<h1 class= "pgc-h-arrow-right" > twelfth person Den 12. mann</h1>
Country/Region of Production: Norway
The Twelfth Man is a feature film directed by Harold Zwart, with jonathan Les Meyers, Thomas Gullestad, Mary Brockhus, Vega Hall, martin Kiefer, and others.
The film is based on the true story of Jan Balsruz during World War II. In 1943, Britain sent 12 sabotage squads to northern Nazi-occupied Norway. When their ship was sunk by the Germans, jan Balsruz, the only surviving man, marched alone toward neutral Sweden. However, bad weather could be a bigger enemy than Nazi patrols, and what would be the end result of Jan Balsruz?
Cold and rigorous, meticulous, arduous, and tribulations. No film has shocked me so much in a long time, whether it is this real historical event or the film itself, it makes me awe-inspired. The filming of the film is serious and serious, and the actors reinterpret the real historical figures with reverence. The protagonist of the film with a quality of will that greatly exceeds that of ordinary people, with tenacious vitality, he has endured many difficulties and obstacles and finally embarked on the road to victory. Although the film is only 135 minutes short, it seems to me that half a life has accompanied the ups and downs of the fate of the protagonist of the film, which is incomparably long. This is the only film that makes me feel extremely wonderful but the viewing process is extremely difficult, especially "The Revenant". Especially in the scene where the protagonist in the film painfully swings a knife to cut off his injured and infected toe, he deeply feels that the knife is cutting into his skin! This stinging and despair came from the bottom of my heart and almost crushed myself. It has been a long time since the end of the film, and the mood is still stuck in the strong atmosphere of the film, and I can't extricate myself for a long time.
<h1 class="pgc-h-arrow-right" > white harsh winter Into the White</h1>
A war film directed by Peter Nas and starring Rupert Grint, David Klaus, Florian Lucas and others. It was released in Norway on March 19, 2012.
It's an anti-war film. Over the bitterly cold Norwegian wilderness, British and German warplanes were shot down and crashed by each other in a fierce air battle. In this isolated place, they must do their best to survive the harsh winters. Although the war made them enemies, this hostility was difficult to maintain as the days passed. In the midst of the need for each other, an unconventional friendship begins to sprout. In the end, they became close comrades-in-arms. In any case, war is absurd.
"White Winter" is a particularly simple movie, so simple that there is not even a complex color in the film, and the picture is filled with snow between heaven and earth. "White Winter" is a particularly restrained film, restrained to the point that there is no grand soundtrack in the film, and the music is faintly spread under the picture. And behind this simplicity and restraint, deeper and heavier emotions are flowing.
<h1 class="pgc-h-arrow-right" > day of war 9. April</h1>
Country/Region of Production: Denmark
Day of War is a Film directed by Roni Ezra on March 12, 2015 starring Russ Mikkelsen, Johan Philip Asbak, Gustav Dyekjær Giese, and Pilou Asbæk.
In the early morning of April 9, 1940, German troops crossed the border into Denmark. The bicycle and motorcycle companies on Jutland, Denmark, were the first Danish forces to resist the German attack, and the two detachments as advance troops were waiting for follow-up reinforcements, but the change in orders prevented them from waiting for reinforcements. In the absence of strength from the German army, it had to choose to retreat to defend the city. Eventually it fell and the government surrendered. And the advance troops of the german army had no choice but to surrender in the absence of ammunition and communications...
There was no grandeur of the great battles, only a platoon of several soldiers led by lieutenants against the strong German army. There is no bloody battle to the end to resist to the death, only cherish the lives of comrades-in-arms at the same time defense. The whole film is filled with a faint helplessness and sadness of soldiers in small countries, but it is the best annotation to individuals in war.
<h1 class="pgc-h-arrow-right" > The Island on Bird Street</h1>
Country/Region of Production: Denmark / United Kingdom / Germany
The Isle of Bird Street is a drama war film directed by Sauron Klaabkeson, starring Jordan Kizick and Patrick Borgin, released in 1997.
