Words written on the front:
I think it's better to "recommend" something like this or not to refer to a family's words.
First, there are so many Japanese animations, 200 a year, everyone can't watch it, I recommend this anime to everyone, just because I have seen "this one", it is likely that there is another similar genre but better work. If you listen to me and read the one I recommend, you may take a detour and waste time. For example, BONES's Legend of the Winged Gods is largely a reference to Evangelion, and the Black Covenanter is largely based on Star Cowboy, and a BONES fan might recommend that you look at the two formers, but you should actually look at the two latter first.
Second, everyone's experience and interests are different, and the good film in the minds of others may be the bad film in your mind, and it is actually very risky to bet your time on the interests of another stranger. To take an extreme example, "Chaos Samurai" is a good film that many people will recommend, but I have no feeling for it, and the mix of ukiyo-e and hiphop seems to be a plus, I look like a minus, and the plot is a bit scattered and does not pull me in. Personal interests are sometimes abruptly far removed from popular interests.
Therefore, it is better to give them fish than to give them fish, and one person's opinion is risky, but many people's opinions have reference value. Here I would like to put a few lists, they come from different user groups, represent different fun, good-looking classic novelty hunting, everything.
The Basics
If you've just broken away from the idea that Japanese animation is One Piece Naruto," you can start with the full list. Personally recommend Bangumi's animation rankings: all animation | The Bangumi Fan Group Project, the site is the equivalent of douban in the ACG industry, representing the tastes of a wide range of Chinese audiences and is easy to view. In terms of data, almost the most rated EVA has 4700 people voting, the number is OK, although the difference between 40,000 people in Douban is relatively large, but because Douban's Japanese animation and movies are mixed together can not be found, so Bangumi's ranking is more valuable.
Personally, I think that the top 100 of this list are worth watching (100 after the list is also worth watching, but from the front of the start is safer), see which is interested in which to see, no matter what elements you like, you can first find the corresponding look.
If you want to see the classics, you can start with Evangelion;
If you want to see the hits, you can start with "Gintama";
If you want to see the Robot Universe War, you can start with the Gundam series;
If you want to see the cute girls on campus, you can start from the "Lianggong Spring Day" series;
If you want to see XiaoXin, you can start from "Natsume's Friend's Account";
If you want to see youth and love, you can start with "Honey and Clover";
If you want to see hard science fiction, you can start with the Ghost in the Shell series.
If a film doesn't seem to be too famous, and you can't see the above elements from the cover and introduction, it is mostly a connotation that wins with a plot, such as "Monster" ranked 33rd.
Seeing a good work, you can extend from this work and look for other works similar to it. Most of the animation is not original animation, they all have original comics, novels, games, and other works of the original author can be expanded; You can also use the "like this also like" such a website function; In addition, there are some companies, series, directors will have a unified and distinct personal style, their respective works, often like one will like the rest, this interest extension often grasp one accurate. The more uniform styles are:
firm:
Studio Ghibli (directed by Hayao Miyazaki, Takahata, Kondo, Miyazaki, and Hiromasa Mibayashi)
series:
Gundam Series
director:
Shinichiro Watanabe (Star Cowboy, Chaos Samurai)
Imatoshi (Millennium Actress, Unma's House)
Akiyuki Shinbo ("Monogatari Series", "Mr. Despair Series", "Magical Girl Circle", "Incredible Classroom")
Makoto Shinkai ("Sound of Stars", "5 centimeters per second")
There are also the following companies that tend to be particularly distinctive in describing certain aspects, and if you are particularly obsessed with this aspect, you can extend in this direction:
Kyoto Animation's Pretty Girls (Melancholy of Haruhi Ryogu, Lucky Star, K-ON!, AIR, Kanon, CLANNAD)
ACTION SCENES FROM BONES (Fullmetal Alchemist, Alien Without An emperor, Soul Eater)
J.C.STAFF's light novel adaptation ("The Burning Shana", "List of Forbidden Books of Magic")
In fact, you can quickly sweep this list, because from the film that you feel is not in line with your channel, you can often cut off a large piece of work, do not worry about "masterpieces", "classics", "do not look at the pity" These comments, that is the evaluation of others, life is short, you should take it to enjoy the works you like. For example, I personally did not hesitate to cut off the idea of continuing to watch the next three seasons of "Natsume's Friend's Account".
