Li Bai's "Mocking Wang Liyang's Refusal to Drink" post attracted the attention of the academic community

In recent years, the "Mocking King Liyang Refuses to Drink" post has attracted wide attention at home and abroad. This post is 26.4 cm long and 67 cm wide, with a total of 50 words, including the full poem "Mocking The King Liyang Refuses to Drink", which is "Li Bai". Regarding the author of this post, many authoritative connoisseurs at home and abroad have identified it as Li Bai's authentic handwriting, and Mr. Li Zhizhong, a well-known expert in ancient chinese books, once again made further judgments on the key information such as the background and time of creation of the post.

First, what is the relationship between Li Bai and Wang Liyang?

Whether this Wang Liyang is a personal name or a surname plus the official place name needs to be clarified first. Volume 282 of the Quan Tang Wen, compiled by Dong Yu during the Qing Jiaqing period, has a title of "Wang Lizhen", which is also called "Li Zhen, Emperor Ruizong's official and zhou Liyang Cheng", and tasted to write "Yizhou Shiting Fu Tu Song" by Tian Yiqi of Zuo Guo Yi Du Wei Ji County. Qing Weng Fang Gang's "Ode to the Stone Floating Figures of the Tang Dynasty" says: "Right "Ode to the Stone Floating Chart", built in August of the first year of the Taiji Dynasty (712), and Li Zhenwen, the king of the Prefecture Liyang, did not sign the name of the person. (Weng Fanggang's "Fuchu Zhai Anthology", vol. 24) Qing Wang Chang's "Jinshi Compilation" volume 69 "Tian Yiqi Shifu Tu Song" is also referred to as "Tang Yizhou Shiting Fu Zhi Because it is known that Wang Lizhen's identity when he wrote the "Ode to Shifu Tu" was Hezhou Liyang County, Wang Liyang was his surname plus the official place name, and the real name was Wang Lizhen. Therefore, the relationship between Li Bai and Wang Liyang is actually the relationship between Li Bai and Wang Lizhen.

In the twelfth year of Tianbao (753), on the day of heavy snow in the early winter, Wang Lizhen invited Li Bai to a banquet as the Ling of Liyang County, and because he could not drink to help himself, Li Bai slipped out of the poem "Mocking Wang Liyang's Refusal to Drink". It can be seen that Li Bai and Wang Lizhen are by no means ordinary. Examining li bai's poems, only three are mocking poems, of which the poem "Drama for Du Fu" is when Li Bai saw Du Fu thin at the rice mountain, and he laughed in passing: "When the rice mountain meets Du Fu, he wears a hat on his head. "There are both applause and greetings, no rebuke, no ridicule, just light laughter. The world knows Li Du as a friend, although the poetry style is very different, but the friendship is deep. It can be seen that the objects of Li Bai's mocking poems are acquaintances, friends, and close relationships. By analogy, Li Bai's relationship with Li Yang Ling Wang Lizhen was also a very close friend. Examining Li Bai's poems, there are three poems: "The Queen of The Pheasant Gives Wang Liyang", "Gives the King Liyang after Getting Drunk" and "Mocking the King Liyang Refuses to Drink", indicating that the relationship between Li Wang and Wang is by no means ordinary, and if they meet for the first time, Li Bai will never write a poem that refuses to drink alcohol in a mocking tone. It's just that there is no literature, and there is no way for people to describe when they met and when they became acquaintances.

Second, what is Li Bai's book style? And how to judge from the style of books that this post is Li Bai's original handwriting?

"Li Baishu has no way to do it." Wen Yuange's "Four Libraries of the Whole Book" of the "Notes on Li Taibai's Collected Poems" volume 36 is called "the law that the Taibai Book cannot get". The source of this information is Zheng Yu's "Yanji". Zheng Yu (郑杓), also known as Zi Jing (字子經), was a native of Putian, Fujian, and a Confucian scholar from Yuan Taidingzhong (1324-1328). He was a famous calligrapher of the Yuan Dynasty. Such a person who is good at calligraphy and really understands calligraphy can be said that "the law that cannot be done by too white books" can be described as a broken word, and it is ambiguous. This should be a general judgment of Li Bai's style, or a general judgment.