During the Second World War, in an abandoned factory in a large, walled jewish quarter, the Jews inside lived and worked in fear, and their numbers were getting smaller and smaller, because the Nazis would come in from time to time and take some people, first women and children, then the elderly, and then all of them. In a purge, a father wanted his father and son to escape, so he was ready to fight with the Nazis, but because someone whistleblowed, he failed, at this time the grandfather stood up without hesitation in order to let his grandson live, his little grandson temporarily escaped the disaster, hid, and the grandfather left only a hat on the street.
The little boy was convinced that his father would come back to him, and he stuck in the abandoned factory, accompanied only by a guinea pig. When people reach the limits of survival, they will explode with unimaginable abilities and wisdom. When I watched the film, I kept my heart pounding on the little boy, with no food, no water, and the chance to escape the Nazis and the rest of the Jews who had escaped to survive. But he survived, even like Robinson, with a "tree house" of his own, in that high corner, he observed the "peaceful" world outside through a small window ledge, a telescope...
"When I come back, whatever happens, I'll come back to you, waiting for me...". It was a commitment to his children as a father, and it was also the belief that little Alex escaped the Nazis and survived alone. In the midst of the ruins, Alex builds his own "Rubin Island" and inserts matches into a sieve as a witness to the engraving of time, which is his hope and his match heaven. A guinea pig became his only relative and friend, helping him find food buried in the rubble. Refusing the polish underground party's chance to save his life from the quarantine zone, refusing the help of a little girl outside the quarantine who transcended the hazy goodwill of friendship, clinging obsessively to the ruins, waiting obsessively, just for the belief that he would come back to him, because he knew that dad would come back, because he knew.
<h1 class="pgc-h-arrow-right" > the Unknown Soldier Tuntematon sotilas</h1>
Country/Region of Production: Finland / Belgium / Iceland
The Unknown Soldier is a war film directed by Aku Luximis, starring Ino Aho and Johannes Holopenin.
Based on the 1954 best-selling novel of the same name, The Unknown Soldier, the film tells the story of a team of Finnish soldiers in the Soviet-Finnish War.
I have to say that European war films are made more clearly than Americans. The complexity of thinking takes time and history to accumulate. You want to be a hero, I don't care, I should lie on my stomach when I should be on my stomach, I should move forward when I should go forward, we are not here to be killed, but to kill. There is right or wrong in war. It's very Nordic.
<h1 class="pgc-h-arrow-right" > Europa</h1>
Country/Region of Production: Denmark / France / Germany / Sweden / Switzerland
The European Express is a drama film directed by Ras von Trier and starring Jean-Marc Bar and Barbara Sukova.
"Breaking the Waves" by Danish director Lars. Feng. Trier has won the Cannes Film Festival Jury Award and the Higher Technical Council Award.
The male protagonist is a young German-American Kessler who returned to his homeland after World War II, where he had never set foot. He was originally a pacifist and idealist who wanted to look at the people of post-war Europe with a neutral attitude. Unexpectedly, his uncle arranged for Kessler to be the conductor of a train, giving him the opportunity to go deep into Europe and listen to different voices, thus exposing the falsehood of peace slogans and humanitarianism. The railroad boss he fell in love with, Qianjin, was a supporter of Nazism, which put him in a dilemma.
The director shoots a dazzling magical realistic color, and the bold use of the lens makes the audience feel as if it has entered a hypnotic state, which is a work with a strong personal artistic style.
In this film with bold tones and novel film language, Thiel shows fans a bizarre "European ukiyo-e". Although the film has dizzying shortcomings in form, this magic realism method does fully reflect the theme of "chaotic Europe" that the director wants to express, and from this point of view, the form and theme of the film have reached a complete unity. Moreover, von Trier also arranged a large number of different remarks in the film, so that the idealists saw the falsehood and indifference of the ideal.