Unveiling the hijab, Lu Xun saw a narrow and long face, withered yellow, protruding cheekbones, a high forehead and nearly bald, underdeveloped, and seemingly sick. That night, Lu Xun sat all night and did not sleep all night. Four days later, Lu Xun, under the pretext of not abandoning his studies, set off for Japan with his second brother Zhou Zuoren and left for 3 years. ”
This was the case when Lu Xun married his wife Juan, and his mother invited him into the castle of marriage. For this love grave, Lu Mu insisted that the reason was nothing more than "always so", Lu Xun angrily cross-examined in "Diary of a Madman": "Has it always been so?" ”
Since the loss of his father at an early age and the decline of his family, Lu Xun's mother is undoubtedly tenacious and loving, the little-footed old lady has cultivated her three sons into a generation of literary heroes with her foresight, and Lu Xun's mother is part of the Chinese mother: resentment due to poverty, arranged marriages, superstitious Chinese medicine, reading Zhang Hateshui's Mandarin Duck Butterfly Novel, excessive hope for Jackie Chan to bring Lu Xun a lifetime of depression...
Our fathers and wives more or less carry this atmosphere: the market, coveting the cheap, the one-dollar triangle of small merchants and hawkers is the focus of their competition; the shortness of parents, the right and wrong of people, the short stream of relatives and friends in the neighborhood is the gossip they relish; shallow knowledge, eating eggs when poor is delicious, eating two eggs when rich is more delicious, buying gold jewelry to show off when poor, buying more gold jewelry to preserve value when poor; spiritually poor, TV only watches blind date stations, the news only looks at family disputes, playing tai chi, twisting and singing is the biggest pastime, rubbing mahjong Playing poker is all entertainment; left and right children, emotional roughness, Douban online "parents are a scourge" group of themselves as private subordinate interference abound...
However, calculating money comes from living in poverty, saving money is to serve the family; shallow knowledge and no dreams stem from the difficulties of life and the need to support the family in a down-to-earth manner; interfering with children is mostly because of anger at their own dissatisfaction and resentment in life...
The father in Zhu Ziqing's "Back Shadow" is frustrated and frustrated, and even a little ridiculous. Why isn't this the case with Chinese mothers? Stingy, jealous, irritable and even a little confused - Manuela, who lost her son in the movie "All About My Mother", even violated the moral taboo to achieve maternal love; in "The Spring of Death", the mother deliberately let the big black dog of the family eat bad stomach in order to let the son who left home, and the son came back to help the black dog feed the medicine; in "The Old Man", Tian Mi, who sold fake medicine to Fang Qiong' old lady, was caught, and the old lady sat there and said, Why don't you lie to me more, you lied to me and someone to talk to me, and now you can only talk to the cat Jia Baoyu's greedy and cheap grandmother Li Mama did not have a Qingwen and attacking youth?
Big mom, not someone else's big mom, is just the product of the erosion of life, is the helplessness of various identities lost after the times, is the catharsis of the powerless, is our common mother, and even the fate of women.
Bayberry