<h1>Writer's work</h1>
1. Author Bio
Wang Ji (c. 589–644), courtesy name Wugong, was a tang dynasty poet from Longmen, Daizhou (present-day Hejin, Shanxi). Most of the works are based on the theme of landscape and pastoral, with the idea of escaping the world and the feeling of depression, which is obviously different from the floating poetic style popular in the early Tang Dynasty.
Cui Hao (?) –754), a native of Bizhou (汴州, in modern Kaifeng, Henan), was a poet of the Tang Dynasty. The teenager was a poet, with a flashy meaning and a lot of trapping and thinness; the later life of the border plug made his poetic style change greatly, the wind and bones were awe-inspiring, majestic and unrestrained, and there was "Cui Hao Collection".
Wang Wei (701-761), a poet of the Tang Dynasty, served as an official of Shangshu Right Cheng and other official positions, known as Wang Youcheng (王右丞), known as the "Poetry Buddha". His poems are mainly depicted in the landscape and pastoral and secluded life, and Su Shi of the Song Dynasty called him "a painting in poetry, and a poem in a painting".
Li Bai (701-762), also known as Taibai (太白), was a Qinglian resident and a "who immortal". He was a great romantic poet of the Tang Dynasty and was praised by posterity as a "poetic immortal". Together with Du Fu, he was called "Li Du". His people are cheerful and generous, love to drink and write poetry, and like to make friends.
Bai Juyi (772-846), also spelled Lotte, was a great realist poet of the Tang Dynasty. Bai Juyi and Yuan Shu jointly advocated the Xinlefu Movement, known as "Yuan Bai" and "Liu Bai" with Liu Yuxi. Bai Juyi's poetry has a wide range of themes, diverse forms, and easy and popular language, and is known as "poetry demon" and "poetry king".
2. Background link
"Wild Hope": After Wang Ji entered the Tang Dynasty, he waited for zhaomen to go to the province as a secretary province, and soon resigned and returned to his hometown. In the zhenguan, he became a Tai Le Cheng and returned. The poem was written when the poet resigned his official residence in Donggao (present-day Wanrong, Shanxi).
"Yellow Crane Tower": The Tang Dynasty poet Cui Hao traveled to the Yellow Crane Tower in Wuchang, Hubei Province, and wrote it with feeling. This poem describes the beautiful scenery overlooking the Yellow Crane Tower, and is a masterpiece of nostalgia for the past.
"Make it stuffed": In the twenty-fifth year of the new century (737), Cui Xiyi, the deputy envoy of Hexi Jiedu, defeated Tubo, and Emperor Xuanzong of Tang ordered Wang Wei to go out to The Sai to visit the military situation as an inspector of the imperial history. This was actually to push Wang Wei out of the imperial court. The poem was written on the way to the border.
"Farewell at Jingmen": Li Bai spent his youth in Shuzhong, this time from the Three Gorges out of Shu, facing the jiangtan plain, his eyes were wide open, his heart was relaxed, and he couldn't help but be lyrical, and wrote this widely recited five-word poem.
"Spring Trip to Qiantang Lake": Written in the spring of the third year of Changqing, when Bai Ju was in charge of the history of Hangzhou, he went to the West Lake to play, rode a horse on the Baisha Causeway, looked at the charming West Lake, was attracted by its special temperament, and unconsciously felt the beauty of early spring. He was relaxed and happy, and wrote this famous seven-word poem, expressing his praise and love for the spring of the West Lake.
3. Stylistic knowledge
Rhythmic poetry is a genre of poetry that became popular in the Tang Dynasty, belonging to a kind of near-body poetry, named because the requirements of the law are very strict. Common types are five laws and seven laws, usually counting four links in eight sentences, and it is customary to call the first link the first link, the second link as the jaw link, the third link as the neck link, and the fourth link as the tail link.
