stained courtyard building, gold wind moving pipe ash. It looks like a dream has just returned, but I am afraid that I will throw people away again and when will I come.
Fragrant ink bends and draws, swallow fat is light and even. Rubbing the blue shirt apricot yellow skirt, leaning on the jade and saying nothing, dotted sandalwood lips. People go to the empty water, and the flowers fly half cover the door. Where the chaotic mountains are looking for clouds, it is a crescent moon and dusk.
Pin Order
Fortunately, self-reliant, strong, teach people to eat. Good and evil for ten days, just now, less. You have to take care of the teachings and laughter, and why do you have to weave. He relies on his face to be regretted, and he is soft and stubborn, and he cannot be excused.
Drop and ■ "Moon Zhai", a natural character, in the middle pressure of one. Kick the whip when the curtain is down, speak low and laugh. Whenever Qin Lou met, he saw infinite pity. People in front of the strong do not want to know each other, put uncertain, face red.
Yulou Spring
Autumn rong old hibiscus courtyard, frost flowers on the grass are evenly cut. The west building promotes the sitting of the wine glass deep, and the wind pressure embroidery curtain incense is not rolled. Jade silk is full of silver kite geese, and red sleeves are caged with golden ducks. Shi Hua was commissioned by the West Wind for one term, and the unique Spring Red left a drunken face.
Queqiao Immortal
The clouds are clever, the flying stars are hateful, and the silver man is dark. As soon as the golden wind and jade dew met, they won countless victories in the world. Tenderness is like water, good times are like dreams, bear with Queqiao to return to the road. If the two loves are long, they are in the twilight of the dynasty.
Yu Meiren
Gao Cheng looked at the dust like fog, and there was no place to see the clouds. Outside the sunset village, there are only countless flowers and boats. Qiongzhi Yushu saw each other frequently, and only hated to leave people. If you want to send your hatred to the Qinglou, fight for the ruthless river water and not flow west.
Peach is planted in the sky and dew, not all flowers. The water in the depths of the chaotic mountains is haunting, but it is a pity that a branch is picturesque and opens for whom. How limited is the light cold and drizzle, it is difficult to manage the spring. Why bother if you are drunk, you are afraid that when you wake up, you will cut off your intestines.
Xingxing letter horse across the pond, smoke and water autumn flat shore. How much of the sun is in the sun, knowing that A who is hateful and has a back to the west wind. Where the red makeup boat comes from, the paddle steals care of each other. The Mandarin Duck was not without worry, and a pair of ducks flew away, but turned back.
Nangoko
Magic handwriting emblem, water clipper eyes dotted lips. It is suspected that in the past years, Song Yu was peeping, the eastern neighbor, only half of the head of the wall was exposed. The past has been sour, who remembers the year of Cui Dai. There are some hateful and ruthless, ruthless, and even ruthless and moving.
Tasha Xing (Chenzhou Hostel)
Fog lost the platform, the moon lost Tsutsu ferry. Taoyuan is nowhere to be found. The isolated house is closed in the cold of spring, and the sound of cuckoos is obliquely sunlit. Send plum blossoms, fish pass ruler. Masonry into this hate has no weight. Chenjiang was fortunate to go to Chenshan Mountain, for whom Xiao Xiang went. (Po Weng loves this word, and the last two sentences are written from the fan, cloud: "Less travel, although ten thousand people how to redeem.") Shi Tianyin notes the three-body Tang poem, saying that these two sentences actually change from "Yuanxiang flows east day and night, not for the time when people are less worried". However, the spring water of The Other Spring also flows to Qi, and already has this intention, and Qin Gongpu has come out of this. And Wang Zhifang's poem contains: Huang Gu regrets that this word is oblique and twilight, and he wants to change his word without getting it, and now Chen Zhi is the degree of oblique yang. Foolishness says that this is also harmful and sick. Li Taibai's poem "■ "The Sun Scroll" is "Sunset Twilight", that is, the oblique sun twilight. Liu Yuxi's "Sunset Slope at the Mouth of Wuyi Lane" and Du Gongbu's "Mountain Wood Cangcang Sunset Sun", all of which mean this. For example, there are "one person is strong and not less" in Han Wengong's "Ji Mengshi", and there are many such things as "the stone drum song" is "properly placed and not quite", which can also be called heavy. If the valley does not say this, that is, to be sincere out of the valley, it is enough to conclude yes. ）
Linjiangxian
Qianli Xiaoxiang joined Lanpu, lanhuan used to be. The high wind of the moon is fixed. The microwave does not move, cold soaked in the stars of the day. Leaning on the dangerous building quietly, the concubine is whispering. The new voice contains the ancient and modern feelings. Qu finally disappeared, and there were several fengqing on the river.
