A wonderful week of screenings is about to begin, and first of all we will usher in the important events of the week. Chilean director Silvio Gaiozzi will meet us with his Dawn Of The Dawn (full version 197min).
His 1979 debut film Julio Started in July was named "Best Chilean Film of the 20th Century", in 1990 "Moon in the Mirror" was shortlisted for the Venetian main competition, and in 1999 he won the Montreal Best Director for the film Coronation. Silvio Gaiyozzi is very close to us, and last year's "Dawn Suddenly Arrived" was unveiled in the beijing international film festival section. This year, he was also invited to serve as a judge for the 9th Temple of Heaven Awards.
"Dawn Suddenly Arrived" can be said to be one of the longest and most surprising unpopular masterpieces of the year, and many viewers have made the evaluation of "the best of this North Film Festival". Maybe you overlooked last spring's dazzling list of films, but don't miss it this week.
Wenders' film review continues to be presented to you.
Wenders' angelic perspectives – Under the Berlin Sky, "The End of the World".
In Wenders' footage, the skies over war-torn Berlin are filled with gentle angels who listen to the painful thoughts of mortals and try to comfort them. The angel falls in love with a beautiful circus actor and wants to become a mortal and feel the joy and happiness of the world.
Three years after the fall of the Berlin Wall, Wenders made a sequel to Under the Berlin Sky. Berlin has become a different city, and Wenders wants to express this change with the same role.
Wenders' spirit of fandom -
Filmed by Wenders and students at the Munich Film Academy, Mirage of Light tells the story of the birth of Berlin cinema. The Marcos brothers, a Pioneer of German cinema at the same time as the Lumiere Brothers, built a projector "Bioskop" and thus co-created the "moving image" in their own poetic, poor, cute and rather "non-German" way.
"The Story of Lisbon" inherits the same framework, and the director has the right to shoot a film in the entire history of cinema. A man walking alone on the road with a hand-cranked camera, like Buster Keaton in The Cinematographer.
Wenders' record attempts – "In Search of Ozu" and "Urban Fashion Shorthand".
Wenders once said, "If we still have shelter in this century... If cinema has its own sacred treasure, for me, this is the work of Japanese director Yasujiro Ozu." Ozu made 54 films, from silent films in the 1920s, to black-and-white films in the 30s and 40s, and finally to color films.
Also focusing on artists from Japan, this diary film explores the similarities between film directors and Tokyo-based fashion designer Yohji Yamamoto. In the early 1980s, the latter alarmed and revolutionized the fashion world. Wenders made the film independently.
Wenders' musical feelings -
While attending college in Munich, Wenders found an old pile of 78-minute phonograph records in the attic of the film school. They are fully numbered and have "Mood Music" written on them. With the help of the film school's 16mm projector, he directly ripped the music directly onto the soundtrack of the movie, which is "Silver City".
Reverse Angle was Wenders' first diary film about New Wave music, about wandering around New York, editing Hammet in front of Coppola, about a novel by Emmanuel Buffe, and Edward Hope. Unconsciously, all this became a reflection on European and American filmmaking.
Children's special features are brilliantly presented, and the national film is served on the table together for you to choose.
Florida Paradise, from Sean Baker, is arguably one of the best children's films of recent years, telling the truth about a violent and tender life. Brooklyn Prince, the little girl who plays Mooney, has started directing the film with the help of Sean Baker.
Xiao Xitian Small Hall brings you the domestic science fiction film "The Atmosphere Disappears" wrapped in a children's theme shell, and the second part of Li Ruijun's "Homecoming Trilogy", "Home in a Place with Abundant Water and Grass", telling the journey of finding a hometown.
Since June, we are preparing for the celebration of the 70th anniversary of the founding of the People's Republic of China until the end of the year. We focus on "people", follow individual life and work experiences, and observe the connection between new China's production and construction and personal struggle.
Director Lu Ren's "Today I Rest" is a masterpiece of praise comedy in the 10th anniversary of the founding of the People's Republic of China, the script written by Li Tianji is funny, and the actor of Ma Tianmin, a small policeman in the film, Zhong Xinghuo, is a professional who plays a policeman in the new Chinese film industry, and his image in the film became a benchmark for idealized moral models at that time.
The small hall "Kong Fansen" and Baiziwan's "Child King" echo each other, and the ordinary people at the grassroots level and the models of the times together form a group portrait of the writers of the history of the republic.
This week's Cabaret Awards brings to you the scene of the Palatine Theatre in London, "The King and Me" (86 minutes and 15 minutes between the scenes), which was rated by The New York Times as a "glorious re-arrangement", starring Tony Award for Best Musical Actress Kelly O'Hara against Ken Watanabe.
This week's academic screening of the outer film screened three works for everyone, "Humiliation" by Lebanon Chong Ao in the small Western Sky Hall, "Laura Montes" by Max Ofels in Baizi Bay, and "Doctor Zhivago" by David Lane.
In the long-term screening part of the art film, this week is still three works to meet you, Wang Xiaoshuai's "Intruder", Diao Yinan's "Daytime Fireworks", and Song Taijia's "Ara Ginger Color". In particular, the restored version of "Scenery of the Art Sea" was finally screened again after the special screening at the beginning of the year, and the story inside and outside the screen provided insight into the ecology of the Chinese film industry on the eve of the War of Resistance Against Japanese Aggression. Silver Sea Theatre follows last week's "Heroes of the Crowd", and this week of course is the Peking Opera "Tears of the Barren Mountains", directed by Wu Zuguang, leaving Mr. Cheng Yanqiu's style on the screen.