<h1 class="ql-align-center" > detailed in Wild Hope</h1>
First, the accumulation of words
Donggao(ɡāo) 徙倚(xǐ yǐ) Driving calves(dú)
Donggao: Place name, the place where the poet lived in seclusion. Gao, waterside land.
Twilight: In the evening, when the sun is about to set. Thin, close.
Leaning: Wandering.
Calf: Calf. This refers to cattle herds.
Birds: Refers to birds and beasts that are hunted.
Looking at each other: looking at each other; looking at each other.
Tse-Wei: Wei: It's a plant. According to legend, after King Wu of Zhou destroyed shang, Bo Yi and Shu Qi did not want to be Zhou's courtiers, so they ate wei on the Shouyang Mountain, and finally starved to death. Later, he used the metaphor of "Cevi" to live in seclusion.
2. Sense of neatness
1. Read the rhythm accurately.
ambition
Wang Ji
DongGao/Bo Twilight, Leaning/Desire Heyi.
Trees / all autumn colors, mountains / only sunset.
Shepherd/calf return, hunt horses/return with birds.
Mutual /Acquaintance, Long Song/Wai Tse-wei.
2. Read through the poetry
Standing in Donggao in the evening and looking into the distance, I wandered and did not know where to go, the layers of woods were stained with autumn colors, and the mountains were covered with the afterglow of the sunset. The shepherd drove the herd back home, and the hunter returned home with many prey. Everyone is relatively speechless and doesn't know each other, and I really want to live in seclusion in Yamaoka!
Third, deep understanding
1. Appreciation of verses.
(1) Donggao is thin and twilight, and he is leaning on what he wants.
"Gao" is a waterside land. Donggao refers to a place in the author's hometown of Longmen, Daizhou. After his retreat, he often traveled to Beishan and Donggao, calling himself "Donggaozi". "Leaning" means wandering. "Want He Yi", using the meaning of "the moon star is rare, the black magpie flies south, three turns around the tree, and He Zhi can be relied on" in Cao Cao's "Short Song Line", showing the mood of boredom.
(2) The trees are all autumn colors, and the mountains are only sunset. Shepherds drive calves back, and hunting horses bring birds back.
These four sentences write about the scenery seen in the twilight: "The trees are all autumn colors, and the mountains are only falling." Shepherds drive calves back, and hunting horses bring birds back. Looking around, there was an autumn color everywhere, and it looked more and more depressed in the afterglow of the sunset. On this quiet background, close-ups of shepherds and horse hunters, with a pastoral pastoral atmosphere, make the whole picture come alive. These four poems are like a picture of the autumn evening of the mountain family, light and color, long-range and close-up, static and dynamic, just right.
(3) Care for each other without acquaintance, long song Huai Caiwei.
Wang Ji could not find solace in the countryside like Tao Yuanming, so he finally said: "There is no acquaintance with each other, and the long song huai Caiwei." "Saying that he is lonely in reality, he has to go after the ancient hermits and make friends with people like Bo Yi and Shu Qi."
2. Summary
This poem describes the quiet autumn scenery of the hermitage, in a leisurely mood, with a bit of wandering, loneliness and bitterness, is Wang Ji's representative work, and it is also the earliest surviving Tang poetry with a complete five-word rhythm poem. The first link uses the action of "migration" and the psychological description of "desire and dependence" to lyrically; the jaw link writes trees and writes mountains, a school of tranquility and tranquility; the neck link uses several verbs "drive", "return", "belt" and "return" for dynamic description, with dynamic background; the tail link borrows lyricism and blends scenes. The whole poem is natural and fluent in speech, and the style is simple and fresh, getting rid of the light and gorgeous poetic style of the early Tang Dynasty, and it is unique in the poetry circle at that time.
<h1 class="ql-align-center" > detailed explanation of the Yellow Crane Tower</h1>
Cui Hao (hào) Chizai(zǎi) 萋萋(qī)
Yo-Yo: Fluttering look.
Harukawa: A wilderness on a sunny day. Chuan, Hirakawa, Wilderness.
Calendar: The look of clarity.