The bun is snuggled up and untidy, and the eyes are slightly heavy with sleep loss. Seek to think of the mold early heart. Broken intestines hand in hand, what is too sad. Can't bear to be red in the arm, and meet in a dream. Distant pity on the lonely canopy. The sunset is flowing, red and full of tears.
Butterflies love flowers
Dawn peeps at Xuan Shuangyan. It seems to be with the beautiful people, and the spring will be twilight. There are a few bright suns, but there is no time for idle wind and rain. Flowing water falls without asking. Only flying clouds, rising and going. Holding wine to persuade Yun Yun to live and rely on the king to hinder the way back to spring.
River Transmission
Flowers flew in a haphazard manner, and they looked into the air and closed, leaving people sad. That night came, a thin storm of love. Hidden will, spring color will go. The fence withers are all due to who does it. If you talk about acacia, the Buddha also gathers his eyebrows. No wonder for Yi, resisting death and provoking the stomach. For the untaught, people hate.
Hate eyebrows drunk eyes. Even gently looking at it, the spirit was confused. Often remember that time, the little qu dried up the west bank. Sideburns, socks. Lilac smiled and spat out infinitely. Soft voice low, said I have been accustomed. The clouds and rain were not harmonious, and they had long been dispersed by the east wind. Killing people, heaven forbid.
Jiang Chengzi
Xicheng Yang Yan Lane Chun Rou. Moving away from worry, tears are difficult to collect. Remember the sentimentality, once for the return of the boat. On the day of the Biye Zhu Bridge, people were not seen, and the water was empty. Shaohua does not stay for teenagers. Hate yo-yo, when to rest. Flying flowers, time to climb the stairs. The spring river is full of tears, endless flow, many sorrows.
Flying yan in the south and returning to Hong in the north. Occasional encounters, miserable faces. Sideburns, re-see the two decaying men. Don't ask, infinite things, don't say anything. Small troughs of spring wine drop beads red. Mo Is full of gold. Drink scattered flowers, flowing water from the west to the east. After the will be out of nowhere, the smoke waves, twilight clouds heavy.
Jujube gold jutsu is about soft. Once upon a time, things were difficult. Only the ruler jade face, and the tear lock golden boudoir. Just like the small garden peach and plum, although in the same place, different branches. Yu Sheng first trembled. Falling flowers fly, for whom to blow. The moon is cold and the wind is high, and this hatred is only known to God. Ren is a pedestrian with no fixed place, see each other again, when is it.
Chiaki (Who, Who)
Outside the water sand. Chengguo spring cold retreat. The flowers are chaotic, and the warblers are broken. Drifting glass of wine, parting clothes belt. People are gone, and the clouds are twilight opposite each other. Reminiscences of the West Pool Society. Herons fly with flying leaflets. Hand in hand, who is here today. Ri Yao's dream was broken, and Zhu Yan changed in the mirror. Spring is also gone, flying red ten thousand points of sorrow like the sea.
A bunch of flowers
I see the master tonight. Cheeks are burgundy. Outside the curtain half roll micro lamp, Rev on the top, smoke is cool. The bun is thrown around, the snuggles are not up, and the new words are sung with tears. wedding day. Who expected the long uneven. Melancholy. I want to respond to the wonderful dance love song, and I also consult with the autumn color. Only the painting building, when the moon was bright, two places of photography.
Promote the shooting of full of road flowers (no promotion of the two words)
Dew adds color. Moonlight casting gap. Spring thoughts are like wine, hate is powerless. The cave house is only a ruler, and it has sent green wings. The clouds dispersed without a trace. The tent was ruined, and the dream was nowhere to be found. Light red and white. Step by step smoked Lanze. About the wrist gold ring is heavy, and it should be decorated. Unknown or not, there has always been no news. Unusual memories. After reminiscing and teaching people, the film can not be saved.
Full of flowers
It has been moaning for a long time. Teardrop sleeves. I was not compatible and bitter. Habitual and stubborn, see the bottom of the heart first. Do what you want to do. Even twisting the veins, pouring people to the sycophant. In recent days, it has been very ugly. The Buddha also frowned. How to cover the crowd, waiting to receive Polo. It's just never fighting. From now on. Hugh Dao is with me, dreaming of it, and cannot get hooked.
