Zhang Shan, Zi Xinzhi, Zhai Number, Han Xu Tang. Young Chengjia Yan, involved in the book painting garden. In elementary school, when he first came to his father Inge," he painted "Many Pagodas" in red. In the early 1970s, he participated in Chen Cang's calligraphy research class, and began to study Ouyang's "Liquan Ming of the Nine Cities Palace" under Li Ziqing until the early 1990s. For more than 20 years, the study and research of European calligraphy has never stopped, until 1995, standing five feet in suspense to open the eighteenth grade screen of "Jiucheng Gong Liquan Ming". Successively, liu gongquan, Yan Zhenqing and other Tang Dynasty calligraphy works were studied. In addition, he extensively studied and studied the Wei stele of the Wei Dynasty: "Zhang Ronglong Stele", "Zhang Heinu Tomb", "Yuanjun Tomb", "Yang Dayan Statue", "CuanZi" and other masterpieces of calligraphy, and obtained an in-depth understanding and mastery of the penmanship, shape, frame, structure and characteristics of calligraphy art. Thus, for the future of the healthy and good development of calligraphy, cursive writing, seal writing, open up a new world, lay a solid foundation!
Majestic as a mountain
——Appreciation of Mr. Zhang Shan's calligraphy and painting art
Text/Zhangshu Province
As the old saying goes, the mountain is not high, and the immortal is named. Yu Xiao supplement: The mountain is not big, there is a soul, the spirit; the mountain is not deep, there is real red. These three sentences are linked together, which is actually a true portrayal of a calligrapher named Ri Zhangshan. Mr. Zhang Shan is not only a superhuman calligrapher, but also has poems, paintings, seals, and photography, and his body is quite a bit of fairy, aura, literary atmosphere and atmosphere.
When I first met Mr. Zhang Shan, I was attracted by his kind of fairy wind Dao bone-like temperament, thick black hair, draped down and naturally a little fashionable, splashed with ink, with thick eyebrows and dense whiskers, under the delicate double eyelids is a pair of smiling eyes, if you meet him in the temple temple, you will really think that he is a high monk or Taoist leader. Zhang Shan's calligraphy, on the other hand, also seems to carry some of the temperament of this kind of fairy wind Dao bone, thick, simple, vigorous, powerful, the frame is dense and measured, if it is detached, the secret place is like rock like stone, the sparse place echoes Tiancheng, and every stroke and painting is self-exquisite and self-contained. The shape of calligraphy, although it is an appearance, is a moment that gives people the first impression, such as the kindness of the old man, such as the charm of the beauty, and many times, the shock of this first impression is enough to be impressive and lingering for a long time. Some people are heavy and light on the table, and it is right to be heavy, but the light table is biased. Some people seem to scribble with a stroke of the pen, but in fact, it is bad and then exposed to the shape, so it is amazing. Some people are sprinkled with foreign flowers, flying dragons and snakes, but people are a little confused, as if they are a little hot. The form is immersed in the surface, the table is thick in the middle, I think mr. Zhang Shan's calligraphy is consistent in the table, it is very simple and clumsy, making people happy to read and chew with taste.
Mr. Zhang Shan has been cultivating and forging in the melting pot of the army for 26 years, and this kind of almost half of his life has suddenly created a strong sense of professionalism and justice. Therefore, he not only fulfilled his duties and dedication in the position of secretary general of the Provincial Book Association for many years, but also took the inheritance of Chinese civilization and the promotion of the spirit of the times as the main tone, and he would never pander to those things that tended to be timely and pompous, and he would not raise his eyebrows when he heard those words that hurt the interests of the people, which was quite awe-inspiring. As a result, his masterpieces that accompanied the spirit of the times of the fate of the country often came into being. In the Wenchuan earthquake, he recited a hundred long poems ,"Qingshan has love and boundless love", which said: "The earth is turbulent and shocks Wenchuan, and the heavens and the earth are broken and the rivers and lakes are turned upside down." Bridges were destroyed, roads were blocked, water and electricity were broken, and buildings collapsed and people did not return", the opening sentence is to cut the theme directly, expressing emotions, "The great earthquake has not calmed the aftershocks, and the premier command is at the forefront." Tears were palping in the rubble, and their hearts were clasped in the hands of their compatriots. One side has difficulties and eight parties to help, and the road army quickly enters the river. Hardships and hardships are not afraid of danger, and they race against the clock to overcome difficulties..." Its sonorous shock, sound on the ground, deep affection, straight to the heart, a Chinese child's heart of worrying about the country and the people are clearly revealed. The group poem "The Sacred Flame Ignites the World's Feelings" is even based on the theme of "The Dragon of the East awakens from its first dream, and the spring tide of reform is revived." The ancient style of Athens passes through the capital, and the Olympic Games open a new journey" Of the majestic momentum, a loud roar, in one go. Although it seems that it would be better to replace Chinese the word "gratitude" with "looking up", the works of the masters are often informal and flawless, and Mr. Zhang Shan, a poet and a scholar, was selected for the "Beijing Olympic Tour Calligraphy and Painting Exhibition" with a book association of eight feet apart and eight screens, which caused a surprise in the industry and the audience. The temperament of mr. Zhang Shan, a scholar and poet, can be seen here.
Mr. Zhang Shan also received the opportunity to display calligraphy and poetry at the Olympic Games. His "Qingshan Is Still In the Mountains and The Mountains are High and The Water is Long" Is an eight-foot chinese landscape painting, which is specially invited by the Ministry of Culture and the Beijing Olympic Games Organizing Committee, and the picture is set against the background of the Qinling Mountains in China's National Central Park, with magnificent momentum, broad meteorology, beautiful and deep picture, bright and brilliant colors, giving people a strong visual impact and appeal. Zhang Shan's paintings, the paintings of the literati, are the paintings of the scholars, unique and intriguing, and his fan paintings condense the landscape with a scale of inching, freeze flowers and grasses, beautiful and beautiful, exquisite and transparent, quite lovely. Although He served as vice chairman of the Provincial Book Association, he still concurrently held the position of secretary general, and his affairs were complicated and he socialized from top to bottom, but he lifted heavy weights, left and right, and also took time to do training and counseling work for the younger generation. People ask, why are there so many talents and so fruitfulness? Answer day, diligent also, erudite also, bold also, popularity also, a good person with a healthy atmosphere and culture. Although the peak of art is the touch bypass of a horse Pingchuan, but in the end it is still in character. At the end of life, it is the competition of character.