Isaak Ilyich Levitan (1860-1900) Russian painter, known for painting landscapes. I looked at hundreds of his landscape paintings, some of which I liked and some of which I didn't like very much. The following figure shows that the rent meadow is stronger than the canopy of the sky.
Oil painting pictures originate from the Internet
In fact, it is quite normal, the brush when the inspiration is pouring in and the brush when the inspiration is tired, the works presented are completely different. And inspiration often visits without greeting.
I got into a painting by Isaac Ilyich Levitan because I found a lock screen wallpaper last year and was fascinated by it. Today I stumbled upon this lock screen wallpaper painting that has accompanied me for more than half a year, which was written by Isaac Ilyich Levitan. So I searched for many pictures of his paintings and flipped through them. It's true that I don't like every one of them, but some of the paintings are really fascinating.
The above picture was fascinated by my lock screen wallpaper picture, when I saw it, I immediately downloaded it and used it, until now. I thought it was a photograph, but when I saw the surface of the water, I found that it was an oil painting. Although the color of this painting is small and pure, the tone presented is very advanced, which can make such a realistic landscape painting move, which really depends on the strength of the painter's heart.
Isaac Ilyich Levitan's brushwork is a slightly distinct patch of color in some paintings, but in some paintings it is a painted wall. Honestly, I don't quite value the greasy sense of painting, the kind of smudging that can't see the brushstrokes, like a repetition of the camera's function. Of course, the reality of repeating the camera also tests the artist's artistic level, and it can also distinguish between high and low. The paintings of the French nineteenth-century figure painter William Adolphe bouguereau are very attractive and high-class.
If landscape oil painting is too realistic, it is even more photogenic. At least the feeling that brings me will be a lot less artistic temperament, and more of a kitsch sense of showmanship. In Isaac Ilyich Levitan's realistic landscape paintings, there is no tacky, which is quite rare.
The above picture is the painting that I like to feel good about art, and I feel that the wooden boat on the surface of the water is better painted than the beach. Different works of the same painter coexist for me, and different objects in the same painting are the same. In the picture below, I prefer the canopy of the water surface he painted, and I feel that the grass is a bit simple and rough.
Isaac Ilyich Levitan's paintings are somewhat more like a shift that moves reality into the picture. In order to "move" he spares no effort to copy the reality of nature with techniques, so people will see many repetitions in his paintings. It is not impossible to use the pen repeatedly, but it is easy to float in the picture rather than reflect the true natural light-shadow relationship. Isaac Ilyich Levitan's Duckweed (below) is perhaps the best illustration.
His "duckweed" is very realistic, which is a bit valuable in the 19th century without the help of cameras. I like the tone of his handling of the picture, but because the performance of the duckweed blade is too realistic, it seems a bit stereotyped. Overall, "Duckweed" does not have a tacky feeling, or it is worth recommending to play.
The following picture is again mixed with joy and sorrow, the foreground is well drawn, the vista is drawn like the first sketch, and the sky is also a little tired. It doesn't match the feeling of wooden fences and scattered clothes in the foreground.
The following painting is a model of my favorite painting method, with clear brushstrokes and natural color blocks. He is presenting the real relationship of nature with the scenery in his heart, rather than moving the real nature into the picture with techniques. The essence of painting, I think, is the relationship between painting and objects. The relationship depicted by technique cannot be advanced, and the relationship depicted by the state of mind can be advanced.
Art students are always confused by the word "advanced", and the writing is not known whether it can be explained by the paintings of Isaac Ilyich Levitan.
For the study of famous artists' works, many times it is not necessary to pile up praise and praise; to appreciate them, there is no need to praise their works. See the world with your own eyes, feel the world with your own soul, and then spread out the truth in your heart, through music, through color, or through literature and dance and other... Such art is high enough. However, it is always so simple to say, but it is very difficult to achieve.
~ End ~