Eight Six Sons (Haruhi)
Leaning on the dangerous pavilion. Hate is like a herb, miserable and alive. After saying goodbye to The Outer Qing, Shui Yihong was sadly shocked when he was divided. Gratuitous day and Lou Ting. The night moon is a curtain of dreams, and the spring breeze is ten miles of tenderness. How to help, the joy gradually follows the flowing water, the sound of the strings is broken, the green silk incense is reduced, the pieces of flying flowers are late, and the rain is misty and the cage is clear. Positive pinning. The yellow oriole chirped again.
Dream Yangzhou
Evening clouds. It is the first break of the pond and the smoke and rain. The swallows have not returned, and the sides are as cold as autumn. Outside the small bar, the east wind is soft, the embroidery is transparent, and the flowers are dense and fragrant. Jiangnan Luo, where people are, partridge crying spring sorrow. Long remember to accompany Yan Lu. Reward magic dance song, Li Jin head. Drunken sleepy flowers, ten years because of who drowned. The drunken whip returned late, looking at the green building and the curtain rolling gold hook. Good will be obstructed, the love is chaotic, and the dream of Yangzhou is frequent.
Man Ting Fang
The mountains smeared with clouds, the sky sticky and faded grass, and the sound of the painted horns broke the door. Pause the levy and talk about the common leader. How many old things in Penglai, empty looking back, smoke and mist. Outside the slanting sun, jackdaws counted, and the flowing water surrounded the isolated village. Soul-destroying. At this time, the sachet is secretly dissolved, and the strip is lightly divided. He won the favor and Qinglou Bo survived. When to see you, the sleeves, empty stains. At the place of injury, the high city was broken, and the lights were already dusk. ("Heavenly sticky fading grass", now changed to "sticky" as "lian", non-also.) Han Wen Dong Ting man "sweat sticks to the sky without walls", Zhang Hu poem "grass color sticks to the sky and the quake hates", valley poem "lu water sticks to the sky fishing boat", Shao Bo poem "Pinglang shi sticks to the sky", Zhao Wensheng words "Yuguan Fangcao sticks to the sky", Yan Cishan words "sticky clouds red shadow hurts a thousand, Ye Mengde words "wave sticks to the sky Pu Peach rises", Liu Xing's short words "mountain cui want to stick to the sky", Liu Shu'an words "twilight smoke fine grass sticks to the sky", "sticky" characters are extremely worker, and have a provenance. If you do even the day is a child's language also. ）
Red indigo flowers, yellow reed leaves are chaotic, and the jade dew is early in the middle of the night. The sky is wide, and the clouds are light and the rivers are clear. Lonely canopy dinghy, leisurely passing, smoke Nagisa Satin. The gold hook is thin, the silk is slowly rolled, and a pool of stars is pulled. All the time, the horizontal piccolo, the breeze and the moon, phase and forgetfulness. Renren laughs at the career, pan-stemmed fluttering. Drink or not to get drunk, dust and labor, have ears and who are deaf. The river breeze is quiet, the sun is high, and the wine on the pillow is slightly awake.
The blue water is frightening, the yellow clouds are condensed, and the dead leaves are scattered and empty. The cave house is quiet, and the oblique moonlight lingers. It is also the heavy yang near also, a few places, the anvil pestle sound urges. Under the western suffix, the wind swept the green bamboo, and it was suspected that the deceased had come. Wounded. Hate, new joy is easy to lose, and the past is difficult to guess. Ask Huang Ju of hedges, know who opened it. The slander must be drunk, and the wine has not awakened, and the sorrow has returned first. With a long time, the golden wave gradually turned, and the white dew dot the moss.
Also (Wing Cha or Carved Yellow Valley)
Beiyuan Yan Paste, Fang Gui Yuanbi, Wanli Famous Moving Jingmin. Crush the body and bone, and close the smoke. Victory over the wind and currents, spring sleep, and pioneering sorrows. Pampered, fragrant spring splashed milk, golden partridge spots. Similarly, Fang Sick Wine, One Look and One Chant, Bin You Xian. In front of the lamp, drunken jade decadence mountain. Search and stir the chest in the ten thousand, but also tilt, the three gorges etymology. Returning late, Wenjun did not sleep, relatively small makeup.