Tsubasa: Lush looks.
Xiangguan: Hometown.
1. Read the rhythm accurately
Yellow crane tower
Cui Hao
Former people / have taken the Yellow Crane / go, this go / spare / Yellow Crane Tower.
The yellow crane is gone/never returned, and the white clouds are thousands of years/empty.
Harukawa Calendar /Hanyang Tree, Yerba Buena / Parrot Island.
Nippori Pass / Where is it? Smoke waves on the river / make people sad.
The immortals of the past have flown away on the Yellow Crane, and only the empty Yellow Crane Tower remains in this place. The yellow crane flew away and never returned here, and for thousands of years only white clouds fluttered. The weather is sunny, the trees in Hanyang in Jiangbei are clear and distinct, and the spring grass of Parrot Island is lush and green. When it's dusk, where is my hometown? Watching the smoke on the river surface is even more annoying!
Third, in-depth exploration
1. Poetry appreciation
(1) The people of the past have gone by the Yellow Crane, and the Yellow Crane Tower is empty here.
The poet came with a beautiful vision of the Yellow Crane Tower, but the immortals drove the crane without a trace, and the crane went to the empty building, and in front of him was an ordinary river tower. The gap between the beautiful vision and the ordinary River Tower has laid a layer of a lost background in the poet's heart, which has potentially paved the way for the lyricism of the nostalgia complex.
(2) The yellow crane is gone, and the white clouds are long in the air.
The natural picture of jiang and sky becoming more magnificent and vast because of the white clouds, infected by this scene, the poet's mood gradually opened up, and the emotions in his chest also inserted wings that ran vertically and horizontally. This sentence has a general connotation of inclusion, expressing the illusion that the poet's years are difficult and the world is at a loss, and also paves the way for the infinite melancholy of writing about the difficult return of the countryside below, so it has become a famous sentence with deep attention and repeated taste.
(3) Harukawa calendar Hanyang tree, yerba buena parrot island.
The pen turned sharply, from writing about the legendary immortals, the Yellow Crane and the Yellow Crane Tower, to writing what the poet saw in front of him, from writing an illusory legend to writing about the scenery seen in front of him, the clearly visible trees in Hanyang City across the water in the clear sky, and the lush herbs growing on Parrot Island, depicting an empty and distant picture, setting the groundwork for triggering the poet's nostalgia.
(4) Where is Nippon Pass? The Smoke Wave River is sad.
The sun sets, the night comes, the birds want to return to their nests, the boats want to sail; the fog on the river is misty, and the bottom of the eyes also produces a thick fog, which is a kind of hidden tears and a broad sense of nostalgia for the world' life. The poem ends with a "melancholy", which accurately expresses the mood of the poet who climbed the Yellow Crane Tower at dusk, and at the same time corresponds to the metaphor of the opening chapter, showing the lingering nostalgia with the undulating writing, so as to convey the feelings outside the words, the paintings inside the love, and the aftersound of the paintings.
2. Summary
The first four sentences of this poem express the feelings of people going to the empty building and the world is vast, and the last four sentences depict what they see when they climb the stairs, setting off the feeling of homesickness, broad vision, lyrical sincerity, and singing for the Yellow Crane Tower. This poem describes the magnificent scenery seen in the distance of the Yellow Crane Tower, borrows the myth and legend that the Yellow Crane never returns to the empty white clouds, expresses the infinite thought of the finite universe of life, and expresses the author's deep feelings of homesickness. The whole poem is majestic and has a deep meaning.
< h1 class="ql-align-center" > detailed explanation of "Making the Plug"</h1>
Zhengpeng (pénɡ) Waiting (jì) Yanran(yān)
Bicycle: A car that indicates that there were not many followers on this mission.
Dependent State: Abbreviation for canonical state. The Tang Dynasty sometimes referred to envoys as "vassals". Here "dependent state" refers to the emissary to Tubo, Wang Wei was asked by the envoy, so he called himself a vassal state.