If I had to choose my personal favorite from this Bangumi Top100, I would choose this: if I choose an anime and look at it right now, I will choose FLCL, which ranks 97th; Choose an anime and tell me that after watching it, I will not be able to watch anime again in my life, I will choose "Innocence" in the 24th place; If you threw me to a desert island now and told me that I could only bring one anime, and I could only watch this anime repeatedly in my life, I would choose "Everyday" ranked 82nd.
Advanced
It is a bit heavy to say that it is an advanced part, and watching animation is not a refresher course, but I can't think of a better subtitle for a while. Classic works are often the first people who represent innovation, groundbreaking, and daring to act, and their light is too dazzling to cover up their descendants. For example, 50 years ago and today, people went to the cinema to watch the two movies "2001 Space Odyssey" and "Gravity", in fact, because of their shocking and fascinating space scene descriptions, but because the theme and connotation of the former are too tall, making the latter too far away from the former in terms of film history. The so-called "advanced chapter" is how to find "2001 Space Odyssey" from the imdb top250 and be fascinated by its scene descriptions, how not to let "Gravity" be covered by its light.
In this period you will find that you slowly like to see the banal work or everyone is not called the partial door work, some of you think the plot is very ordinary Ah setting is also very general Ah is nothing more than this and that kind of cartoon, you will not be able to help but watch it all in one breath, after the end of the play also feel very deep feeling, especially want to set the male / female protagonist as their own mobile phone screensaver, especially want to turn out a certain paragraph of a certain episode to watch repeatedly. Personally, I think this stage is the happiest stage on the road to watching animation.
At this time, my personally recommended list is S1's anime voting appreciation area: anime voting appreciation. This list is probably closest to the subject's "recent years" requirement, as the connoisseur zone has only been in operation since 2008, and most of the animations you see in the bangumi top100 don't see shadows here. Although the highest vote of the work is only 1164 votes, but because only the forum 71 permission or above users can participate in the voting, so the quality of voting I personally think is very valuable reference, if there is a need for supplementary times, I will first choose to refer to here, S1's comic area although sometimes seems to feel a bit of a group of magic dance, but the overall level of users is quite high. For ease of viewing and finding, you can choose an indexing system on this interface: http://labs.ieph.net/S1ACVoteCloud.swf (the system is made of eph great). Here is a general map of all anime reviews from 2008 to the present (the order is random, each refresh is different):
There are mainly two pieces of information in this figure: the size of the title font of the work represents the number of votes, and the larger the font, the more people vote, and also reflects whether the work is a topic or not. This map does not fully show all the animations after 2008, and only some of the more popular works can be seen from the picture, so you can enter the various quarterly branches from the options on the right to watch in detail. The color of the font represents the final score, which can be referred to the following figure.
Red, there are many people who rate high scores; Blue, there are many people who rate low scores; Green, there are many people who evaluate the middle score; There are as many people with high and low scores as there are powder (controversial works). My personal recommendation is to combine the font size and then red→ pink→ blue→ green. High scores naturally do not need to be explained, the probability of giving birth to the unique divine works in your mind in controversial works is extremely high, and mediocre works are usually more popular. Although the picture is colorful, in fact, no matter what the color is, as long as the famous ones on the picture are animations that should not be missed in recent years. Here are some of the larger works in the various colors to comment on.
red:
Magical Girl Circle: The most "phenomenal" Japanese late-night anime since the 21st century, an anti-genre film cloaked in a magical girl's shell. During the broadcast, the film brought a fierce and angry discussion in both Japan and China, surpassing "The Melancholy of Haruhi in Ryogu" on 2ch to become the animation with the most discussed themes in the history of the anime version. Blu-ray sales were record-breaking like eating lettuce, and the theatrical version surpassed the highest box office in Japanese history of 2.06 billion yen for the late-night anime extension film created by "Light Girl Theatrical Version". This work is the most suitable animation to follow, and it is a crazy marketing war that lasts for 4 and a half months. You can not trust the government, but you must believe in the gods that the otaku worship reverently; You can think it's not pretty, but you have to watch it.