Again (To the Wrong King)
Evening clouds bloom, spring goes with people's wishes, and the rain is still sunny. Gaotai Fangshu, Feiyan Kehongying. Dance sleepy Elm money falls by itself, swing outside, and the bridge is flat. In the east wind, Zhu Men reflected the tree, and pressed the small Qin kite. Sentimental. Where the music is, the pearl is green and the jade is red. Gradually the wine is empty, and the flowers are sleepy and fluffy. The old hatred of the beanie, ten years of dreams, and the fingers are frightening. With a long time, the smoke fades, and the silence is not in Wucheng. (This book is mistaken for "Evening Cloud Opening", which does not make sense.) Wei Yang Zhang engraved the "Poetry Yu Spectrum" to change the meaning of "兎" as "see", nor is it. According to the "Selected Words of Hua'an" as "Evening Color Cloud Opening", it is now from here. ）
Again (tea word)
Ya Yan flew and talked about waving, so that Jungao would be xian. Dense clouds and double phoenixes, the first broken wisps of gold. The smoke outside the furnace seemed to move. Open a test, a pint of benquan. Gently scooped up, fragrant jade milk, snow splash purple Ou round. Pampered. Yi Mei Xiao, double Qing Cui sleeves, Step Red Lotus. The sitting guest turned over and sang. Light a sarong to draw candles, flower tricks, moon shadows dangxuan. Frequent care, yu huan is not exhausted, want to go and stay.
Flowers are slow in the rain
The point refers to the path of nothingness, drunken spots, and visiting the western pole. See the sky blowing down, full of cold emperors. The jade female star greeted with laughter, and he was bitter to drown himself in the dust domain. The fire wheel flies, the fog rolls open, and the cave looks golden. Heavy pavilions, horizontal pillows, and upside-down stones on the surface of the water. Everywhere, there is a fire of incense, and it is unpredictable. Fortunately, after the peach was ripe, Ah Huan secretly reported the news. In the blue sky and blue sea, a branch is difficult to encounter, occupying the spring color.
Sauvignon Blanc
The iron urn city is high, the garlic mountain is wide, and the dry cloud has twelve floors. Open to the moon, cover the foil cloak, still light Yangzhou. Qi Mo South Head. The name of the song is like a turn, and the township name is gentle. Qu Sills looked down at the clear stream, thinking about Hua Yin and who was tied to the orchid boat. Reading the miserable Qin strings, feeling deep and blessed, looking at each other a little bit of sorrow. Diligent tailoring, Nai Pisces, difficult to cross Guazhou. Xiao Jian was ashamed. Pan sideburns and Wu Shuang gradually thickened. Fortunately, the flying and mandarin ducks are prepared for aging.
Water Dragon Yin (Courtesy of the Brothel Dongyu)
The small building is even in the sky, and the embroidered hub is carved and saddle down. Half roll of curtains, single clothes for the first time, qingming time. Breaking the breeze, making it rainy and sunny, and wanting nothing. The sound of selling flowers is too much, the courtyard of the slanting sun, the red array, the flying duck. After Yu Pei Ding's farewell, it was difficult to have a good time and a jagged time. The name reins lock, the heavens still know, and the sky is also the sun. Flowers under the heavy doors, the deep alleys, can not look back. Read the sentimentality but there is, at that time Haoyue, the illumination is still the same.
Drum flute slow
In the mess of flowers, there are poor scenery and fans enjoying it. To this day, who puts, the carved saddle is locked, blocking tourists from coming and going. Good dreams follow the spring, the past is unbearable, and it is unbearable to think. Nian Xiang is in the middle of nowhere, jia huan is not even, it is difficult to stay nostalgic, empty and sad. Yongye Chanjuan was not full, sighing the jade building, when to re-ascend. It was a thousand miles, but it was looking for a way back, and it was singing alone. Hate the east flowing water, Taoyuan Road, want to return to the oars. Who am I to fight, ask him, how do I go now?
Wanghai Tide (Guangling Ancient)
Stars divide bull fighting, Xinjiang lianhuaihai, Yangzhou Wanjing tifeng. Flowers are fragrant, warblers are crying, and vermilion curtains are ten miles of spring breeze. Hao junqi is like a rainbow. Trailing spring golden purple, flying leaf from each other. The alley enters the weeping poplar, and the north and south of the painting bridge are in the green smoke. Remembering the prosperity of the homeland. There are mazes hanging buckets, and the moon view is in the sky. Brocade sails, pearl splash rain, rather on the sparrow horse fish dragon. The past is lonely. But the clouds flowed and the haunting left the palace. It is best to swing a thousand words and drink a thousand chungs.