Zheng Peng: Flying fluffy grass. Ancient poems are often used as a metaphor for those who travel far.
Smoke: Beacon smoke, fireworks lit when the alarm is called.
Long River: Yellow River.
Juyan: Place names. This refers to the border area of Liaoning.
Xiaoguan: Southeast of present-day Guyuan County, Ningxia Hui Autonomous Region.
Waiting: Cavalry responsible for reconnaissance and communication.
DuHu: The governor and chief general of the capital of the frontier town at that time.
Yanran: The name of the mountain, hangai mountain in the middle of present-day Sanyin Noyan Khan in Mongolia, refers to the border defense front.
Make to the plug
Wang wei
Bicycle/ desire / ask side, belonging to the country / over / residence extension.
Zheng Peng/Out/Han Sai, Gui Yan/In/Hu Tian.
Desert / Lonely Smoke / Straight, Long River / Sunset / Circle.
Xiao Guan/Feng/Waiting, All Protect/In/Yanran.
2. Read through the poetry. Say in your own words the meaning of this poem.
I lightly drove Jane from the side plug to visit and traveled a long way through Juyan as a pawn country. It is like the grass drifting out of the Han family's fortress with the wind, and it is like the returning geese flying into the blue sky of the northern country. A wolf smoke rose in the vast desert, high and straight; the mighty Yellow River looked out at a sunset in the distance, large and round. At Xiaoguan, I happened to meet the cavalry patrolling and reconnaissance, and told me that I was guarding the front line of the distant Yanran Mountain.
(1) The bicycle wants to ask the side, and the country is too long.
The first link explained the purpose and arrival location of the trip, explaining the remoteness and vastness of the border plug. "Asking the side" is the purpose of the mission. "Bicycle" means that there are few followers and the specifications of the ceremony are not high. The poem shows a slight sense of frustration in the narrative scene. This emotion is triggered by the word "bicycle". The latter sentence says that the special region of "Juyan" has become the basis for the scenery depicted in the poem.
(2) Zheng Peng out of Han Sai and returned to Hu Tian.
The two sentences contain multiple meanings. The poems are written in a two-by-two contrast in terms of expression. "Zheng Peng" is a metaphor for poets, which is a positive comparison, while "Gui Yan" is a metaphor for poets. In a spring light, the geese return to the old nest to breed their chicks, which is the place for it; the poet floats to the outside of the plug like a fluffy grass in the face of the desert wind and sand, and the situation is very different.
(3) The desert is lonely and straight, and the long river is full of sunsets.
The neck joint writes the strange and magnificent scenery outside the plug that he saw after entering the border plug, the picture is open, the artistic conception is majestic, and Wang Guowei calls it a famous sentence of "magnificent through the ages". The frontier desert is vast and boundless, so the word "big" of "desert" is used. The side plug is desolate, there is no spectacle, and the smoke from the beacon tower is particularly eye-catching, so it is called "lone smoke". A "lonely" character writes out the monotony of the scene, followed by a "straight" word, but it also shows its strength and perseverance. There are no mountains and trees in the desert, and the Yellow River that runs through it cannot express the poet's feelings without a "long" word. Sunset, originally easy to give people a sentimental impression, here with a "round" word, but give people a kind and warm and vast feeling. A "circle" word, a "straight" word, not only accurately depicts the scene of the desert, but also expresses the author's deep feelings. The poet subtly melts his loneliness into the depiction of vast natural scenes.
(4) Xiao Guan waited for riding and was protected in Yanran.
When they reached the border, but did not meet the general, the scout told the envoys that the first general was on the front line of Yanran.
This poem not only reflects the life of the border plug, but also expresses the loneliness, loneliness, sadness of the poet due to exclusion, as well as the generous and tragic feelings produced by the emotional edification, purification and sublimation of the majestic scenery of the desert, revealing a kind of open-minded feeling.