Ice Cream: Kyoto Animation Company. Although it is adapted from Yonezawa Hoshin's "Classical Series" mystery novels, after stripping off all the cloaks, you will find that it is really just a long process of 22 episodes to describe how a boy fell in love. Gentle and beautiful, it is the incomplete us. Youth, both warm and painful. The level of painting is very high, and the opening credits and the opening credits can fill the entire screen by simply listing the original drawing staff of this episode. It is my personal favorite of Kyo Ani's top 3 works (top 2 is "The Disappearance of Ryogu Haruhi", top 1 is "Everyday").
Rebel Lulu Xiu: A work by Sunrise Animation. It took out the most stable elements of Japanese animation - robot war + political conspiracy + the special ability of the male protagonist + the particularly high intelligence of the male protagonist + the particularly low intelligence of others, plus Shakespeare's script (?), clamp aunt's character design, and jointly created the most typical commercial animation in the new century. The plot has ups and downs, and although the second season has caused the plot to go viral for various practical reasons, this film has still become a standard introductory work that I recommend to comrades who do not watch animation.
The Stone Gate of Destiny: Originally titled Steins; Gate, based on the word-suspense game of the same name co-produced by 5pb.com and Nitroplus, is the second installment of the Semicolon Trilogy (the remaining two are Chaos; Head" and "Robotics; Notes, both animated). To be fair, when I first heard about the theme of the suspense game and the 5pb. that inherited part of the blood of the KID Society, I couldn't help but look forward to whether this game could reproduce the unparalleled shock that the world-shattering ghost god had never been before and after the ancients and no ones came to read the world. In fact, the core baggage of Destiny Stone Gate is really similar to Ever17 in terms of motivation, and only one-tenth of the skills of my predecessors have been learned, and the ending has shocked me to the point of. Well, the appetite is a little too much, seriously speaking, this work is a very orthodox work on the theme of time travel, if you watch the first episode and think it is very good, then quickly turn to playing games to feel the god performance is still too late, then quickly turn to playing games to feel the god performance is still too late. (Important things to say twice)
"Turning Penguin Jar": The naming style of this name at first glance was thought to be Haruki Murakami's novel that was animated. Kunihiko Kihara, the director of "Girl Revolution", which is known as one of the three masterpieces of otaku, has been silent for more than ten years and has been grinding a gun for 14 years, and it is still an obscure stream-of-consciousness performance, like a stage play layout full of lights. Although it makes people look foggy, the essence is actually a very warm story. The young girls are in a circle, and my fate you come to taste. Incidentally, the "Survival Strategy" in the film is so great, even more praised than the "Absolute Destiny Apocalypse" in "Girl Revolution", and I would like to nominate it as the strongest transformation card in Japanese animation.
The Four-Fold and Half-Mythical Series: Masaaki Yuasa's work. Four and a half stacks, the area of Japanese university dormitories. Using magic realism and brilliant color style ukiyo-e to depict a lost youth, it is a very euphemistic and euphemistic college student inspirational drama. It can be explained in advance that the god of this film is at the end, suitable for chasing or not to make up, if it is made up in one breath, it will accumulate a certain amount of boredom and confusion in the early stage, but these are all in order to release and erupt in the final wild run. Recommended for people who match the airwaves.
pink:
The first season of "Revolutionary Machine Valvrave": I don't know who said that the secret of the current animation to be fired when it is played: JB chaos, super unfolding, fighting, this animation can complete three tasks at the same time, it is really surprising. The work from Sunrise Animation once again shows a great mix of elements, and it was originally promising to become the next era of Lulu Xiu , at least the first season is. Others say that under the super-expansion bombardment of "Magical Girl Circle" in three episodes, the liver has been a bit unbearable, "Revolutionary Machine" can actually do each episode of super-expansion, one episode is more exciting than one episode, and even more so, for example, the first episode can be super-expanded every 5 minutes, which is really eye-popping, and it feels as if they are riding on a roller coaster. This kind of film is the unique masterpiece I mentioned earlier, and I gave this genre a name, called "decadent hyper-unfolding film", that is, the plot conflict comes too abruptly, there is a feeling of self-abandonment, exuding a charming drug-like temptation, and will slowly lose itself soon after following its steps. After watching the film for many years, I gradually learned to pretend to be serious and critical, and to evaluate the merits and weaknesses of a work with the bonus points and inferior subtractions that I deserved. It was "Revolutionary Machine" that made me hear the cry of the soul again, I put aside the expression intention, put aside the depth of the work, put aside the intention of the creation, and just concentrated on what will happen in the next minute. Valvrave, that's the system that subverts IQ.