Mata (Echishu Kako)
Qin Feng is green, Ye Xi is dashing, and thousands of rocks are competing for water. Mandarin Tile Pheasant City, Yumen Painting Ji, Penglai Yange Three Rests. Skyline is home. Pan Five Lakes Smoke Moon, Xizi swim together. The grass is barren, and the village of Ramadan is cold and idle. Who looks at the ancient gaze. Zhu Yan is easy to lose, and Cui is difficult to stay. Meishi old books, Lanting ancient ink, faintly charming autumn. Crazy guests to see the lake head. There are a hundred years of Tainuma, which is destroyed all the time. It is best to exchange the golden turtle for wine, and the drunken Cangzhou.
Again (Luoyang Fenggu)
Mei Ying is faint, the wind is dissolved, and the east wind is darkly changing years. Jingu Junyou, Copper Dumpling Lane Strange, Xinqing Fine Walking Flat Sand. Long memories of mistakes with the car. The butterfly dance is turned over, and the fangs are mixed. Under the peach tree, chaotic spring color to the people's home. West Garden night drinking and singing. There are lanterns that hinder the moon, flying leaves that hinder the flowers, orchids that are not empty, pedestrians getting old, and it is difficult to start over. Chimney wine flag oblique. But leaning on the building is extremely eye-catching, and when you see the crows. Helpless to return to the heart, the water flows to the end of the world.
Again (don't mean it)
Slaves are like flying feathers, langs are like flowing water, and they are willing to follow each other. Micro moon household court, residual lamp curtain, pity the good period. The words are temporarily divided. Early hugging people and swallowing, tears red. It is difficult to stop the painting, and Cui Wei lightly bids farewell to the two yiyi. Don't look at it. There are fragrant paws, combined pines, red pink crisp marks, green notes tender about, Ding Ning Mo sent people to know. Who is the cause of the disease. More self-talk autumn, kiss no doubt. But when I am afraid of life, I pay attention to it, and I am divided into flying.
Merry Boy (Early Spring)
The east wind blows the green grass, the years change, and the old Cangzhou is traveling. See mei spitting out the old Ying, the new one, annoying spring color, also on the branches, confused, the north with the clouds, the east with the water leisurely. The sun is halfway up the mountain, the smoke on both sides of the river, several horizontal flutes, a flat leaf boat. Qingmen joined hands with each other, and the former Huan Ji was like a dream in Yangzhou. Whoever reads the broken intestines of Nan Mo, looks back at the West Building. Count the days and the earth for a long time, sometimes there is an end, but it is endless, and this hatred is endless. I plan to wait for Qianren to say yes, I am afraid that people will be worried.
Qinyuan Chun (Chun Si)
The mist is misty, the clouds are caged, and the day is getting longer. Zheng langao mud run, who family Yan xi, honey spleen incense less, touch everywhere bee busy. No one hangs curtains all day, and more wind passes the gossamer over the wall. After the light rain, there are peach sorrows and apricot complaints, and red tears are dripping. The wind is easy to feel, but it stands still and returns to the soft intestines. Read Xiao Yi Yao Jian, heavy even wax, jade cage golden bucket, when ironing agarwood. YanXia Xiang will travel to the place of Ye, and then look back at the Qinglou into a foreign land. Reminiscences, a thousand stacks of notes, difficult to write a little.
Drunken Township Spring (Less travel to Who Fuji Prefecture, a day drunk wild people's home, made this word. This episode is not contained and is found in the Chronicles of Geography. Or don't know how to scoop words, make mistakes, ridiculous. ）
Evoke a quiet voice, cold dreams cold window dawn. The miasma rain has passed, the begonias have bloomed, and the spring color has added much. The urn brewed a smile, and the half-missing coconut scoop was scooped together. Feel dumped, rush to the bed, drunk in the vast world small.
Partridge Day (Old Carving)
Warblers and tears on the branches, old cries between the new cries. A spring fish and bird has no news, and the soul of a thousand miles of mountains is dreaming. Without a word, to Fang Zun, arrange the intestines to break until dusk. Fu can burn the lamp, the rain hit the pear blossom deep closed door.