<h1 class="ql-align-center" > "Farewell at the Gate of The Jingmen"</h1>
Ferry(dù) Jingmen(jīnɡ) Still pitiful(lián)
Plains: Plains.
Wilderness: A vast wilderness.
Knot: Cohesion.
Hailou: Mirage. This is a beautiful scene described by the changeable clouds on the river.
MERCY: Loved.
Farewell at the Jingmen Gate
Li bai
Duyuan /Jingmen outside the gate, come from /Chu Kingdom tour.
Yamasui / Hirano Insetsu, Esui / Large Rough Stream.
Under the Moon/ Flying Mirror, Yunsheng / Jiehai Lou.
Still pity / hometown water, miles / send off the boat.
Say in your own words the meaning of this poem.
Come from afar to cross the Jingmen Gate and come to Chudi to visit. The mountains fade away with the appearance of the low plains, and the rivers rush through the endless wilderness. The reflection of the moon in the water is like a mirror flying down from the sky, and the clouds rise and change endlessly, forming a mirage. I still love the water of my hometown, which flows thousands of miles to send me a long boat.
(1) Cross the far outside the Jingmen gate and come to travel from the Chu Kingdom.
The poem was composed by Li Bai when he was out of Shu. When Li Bai left Shu this time, he traveled by boat by water, passing through Bayu, leaving the Three Gorges, and sailing straight beyond Jingmen Mountain, with the purpose of visiting the former land of chu in Hubei and Hunan. "Crossing the far Jingmen Gate, coming from the Chu Kingdom", refers to this magnificent tour. At this time, the young poet, full of interest, sat on the boat along the way to indulge in watching the towering mountains on both sides of the Wushan Mountain, along the way, the scenery in front of him gradually changed, the boat passed through the Jingmen area, it was already a plain wilderness, the field of vision was suddenly open, not a scenery.
(2) Yamayoi Hirano Insetsu and Enoiri Rough Stream.
These two sentences are not only invigorating because of the images of the vast wilderness written into the "Hirano" and "Great Wilderness", but also because of the dynamic description. The dynamic feeling of "follow and do" is completely from the actual experience of boat travel. After walking through the steep and dangerous Three Gorges area with mountains and mountains for many days, I suddenly saw a magnificent scene and suddenly felt a cheerful mood. It uses highly condensed language to write extremely generally about the geographical changes in the poet's entire itinerary.
(3) Flying mirror under the moon, Yunsheng Jiehai Building.
This connection contrasts the calmness of the river with the moon in the water like a round mirror, and the mirage composed of clouds in the sky sets off the vastness of the riverbank, the sky is high, and the artistic effect is very strong.
(4) Still pity the water of the hometown, and send the boat for thousands of miles.
The poet does not say that he misses his hometown, but that the water of his hometown reluctantly sends "me" all the way to a long journey, with deep affection, sending off the boat for thousands of miles, writing from the opposite side, showing his homesickness and affection more and more. The poem ends with a deep sense of nostalgia and farewell, and the words are endless and endless. The "farewell" in the poem title should be to say goodbye to the hometown rather than to send a friend, and there is no parting of the poem to send a friend.
The poem is seamlessly integrated at the beginning and end, with a lofty mood and a majestic style. "The mountains end with the plains, and the river flows into the wilderness" is written realistically and picturesquely, like a long-axis landscape map of the Yangtze River crossing the Jingmen from the gorge, which has become a good sentence for the popular population. If it is said that excellent landscape painting "should be discussed in ten thousand miles", then this magnificent image of the five laws can also be said to be able to see the big in the small, to be ten in one, rich in capacity, encompassing tens of thousands of miles of mountains and water flow in the middle reaches of the Yangtze River, with a high degree of concentrated artistic generalization.
<h1 class="ql-align-center" > "Spring Trip to Qiantang Lake"</h1>
Jia Tingxi (jiǎ) Pecking Spring Mud (zhuó) No Horseshoe (mò) Baisha Causeway (dī)
Initial flattening of the water: In the spring, the lake begins to rise, and the water surface is just flush with the shore of the lake.