The second season of "Light Voice Girl": Kyoto Animation Company production. "Incredibly typical scrap film. If you want to watch the daily life of Japanese female high school girls carefree and brainless, and you are fascinated by beautiful teenage girls, then..." - the above comments are no longer suitable for commenting on the second season of this anime. "Light Voice Girl" is a rare animation that surpasses the first season in the second season, Kyo Ani slightly adjusted the over-flooded atmosphere of cuteness in the first season, and exerted its bottomless daily drama performance skills in the second season, so that the animation was upgraded from a "waste cute film" to an infectious "qing new waste cute film". In fact, in this scoring system, the first season of "Light Sound" was green (mediocre), the second season became pink (controversial), and the ratings that were originally concentrated in the middle were scattered in the direction of high and low scores after the second season, which I personally feel is the reason for the box office of the theatrical version to a height of 1.9 billion yen. After the second season, Yukiko Horiguchi's light-voiced face penetrated into each of Kyo Ani's works, with a profound impact.
blue:
"Crown of Evil": High expectations before the broadcast and poor marketing methods pushed an "unnamed" and "chaotic" animation to the precipice of a bad film. Although there are excellent musical characters and elements mixed and matched, the plot direction is a bit unpredictable. Despite this, this film is still a "unique masterpiece" in my second mind, and it is also a "decadent super-expanded film", which is suitable for making up for it. Many people say that the biggest drawback of this film is that it has not succeeded in creating a character who can leave a name, but I think this is only because the characters are covered up by the too dazzling plot color light. The plot resilience of the second half is very high, which makes people more and more energetic the more they watch.
Sword Art Online: Adapted from the light novel of the same name. It's the only one in "This light novel is awesome!" The works that have won the championship for two consecutive years in the competition. I can say very responsibly that this animation, the plot is king, the painting is excellent, the character is excellent, the rhythm is excellent, the music is good, and it is a cool film that is worth recommending to students who do not have the habit of watching animation. In fact, most of the bad reviews of this film are focused on the point of "online games" - it is too much like an online novel serialized at the starting point. "There is no difference between watching Japanese animation and watching The Chinese starting point network article" - the audience can't accept this cruel fact, so they angrily beat bad reviews and died a bit unjustly.
《Angel Beats! ": Maede Jun, a work that continues the worldview style and character style of the key society. The theme and the idea are quite interesting things - the supernatural souls meet in a post-mortem world, which is equivalent to depicting the deceased in front of the Nai Ho Bridge drinking Meng Po soup. But out of the result of the rhythm development of the erratic set and the set between the connection is stiff, each episode is taken out separately is good, but the connection is very awkward, this may be the reason may be that Ma Zhijun is used to writing a super long script galgame suddenly went to write 13 episodes of animation caused by the unaccustomed. Coupled with the publicity of haikou before the film was broadcast, saying that it was the "highest life hymn", and also filmed a trailer that was difficult to see, the expectation gap was dropped.
By the way, the above three animations are actually popular works in recent years, in fact, they are all worth recommending, not so badly rated, all blame the marketing team pig teammates.
green:
Fate/Zero: Adapted from the novel of the same name. The original work is a fan written by the yellow game screenwriter Xuan Yuan in the world view of the type moon, and is a prequel to the game Fate/Stay Night. Xuan Yuanxuan, a person with his own set of values, also has his own set of methods of showing cruelty, and these characteristics and the combination of the worldview and setting of the type moon are the focus of this original novel. The animation is decent in restoration, but the budget allocation is quite a failure, the early few fights are shockingly good, and the later characters' painting collapse is so serious that it is frightening, fortunately, the plot saves the whole play. Incidentally, the live broadcast of the first episode of the novel, the live broadcast of the Chinese of "Chen Kun Weibo Incident", and the simultaneous live broadcast of the first episode of the second season of Bilibili later gave me the feeling that I was experiencing the outpost of Japanese animation in the era of copyright in China, which was of certain milestone significance.