Li Baixing's calligraphy and paintings are particularly ethereal. Qing Chen Hongqi's "Chronicle of the Whole Tang Dynasty" volume 32 "Li Bai tasted to write a book, there is a post of 'riding the xingxing to step on the moon and enter the restaurant and not feel that the two people are forgotten in the world', and the characters and paintings are particularly ethereal." Naichibai is not special in the name of the poem also". The saying that "calligraphy and painting are especially flowing" is because it is the material obtained when compiling the Quan Tang Wen, and the judgment used should be the Tang Dynasty.

In the inscription of Qing Zhangzhao's "Shiqu Baodi" volume 13 "On the Balcony", it is also quoted that "Song Huizong Baoyun: 'Taibai tastes the book of the line and takes advantage of the xingxing to step on the moon to the west into the restaurant and does not feel that the characters are forgotten twice', the characters and paintings are flowing, the arrogance is majestic, and it is known that Bai is not specially known as poetry. This is obviously a transcription of the Tang Dynasty's judgment of Li Baixing's style. However, "ethereal" and "heroic and majestic" seem to be contradictory, which can be reflected in the same person as Li Bai, and it is completely understandable. When Li Bai left home, the first person he encountered was the Taoist Taoist leader, who not only taught him taoist purposes, but also taught him to practice sword and martial arts, and influenced his good swordsman's bold personality. Much of this style has been evident in his subsequent behavior. Its words are also combined with "bold and majestic" and flowing and elegant.

Li Bai drunken grass is a forgery. Li Bai did not use the title of the book in Kaiyuan. Song Chao said of the Songshan Anthology, volume XVIII of the "Li Taibai Cursive Book": "Ge Shuchen was not arrogant, and the guest sighed for Shu Chen: 'Li Taibai's wordless painting was passed on to the future. 'Shu Chen was in the monk's house one day, writing a scroll of words, and calling himself the Book of Li Taibai , in order to play a man of the first life. And with his monks, there are no people on the other day, and every time he wants his monks to believe in others. And the "Notes on the Collected Poems of Li Taibai" volume 36 is also said: "The number of cursive books of Li Taibai is a pseudo-book of Ge Shuchen." Shu Chen is not proud of the group, or sigh too white no word painting to pass on, Shu Chen even in the monk's house, vertical pen as a line of writing, the title of Li Taibai book. And with his monks, there are no people on the other day, and gai wants his monks to believe in people. "It seems that there were indeed counterfeiters of Li Bai's cursive calligraphy in the previous life, and they had to believe it."

Li Bai "Shan Kai li li xingcao". Yuan Tao Zongyi's "Book History Society" volume 5 said: "Li Bai character taibai, a word Chang Geng, the ninth grandson of the Xingsheng Emperor, the official to Hanlin enshrined." Good Kai is attached to the grass. The original meaning of "Shan Kai Li Xing Cao" probably means that Li Bai works in Kai Shu, Li Shu, Xing Shu, and Cursive, which may be the praise of predecessors, and it is just a famous calligraphy. In fact, in the Tang Dynasty Kaiyuan Tianbao, Li Bai did not use the title of Nengshu, but the name of Neng poetry to promote the government and the opposition. If he is really famous in the world for his work in the four bodies of Kai, Li, Xing, and Cao, then the Calligraphers of the Tang Dynasty should have his corresponding position. However, in the Tang Dynasty, Zhang Yanyuan's "Essential Records of the Law Books", Tang Weiji's "Mo Xue", and the Northern Song Dynasty Zhou Yue's "Ancient and Modern Fa Shuyuan" and other important treatises did not mention Li Bai's calligraphy, which shows that Li Bai is by no means a famous calligrapher. If he is not a master of calligraphy, it is difficult to say that the calligraphy, the affiliation, the line, and the grass are all good. At this point, we can completely make another explanation, that is, Li Bai is "good at Kai Li and xingcao", that is to say, the character "Kai" written by Li Bai has the meaning of "Li", which the ancients called "Kai Li"; "Line" has a "grass" flavor, which the ancients called "line grass". Although this explanation is not necessarily very appropriate, it is common in many people's writings.