Warm Tree: A sunny tree.
Low cloud foot: The white clouds overlap and overlap, and they are connected with the waves on the lake surface, and the floating clouds look very low.
No: Hidden.
FOOT: Satisfied.
Qiantang Lake Spring Trip
Bai Juyi
Gushan Temple North / Jia Ting West, the water surface is initially flat / cloud foot low.
A few early warblers/scrambling for warm trees, whose new swallows/pecking spring mud.
Random flowers / charming eyes, Asakusa talent / no horseshoe.
Favorite lake east / line insufficient, green poplar shade / white sand embankment.
From the north side of the Lonely Mountain Temple to the west of Jia Ting, the spring water rises, the white clouds overlap and overlap, and the waves on the lake surface are connected, and several early yellow warblers compete to fly to the sunny trees, and the new swallows of the family are nesting with spring mud. The abundance and color of spring flowers is gradually captivating people's eyes, and the shallow spring grass has just been able to cover the horse's hooves. I love the beauty of the east bank of the West Lake, but I can't see it enough, especially the white sand embankment under the shade of green willows.
(1) Gushan Temple north of Jia Ting West, the water surface is low at the beginning of the flat cloud foot.
The first link of the poem is closely related to the title of the lake, and the previous sentence points out the direction of Qiantang Lake and the scene of "jagged views of the building" around it, and the two place names are used together, which gives the reader a sense of movement. The latter sentence writes on the front of the lake: the spring water rises, the water surface is flush with the embankment, and the white clouds in the air and the ripples on the lake surface are connected, which is a typical water state of Jiangnan Spring Lake.
(2) A few early warblers compete to warm the trees, and whose new swallows peck at the spring mud.
The jaws write about looking up at the birds they see, showing the vitality of spring. Yellow warblers and swallows are the messengers of spring, and they also inspire people to start the labor of spring, and write about the vitality of early spring. The word "several places" outlines the mood of the warbler song and the poet's left and right voice search. The question of the word "whose house" shows the poet's delicate psychological activity and makes the reader have rich associations.
(3) The flowers are becoming more and more attractive to the eyes, and asakusa can have no horseshoes.
The neck joint writes look down at the flowers and plants you see. Because it is early spring, it is not yet the blooming season of a hundred flowers, so what can be seen is not the opening of the purple and red, but the east and the west, with a "chaotic" word to describe. And the spring grass has not yet grown plump, but it is not as long as the horse's hoof, so it is described by a "shallow" word. The "gradual desire" and "talent" in this union are the poet's observation and appreciation of the feelings and judgments, which makes the objective natural scenery materialize into an eye scene with the poet's subjective emotional color, which infects the reader.
(4) The eastbound of the favorite lake is insufficient, and the green poplar shade is white sand embankment.
Wei Lian wrote about the poet's favorite Hudong Sand Causeway. The White Causeway runs through Qiantang Lake, and in the east area of the lake, you can overlook the victory of the whole lake. Only to see the green poplar shade, the flat and slender white sand embankment lies quietly in the blue waves, and the people riding horses on the embankment are weaving and enjoying the beauty of spring. The poet is in the middle of it, enjoying the beauty of the lake and mountains, and his heart is relaxed. With "insufficient line", the natural scenery is beautiful, and the poet is still unsatisfied, concentrating on the full feelings to give the reader endless aftertaste.
Through the depiction of the bright scenery of the West Lake in early spring, this poem expresses the author's joy of visiting the lake in early spring and his love for the scenery of the West Lake, and expresses the author's love for the beauty of nature. The whole poem has a rigorous structure, connects with nature, is exquisitely crafted, and has a fresh language, which can be called a famous masterpiece of Yin Yong West Lake.
<h1>The main thrust of the article</h1>
The poem "Wild Hope" is written about the autumn scenery of the mountains and wild mountains. The whole poem exudes a lonely and depressed mood in the description of Xiao Seyi's quiet scenery, and expresses the feelings of melancholy and loneliness.
