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Who would have thought that in the latest version of "Yitian Slaughtering Dragon", the 47-year-old Chen Zihan is the best-looking, white moonlight in the audience's heart. Those who have watched "Yitian Slaughtering Dragon" know that there are three major in the play

author:This fish is not entertainment

Who would have thought that in the latest version of "Yitian Slaughtering Dragon", the 47-year-old Chen Zihan is the best-looking, white moonlight in the audience's heart.

Those who have watched "Yitian Slaughtering Dragon" know that there are three beautiful women in the play, most of which are Princess Zhao Min, the simple and kind Little Showa and Zhou Zhiruo, who has a variety of styles

However, Wang Jing's casting this time can be described as sorry for the three beauties in the original work

Wen Yongshan's "Zhao Min" was almost evil; Yun Qianqian's "Xiao Zhao" also looked like a face of cunning, not as simple and cute as the original; not to mention the "Zhou Zhiruo" of Qiu Yinong, how did such a look make Zhang Wuji look at ten thousand years.

The only person in the whole movie who fits in with the original work is 47-year-old Chen Zihan. Her "Purple Shirt Dragon King" is full of charm even if she only shows a pair of eyes

Who would have thought that in the latest version of "Yitian Slaughtering Dragon", the 47-year-old Chen Zihan is the best-looking, white moonlight in the audience's heart. Those who have watched "Yitian Slaughtering Dragon" know that there are three major in the play
Who would have thought that in the latest version of "Yitian Slaughtering Dragon", the 47-year-old Chen Zihan is the best-looking, white moonlight in the audience's heart. Those who have watched "Yitian Slaughtering Dragon" know that there are three major in the play
Who would have thought that in the latest version of "Yitian Slaughtering Dragon", the 47-year-old Chen Zihan is the best-looking, white moonlight in the audience's heart. Those who have watched "Yitian Slaughtering Dragon" know that there are three major in the play

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