"We still don't know the name of the flower we saw that day." 》:原名《あの日見た花の名前を僕達はまだ知らない。 (Stop can not be played less), is an original animation in 2011, telling the story of the green plum bamboo horses that have long since faded away in order to give the ghost of the deceased friend of the past to the ghost of the deceased friend who has suddenly appeared. The psychological description of this work is very delicate, the main characters have flesh and blood and flesh to create a very successful, although the plot is a very kingly small fresh sensationalism, but the emotional impact on the audience is very good, and the ending song insert at the end of each episode that is good to hear tears is the most outstanding performance in recent years. Although the final ending is excessively emotional, it is not hidden. The first episode of this work, the first episode of "The Story of Transformation", and the first episode of "Turning Penguin Jar" are the top 3 first episodes in my mind in five years, and I have watched it countless times. The film was hacked mainly on the screenwriter Miss Okada Mori, a comrade who has been focusing on the depiction of the dog blood plot for many years, and is a representative of the Japanese animation Qiong Yao and Korean drama. As for whether you eat her set or not, it will be spent in each eye.
Here is only a cursory introduction to 13 of the works in the big picture, more detailed need to be screened according to their own interests in each quarter of the branch, good looks like a cow feather. The voting area has completed some classics from 2008 years ago, for example, in 2007, the voting area was not established in the legendary god film outbreak year, so the voting volume of those animations that were produced in 2007 was not large enough to disappear in the big picture above, but if you click on the branch, you will see that each title is red and dazzling.
In order to unify the taste with other lists, here is a summary of the scoring characteristics of the S1 anime voting area in combination with the user group:
1. The voting for the initiation of the work is arranged after the completion of the work, and efforts are made to ensure that all voting users are rated after watching the complete play. It greatly reduces the "one-word abandonment" party of Douban and Bangumi's lower score for slow-heat works.
2. Each forum has its own favorite works, and the atmosphere of forum discussion will affect the user's rating. For example, the S1 animation area has five major G points, Dong Ge Xi Ma Nan Chun North White Small Circle, these five works ("Revolutionary Machine Valvrave", "Genius Mahjong Girl", "My Youth Love Story Is Really Problematic", "White Album 2", "Magical Girl Circle") The discussion heat is different from ordinary people, and the scores of patients suffering from fever who came out of the discussion post after a day of fierce fighting will indeed deviate from the outside world.
3. The phenomenon of god returning extra points and poor marketing deduction points is serious. Examples of the former, such as "Four Stacks and a Half Mythological Series", the tenth episode of the god performance can be a blow to the gods; Examples of the latter are Angel Beats! 》。
4, there are subtle anti-public, anti-popular tendencies. Examples include Attack on Titan, Sword Art Online, and Fate/Zero, which will blacken more than the outside.
Since the above list is closest to the "recent years" in the main question, it is a bit longer. In addition to the S1 anime voting area, let's talk about another list, that is, the famous "2ch Top200": 2ch Outstanding Animation Rank Top200. 2ch is a large comprehensive forum in Japan, and the anime version is also an important anime discussion community in Japan. This list is often titled "2ch vote" in the process of circulation, in fact, it is wrong, it is actually a personal ranking list, the ranking person claims to be immersed in 2ch all year round, through observation and then "summarized" the ranking, and made several videos on the niconico spread, the original name is "傑作アニメランキング TOP200". At that time, niconico was still in its infancy, and the list was quite widely disseminated. The works on the list not only take care of various classic works, but also rank into a lot of new animations, popular works do not know why they are very behind, the insertion of unpopular works is usually sudden, often there is a feeling of "what has never heard of this before how to rank so far", so the pressure is very high and widely circulated. Although it is a bit noble and cold, and the objectivity is often questioned, I personally think that the top animation in it is worth recommending a lot, and after various mutual influences, some of the previous unpopular things have been praised. There are some animations in the top 30 that are usually less commonly seen:
Rank 2 Starry Sky Cleaner: Sunrise Animation's space-themed humanistic hardcore sci-fi about life, dreams, love, and the universe.
Rank 9 "The Star of Change": a story about the growth of a young girl in the circus, "friendship, hard work, victory", the theme of the king's way, the plot of the royal road, the invincible appeal.
Rank 10 Infinite Unknown: Sunrise's "Male One Right Male Left Political Film", a group portrait play, a story similar to "Lord of the Flies", about coups, revolutions, and self-destruction.
