Without further ado, let's start today's Doctor's Review.
Jony J's new album, 24:00 AM, is currently updated with seven songs (six when I listened). Although I have always had no feelings for Jony J, after all, it is a new album after nearly three years, so I am still looking forward to it. After listening carefully to the seven songs, I suddenly found that I didn't remember anything, and all six songs were almost interesting.
Jony J is still the very unique bite and tone, still very recognizable. The arrangement of this album is also very pleasant and relaxed, there are many arrangements that bring me a good sense of relaxation and happiness, and the two arrangements that are also Fu are still right.
But the problem is that the album is too easy, and the six songs all have very beautiful melodic instruments that bring the same atmospheric effect, and for people like me who don't remember lyrics, the six songs are basically the same.
For an album, two or three songs with such an atmosphere are enough, and six consecutive songs are tuned, and the ease becomes boring. In the producer part of the lyrics, I saw the name of the palace cabinet again, and the mood was even more annoying. I don't understand why Jony J is so willing to use the palace cabinet, his understanding of orchestration and arrangement is really a mess.
About this album, after all the release, I will make a comprehensive and complete music review, and then we will see you in "Paper Chat New Album".
Xie Di's new single "For Real", this English translation is really laughing at me. Although this song is "cooperative" non-Japanese ginger, he did not contribute any rap paragraphs, so he adopted his mantra "Respect, Ber, I am open".
Although the song is a Drirr arrangement, its own Trap attribute is still stronger, more inclined to brainwashing, fun, interactive direction.
This song is not good or bad, it is engaged in play, infinitely elongated Hook, engage in some Brag's piece of soup, basically a ten minutes a song, for the high-yielding such as sow Boss Xie, ten minutes may be said too much.
However, this song is quite fun, especially my non-Japanese ginger forty years old fans, the song itself is dry, and I can get the stem, it sounds quite relaxed, presumably in Chengdu, the performance effect is also good.
Henan Rap God collaborated with Blood Boy's new single "Alas (pt.6)", an Emo Asian forced song without any pressure. The reason for the ease is that the content is not too depressing, and there is no too strong emotional rendering in the lyrics and tone performance; the second is that the prelude as the main Loop, with a bit of rustic taste of the guitar, creates a relaxed atmosphere.
Although I have always liked a more "serious" and more traditional style of music, the gentle style of emo is still more comfortable for me and listeners who don't often listen to emo music.
The composition of this song is more popular, the melody is more catchy, there is no threshold, it is quietly sung, and everyone feels quietly. It's a very extreme kind of emo, which will feel a little neurotic to the average listener.
Bailey's new single "Big Guy Talk", a Hardcore piece. This song is not a particularly hard dryness of the traditional hardcore, but more of a sinister feeling.
A piano Loop with a discordant interval, coupled with a drum set with a less rough tone, actually feels a little more Boombap in the arrangement, but it is still the first Hardcore in combination with the performance method and Flow.
The advantage of this song is that Bailey has shaped the musical role very well, and in the content expression, timbre and tone control, they have very well shaped the image of this fierce gangster with a rogue temperament.
As I said in a previous tweet, rapper's own timbre, personal image, etc. are all additive to the shaping of musical characters. Obviously, the musical character for the song is a great fit for Bailey.
Oliver Jiang, OWEN Ouyang Ziwen, 2Night Night's new single "Bump 2.0", the previous song "Bump and Bump" was the only single I collected in last year's show, Oliver's Versa was also the best last year.
In this year's 2.0 version, although the tone of the three is still very fun, the arrangement is still full of rhythm, but it always feels that it is not as amazing as last year.
This 2.0 my favorite Verse is OWEN, in the opening part of the slightly dotted singing is too elastic, although the back of the Yang Xiao Fast, but the excellent rhythm and extremely good Flow, so that I can ignore the "general articulation" and "I don't like yang Xiao Kuai" and other small problems.
Naggy's new album, Ted Kaczynski, is an album I can hardly say is good or bad. For me, I think the points of excellence are the same as the points that I can't get, very much.
First of all, in terms of lyrics, Naggy's lyrics level needless to say, still high standards, beautiful and profound rhetoric, a look that makes people feel high-end but not fake, which is very good.
In terms of arrangement, I think it is also very beautiful, some very flexible and atmospheric electronic music applications are very comfortable, in a relatively simple framework of arrangement, some of the timbre selection has become the highlight of many songs.
But I think Naggy's personal control is relatively ordinary, including its own vocal control, tone, and rap tone, which is a bit far from the grade of the arrangement for me. In a word, things do well, but for me, it doesn't achieve a matching aesthetic.
Fei Bao's new EP "Underground Treasure", this small EP I can't appreciate. Fei Bao tried some drum groups that were biased towards the Trap style, breaking Hihat +808, but it was not difficult to find that the first three songs had one thing in common, that is, the space between the rhythms was very large, and the drum group was very light, all relying on 808 accents.
This has a problem, the song is neither dry nor shaky, the rap speed of the fat treasure is relatively slow, but it is more powerful, the BPM of this arrangement and the speed of the fat treasure make me a little uncomfortable, I can't get these songs in a Trap drum group and music with little meaning, where should the entertainment attributes be.
Drunk collaborated with King Ether's new single "Underground", which is also the fourth single from his new album Survivor Bias. As a BoomBap work, this song does not stand out too much, but there is nothing wrong with it, it is very comfortable.
A drum, two strings, loop is alive, Drunk's control belongs to the kind of sound itself has strength, but the rap tone is not particularly forceful, very smooth and natural. The span of the Flow switch is also not large, and each sentence is very comfortable.
In contrast, Wang Ether's control is more technical, with more rhythmic pauses and more complex rhymes. But I still prefer Drrunk's control, and among those who are related to the guild, it must be Drrunk in terms of Boombap's control.
Subs collaborated on Zhang Yuge's new single "Lost Planet", which is a Flanger guitar plus soundtrack. Recently, I suddenly found that Chinese rap circle loves to use Flander, this song is used better, the effect is more obvious.
The whole song has no highlights, it is a rap singing, rap is nothing special, and a normal control of the rhythm, the emotional tension is still there, but it is like that. The singing section is better, a little rock voice singing pop tunes, or taste.
Ice collaborated on Smokepurpp and GALI's new single "Stand Up". This song makes me have a very wonderful sense of listening, the whole song in the arrangement of the presentation is the rhythm group, and even a little Tyga Type of the rocking feeling, but in the bottom of the very small loud piano and a little bit of electronic sound, in the 808 place is basically covered, but where you are a little careless or headphones garbage, can not be found at all.
But I just inexplicably think that this song is very soft, very K-Pop, just don't shake, which is very evil. This feeling is felt even if there is no Sing Rap part of the Smokepurpp paragraph, I don't know why, is there any friend to communicate with.
Liu Congxin's single "Unfinished Order", a very lifelike love song work, is my favorite love song style. The arrangement does not have a particularly large melody part, and the Sing Rap melody does not fluctuate much, which reflects a sense of smoothness.
There are no highlights in driving, but what I like is Liu Cong's experience and expression of love, there is no commotion, it is a very life-like scene, daily fight and conversation, sweet and warm.
The love songs I like are either very noisy, and the saxophone trumpet takes off directly to the melody; or it is this kind of clean expression that is as plain as water, and when it is stained with ballet, the taste is not right.
Among the above songs, which one is your favorite, you are welcome to communicate in the comment area.