"Yellow Crane Tower" describes what the poet saw and felt when he climbed the Yellow Crane Tower, and expressed his homesickness through hanging monuments.
"Envoy to saishang" narrates the author's difficult journey on the mission, depicts the magnificent and beautiful scene outside the sai and the situation of the visit to the border plug with the pen and ink of the gods, and expresses the tragic and magnificent feelings and the loneliness that is difficult to discharge.
Through the description of the scenery seen along the way from Shu to Jingmen, "Farewell to Jingmen" shows a magnificent picture composed of mountains, rivers, fields, bright moons and clouds, and expresses the poet's praise for the great rivers and mountains of the motherland and his sincere homesickness.
"Spring Trip to Qiantang Lake" depicts a picture of the early spring of the West Lake full of spring, bright colors and full of vitality, expressing the poet's happy mood and love for the West Lake.
< h1 class="ql-align-center" > extended</h1>
Accumulate the famous "farewell" sentence.
Confidant in the sea, the end of the world is like a neighbor. —— Wang Bo, "Sending Du Shaofu to Ren Shu Prefecture"
Spring grass next year green, Wang Sun will not return? ——Bai Juyi, "Farewell to the Ancient Grass"
Persuade the jun to drink a glass of wine, and go out of the west to yang guan without a reason. —— Wang Wei, "Sending Yuan Er envoy Anxi"
Cold rain and river night into Wu, Pingming sent guests to Chushan Lonely. ——Wang Changling, "Furong Lou Sends Xin Gradually"
Don't worry about the road ahead, don't know yourself, no one in the world knows the king. ——Gao Shi,"Don't Dong Da"
The peach blossom pond is thousands of feet deep, and it is not as deep as Wang Lun sent me affection. - Li Bai, "Gift to Wang Lun"
The lone sail is far away in the blue sky, only to see the yangtze river skyline. ——Li Bai, "Send Meng Haoran to the Guangling Tomb"
2. According to your understanding of "Yellow Crane Tower" or "Qiantang Lake Spring Trip", rewrite it into a small essay with a self-titled title.
<h1>Practice consolidation</h1>
1. Read in class
(1) Ambition
1． Combining the first and last couplets, let's talk about how the poem expresses the mood of the poet.
2． Brief analysis of the characteristics of the jaw joint and the neck joint in writing scenes.
(2) Yellow Crane Tower
3． Imagine the picture of "Harukawa Calendar Hanyang Tree, Yerba Buena Parrot Island" and depict it in vivid language.
4． This poem expresses the emotions of the author ____________
(3) Make the plug
5． What kind of feelings does the sentence "March out of Han Sai and return to the goose into Hu Tian" contain the author's feelings?
6． Use your own words to depict the picture displayed by "the desert is lonely and the smoke is straight, and the long river is full of sunsets".
(4) Farewell at the Jingmen Gate
7． "The mountains end with the plains, and the rivers enter the great wilderness", which has always been praised by people. Please choose any one of the angles to appreciate.
8． Please appreciate the tail link from the perspective of rhetorical techniques.
(5) Spring trip to Qiantang Lake
9． One of the things that is not properly understood in this poem is ( )
A． This poem selects scenes rich in early spring characteristics, such as the first flat surface of the water, the early warblers competing for warm trees, the new swallow pecking mud, the random flowers, and the shallow grass.
B． "The light rain on the sky street is as moist as crisp, and the grass color is close but not there" is consistent with the mood of this poem.
C． This poem reveals the regret implicit in the poet's love.
D． The "insufficient line" in the tail link shows that the poet did not see the beautiful scenery enough, and reveled in the beautiful lake and mountain colors.
10． Expand the association and imagination, and use the language of concise image to depict the picture shown by "several early warblers competing for warm trees, whose new swallows peck at spring mud".
11． Choose a joint analysis and talk about how the poet describes the seasonal characteristics of early spring.