Rank 21 "Lingyin": The world is an electronic empty city, wide and terrifying, simple and reassuring. The sound of wires, the empty streets. One person is the whole world. The experimental pioneer obscurity of this animation is so outrageous that I can't understand it at all.
Rank 24 Melody of the Goblins: An animation used for worship. Because of the depiction of extreme bloody violence and cruelty, it has been banned to a certain extent in China and Japan. It is actually a parable about the survival of the vulnerable.
Similarly, there is an "official" list given by the Ministry of Culture of the Ministry of Education, Culture, Sports, Science and Technology of Japan - "Japanese Media Arts 100 Selection Animation Department": Japan のメディア芸術100 selection. This one is full of old faces and classic faces, and bangumi100 or whatever is just different in order.
In addition to all the good word-of-mouth lists mentioned above, there are also some popular sales box office lists. Choosing anime based on sales is like choosing movies based on box office. The two highest-grossing movies on earth, Avatar and Titanic, don't even make the imdb250, but you can't conclude that they're not good and worth watching because of that. Sales data is a lot of times a numbers game, with all kinds of rankings blooming and sometimes misleading. To take some extreme examples, "Little Circle" has higher Blu-ray sales than "EVA", that is because "EVA" does not release Blu-ray at all; "EVA" has higher sales than the DVD of "Little Circle", because times have changed, and people are more willing to buy Blu-ray than DVDs. In this case, just looking at the numbers does not explain the problem. Weighing a variety of data to see the "cumulative average" amount will be relatively reference value. If an animated DVD releases a volume with a total sales of x pieces, BD releases a total sales volume of b volumes with y pieces, and BOX releases a total sales volume of c volumes with z pieces, then the total "cumulative average" of the animation = (x +y +z)/(a + b + c), meaning "mixed average sales per volume", is a quantity value, excluding price. Here's a list of all-time history:
Average Cumulative Sales Ranking of TV Animation and OVA Animation by Generation (1988-February 2012)
Source: [Wall of Masterpieces] TV Animation's cumulative average sales ranking (1988-2012) 2
1 bit 172,431 Golden Egg World 2
2 171,101 Evangelion
3 digits 168,525 Golden Egg World
4-bit 108,922 Avatar Monogatari
5 digits *81,730 up to 0079
6 digits *79,124 gund destiny
7 digits *75,037 Lianggong Spring Melancholy 2006
8 bits *71,134 up to seeded
9*71,055 Magical Girl Circle
----------------------------------------------------------------- 70,000, God made the line
10*57,688 Hear the waves
11 bit *53,357 Z up
12 bits *53,052 Lianggong Spring Melancholy 2009
13-bit *52,923 Dragon Ball GT
14 *52,892 Fullmetal Alchemists
15-bit *52,251 rebel Lulu Xiu
16-bit *46,146 Chrono Fortress F
17-bit *45,072 Star Cowboy
18-bit *43,883 Soft Girl
19 bit *43,697 up to 00
20-bit *42,690 rebel Lulu Xiu R2
21-bit *42,237 Mobile Battleship NADEXICO
22 bits *40,507 Dragon Ball Z
----------------------------------------------------------------- 40,000, social phenomena line
23-bit *39,785 Up to 00 season 2
24-bit *39,385 Soft Girl Season 2
25*39,324 Future Junior Conan
26-bit *39,283 Sapphire Mystery
27-bit *37,670 Lucky Stars
28-bit *35,627 up to W
29*35,304 Lupin III 1st
30*34,274 Fireball Charm Chapter
31位 *34,127 Fate/stay night
32位 *34,107 Angel Beats!
33-bit *33,812 Infinite Stratos
----------------------------------------------------------------- 33812, Moppy line
34-bit *32,425 Dragons & Tigers
There's a difference between disc sales and box office: people who buy discs have seen the work, but people who walk into the cinema haven't seen the movie yet. Moreover, the purchasing power of people in different eras is different, and the sales of each work are closely related to the Japanese economy of that year, so this list needs to be looked at critically. Speaking of itself, this sales list is an old face at a glance, not much to say, mainly you can feel the subtle difference between word of mouth and selling. It is worth mentioning the 33rd "Infinite Stratos", the setting, plot, and connotation of this work are very vulgar, purely selling meat to sell cute harem machine war films, but even so, it can get very good sales. Now to shoot an animation, no matter how many "advantages", if even this kind of film can not be turned over, then these "advantages" are somewhat embarrassing. In China, "IS" is jokingly called the "wall of masterpieces" - a wall that must be crossed before becoming a masterpiece. In fact, the animation of "IS" is very well-made, in addition to the content, the rest are all excellent levels, it is the production team that created this sales miracle, I swear after watching it, I dare not underestimate the harem film.
