I dragged it out again to watch the Douban 9.3 high-scoring biographical movie "Nanhai Thirteen Lang", and also made a video, here is the manuscript, slightly modified, easy to read.
The work "Nanhai Thirteen Lang" was first in the form of a stage play, and it was tempered on the stage for many years before it was put on the big screen. After the release, it was very popular, and the good reputation was also favored by major awards, and Xie Junhao, who was in his thirties, also won the film emperor with the film. After that, the stage play continued to be staged, the actors and team were changed from time to time, but the core of the story and the soul actor Xie Junhao never changed.
The film adopts the play-within-a-play mode embedded by the storyteller.
The storyteller tells the story of the venue from the temple fair to the police station, and the fixed scene poem is integrated into the famous work of the protagonist Nanhai Shisanlang Jiang Yuyi: "The voice of the heart tears the daughter xiang, where the swallow returns to find the remnant pond." Red Silk Night Thief Han Jiang Xue, infatuated with thirteen Lang.
Speaking of delusion, thinking of Chen Kaige's "Farewell to the Overlord", Cheng Dieyi, who is not crazy and does not live, is also a fool.
But Cheng Dieyi is more obsessed with one word, love.
In "The Thirteen Langs of the South China Sea", Jiang Yujun is also obsessed, from falling in love with the beauty at the dance party to shanghai the next day, to never marrying, meeting his first love when he was down, losing his attitude, jumping on the train on the way home, all of which are associated with a woman. Can't say it's not stupid.
However, let's take a look at several meetings between Jiang Yujun and the lover of his dreams.
The first time they met and invited people to dance, they could dance after watching it again, and the girl was surprised, but Jiang Yufeng did not respond in time, but fell into his own fantasy world.
The two years of experience in Shanghai were adapted by him into "Cold River Fishing for Snow" and became famous in one fell swoop, and the flashbacks were all his various forms of being alone, and the reunion after his fall, he entered the fantasy after the trance, and the talented lady met again, it was only the usual continuation of the frontier at that time, and the other party did not recognize him at all.
In this obsession, all the beautiful dramatic highlights happen in Jiang Yujun's imagination.
Life is like a drama, such as drama Life is where he is really obsessed.
After Jiang Yujun entered the industry, there were two very important people, one was the cantonese opera master Xue Juexian, the fifth master of the drama of Great Ren and Great Righteousness, and the words of love and righteousness written by Jiang Yuxuan. They will meet each other and will achieve each other when they meet good.
Xue Juexian had the grace of knowing Jiang Yuxian, and Jiang Yuxian also had the righteousness to repay Xue Juexian, and when Jiang Yuxian was most famous, there were threats and inducements against his family that could not shake Jiang Yuxuan in the slightest. He goes to help the downcast anti-string Dan horn, and he is his own actor.
The other person was his apprentice and his confidant, Tang Disheng.
When Tang Disheng's creation was at its most exuberant, standing on a high place and being invaded by loneliness, Tang Disheng came to admire it, that is, the alpine flowing water Boyazi period to find Zhiyin.
Fifty years later, a hundred years later, no one will miss the stock gold of that time, but they will still chant those classic masterpieces. There will still be countless people who are touched by their works and by the friendship between them.
Years later, the Hong Kong entertainment industry blowout, "Nanhai Thirteen Lang" screenwriter Du Guowei is thinking, a screenwriter, a creator, if there is no luxury car beautiful house stimulation, what will happen, what should happen?
So there was "Nanhai Thirteen Lang" with the screenwriters of hong Kong.
Huang Xia, a great talent who played a small role in the movie, also said that Jiang Yujun is a legend in the minds of all practitioners.
And the film ends with the storyteller ending with "one scribbling screenwriter telling another sloppy screenwriter."
He came to the street and watched a new generation of young people once again enter the torrent of the times, a young man who looked like Nanhai Thirteen Lang, and chased after him.
What is chased is the obsession and love for an industry, which is a spirit.