Song CaiXiang's "Puyang YangJushi Cai Gong Anthology" Volume 25 "Duanming Collection" tastes the words: "The "Fistula Crane" text is not Yi Shaozi. At the end of the Eastern Han Dynasty, there were many good books, but the most prosperous.... Since the Sui Dynasty, Most of China has been referred to in Kai. The "Crane" text has a kai li pen, when it is a Sui Dynasty book. It can be known that "Kai Li" has appeared as early as the Sui Dynasty, and it has been popular for more than a hundred years to li Bai's Kaiyuan Tianbaojian where Li Bai lived. Therefore, it should be credible to say that Li Bai is "good at Kaili".

As we know from above, Li Bai's style of writing is one is "the law that books cannot be obtained", the second is "the flowing and majestic writing of the book", the third is "the cursive writing is a forgery", and the fourth is the white "good kai li and the grass". If we use this style of calligraphy to measure the handwriting of Li Bai's poem "Mocking The King Liyang Refuses to Drink", and thus verify that it is Qinglian's handwriting, it is even more logical.

Font analysis of Li Bai's poem "Mocking The King Liyang Refuses to Drink"

The ground is white and the wind is cold, and the snowflakes are as big as hands.

Laugh and kill Tao Yuanming, do not drink the wine in the cup.

Wave a violin and plant five willows.

Empty headscarf, I have no.

The reason why "Kai Li" was said by the ancients to be "Kai Li Xiang Reference" should refer to the fact that "Kai" has the meaning of "Li", and the "Kai" method is quite prominent in "Li". However, Li Bai's calligraphy is "the law of inability", so the "Kai Li" written out does not follow its law, but writes as much as you want. The whole poem has a total of forty-eight words. The first is that there are letters and subordinates in the forty-eight characters, which reflects the "impossible method" of Li Bai's writing. The poem title "Mocking The King Liyang Refuses to Drink Alcohol", and the eight characters are basically written in letters. However, according to careful analysis, only the four words of "mockery", "king", "yang", and "no" in the eight characters are more formal italics, and the other four words are "歴", "Ken", "Drink", and "wine", and each word has a strong pen. For example, the large horizontal of the high head of the word "歴" and the bottom horizontal of the word "stop" at the bottom still have the meaning of the character. In the poem, most of the four crosses are in italics, only "big as a hand", "Tao Yuanming", "wine in a cup", and "empty negative headscarf", which seem to be in italics, and the rest are mostly in kaizhong. The words "white" and "wind" in "earth white wind color cold" seem to be in italics, but the word "wind" is actually the italicization of Sun Guoting's cursive writing. Sun Guoting (646-691) was a pious person, Chen Liuren, and a Fuyang person. In his cursive writing, there is the word "wind" in cursive, which is very similar to the word "wind" in "white wind and cold", and the cover was learned by Li Bai and italized. Among them, the words "color cold" and "snowflake" all have the charm of kaili. As for the words "five", "willow", "I", etc., from the knot to the pen, it is completely written in the form of a book. In a forty-eight-character poem, the font is so varied, which fully shows that Li Bai's style of writing is indeed an incapable method.

On the whole, the writing of this poem is bold and majestic, and the style of the group is unconventional, which vividly expresses Li Bai's temperament, temperament, temperament, boldness, and charm. Show people "Mocking The King Liyang Refuses to Drink" poem, immediately Li Bai has no psychological restraints, and the pen is written under the situation of ease and ease, and it is precious.

Source: Xinhuanet client