Incidentally, the #1 Golden Egg World is a hilarious anime that sells well mainly because it is cheap and voiced by Namie Amuro.
In addition to TV animation and OVA animation, there are also the box office of theatrical version of the anime. Below there is a general list (as of early 2013) and a sub-list of the late-night animated theatrical version (as of January 2014) in yen:
Overall List:
1. Spirited Away 30.4 billion
2. Hal's Moving Castle 19.6 billion
3. "Princess Mononoke" 19.3 billion
4. "Goldfish on the Cliff" 15.5 billion
5. "Arietti the Borrowed Villain" 9.25 billion
6. "The Battle of the Earth and Sea" 7.65 billion
7. Pokemon Theater Edition: Strike Back at Super Dreams 7.6 billion
8. One Piece Theater Edition: Z 6.71 billion
9. "The Cat's Reward" 6.46 billion
10. Pokemon Theater Edition: The Birth of Lokia 6.4 billion
Late Night Animation Theatrical Edition Box Office Chart:
2.02 billion Magical Girl Small Circle Edition New Edition Rebellious Story
1.90 billion light girl theater version
1.03 billion We still don't know the name of the flower we saw that day in the theatrical version
*850 million The disappearance of Ryogu Spring
* 700 million Chrono Fortress F Love Flying Wing
* 650 million Chrono Fortress F Void Goji
*600 Million TIGER & BUNNY Theatrical Edition - The Beginning-
*590 million Magical Girl Small Circle Edition Pre-edit The Beginning story
*570 million Magical Girl Circle Edition Postscript Forever Story
*560 million Destiny Stone Gate Theater Edition: Déjà vu in the field of load
*550 million Magical Girl Naye The MOVIE 2nd A's
*500 million Magical Forbidden Books Catalogue Theatrical Edition The Miracle of Endymion
*310 million Sengoku BASARA The Last Party
*280 million Fate/stay night theatrical version of Unlimited Blade Works
*250 million Ghost in the Shell S.A.C. SOLID STATE SOCIETY 3D
*230 million Strike Witch Theater Edition
* 210 million Library Wars: Wings of Revolution
*170 million Code Geass The fallen Arkid Chapter 1: The Pterodactyls Descend
*170 million Birds Swim Rokuhana Theater Edition Secondary Illness Also Want to Fall in Love!
*150 million East of Eden The The King of Eden
*100 million Blossom Iroha HOME SWEET HOME
*100 million BLOOD-C The Last Dark
*100 million Heavenly Descent Theatrical Edition: The Goddess of Sorrow of the Clockwork Device
The words of the overall list really lament the influence of Ghibli, the murderous slaughter list, and even the rich and powerful national migrant animations such as One Piece and Pokemon cannot be fought. But on the other hand, if you think about it, paying attention to the high box office level is not worth mentioning - who watches Japanese animation does not know Miyazaki Hayao! And the late-night animation sub-list, the focus is actually not on the theatrical version, but their original TV animation, in addition to the old face, I personally feel that it is worth mentioning "Library War", "Heavenly Things" and "Attack witch". Incidentally, several new theatrical versions of EVA do not count as late-night animations, and they all gross around 4-5 billion.
Successful works are all similar, and failed works have their own failures. I think the core of animation should be the expressiveness of the genre of "animation", which is popularly speaking, whether the story can be told well, and whether the story can be told well in the way of "animation". How the plot is, really just the icing on the cake, good animation production can interpret the ordinary plot of Wang Dao to make people feel moving, and failed performances can spoil interesting and novel scripts.
Finally, everyone will have their own set of aesthetic standards, some people like to hunt and drama, and there are all kinds of people who like to watch "The Beauty of Light Girl" and prime time offerings. So, all the reviews and testimonials are just my family's words, above all!
[This article is reproduced from the 17173 website, which only represents the views of the original author]
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