Preach in words. - Don Tears
Listening to songs is actually a very simple and personal thing.
I have seen countless people, always think that their favorite singers and songs are the most perfect and beautiful.
This logic is actually very stupid, stupid enough to be disgusting.
Whether the song is good or not is actually not proportional to the singing function.
The sound quality of the timbre, the mood of the song, and the singer's interpretation and emotional expression that are integrated into it determine your liking.
Therefore, it is more meaningful to treat music with the right attitude and learn to appreciate it than to attack others at every turn.
On a whim, look back at the early Jiu0's early years, three Cantonese golden songs that accompanied the film.
It is a long song like yesterday.
In 1990.
Stephen Chow has eleven films released in the same year, announcing his official rise in the film industry with "Gamble Saint". No one can ignore his brilliance, the era of "double weekly" has officially arrived since then, the war has also been burned to a more white-hot level, and the slaughter list for four consecutive years has also made him quickly promote from star boy to star master, achieving the myth of Hong Kong film.
Newcomers Dawn and Aaron Kwok landed on the song scene on the front and back feet, one became popular in Hong Kong, and the other radiated all over Asia with Taiwan as the center. What no one could have imagined was that these two newcomers would actually decide the pattern of the Hong Kong music scene in the next ten years, and the first songs they became famous were "Meet in the Rain" and "Can't Love You Enough".
On April 21, the 9th Hong Kong Film Awards were held.
Chow Yun-fat won the Film Emperor Award for the third time with "A Lang's Story", his good partner Wu Yusen won the Best Director Award for the first time with "Blood Double Male", and after the twenty-six-year-old Maggie Cheung won the film for the first time with "The Man Who Doesn't Take Off His Socks", Liang Chaowei was still in the supporting role era, and won the second and last Best Supporting Actor Award with "Killer Butterfly Dream".
The best movie song came from Hong Jinbao's film "Dragons Playing Phoenix". The theme song "With Love", composed by Lu Guanting, lyrics by Pan Yuanliang, and sung by Su Rui.
This song has also been covered by many singers, the most widely known may be Jiang Yuheng's "Looking Back", because soon after he landed on CCTV Spring Festival Gala with this song, other singers such as Chen Baiqiang, Lin Zixiang and Mei Yanfang, Andy Lau have also covered it.
Su Rui was a superstar as soon as she debuted.
Also from Taiwan, she is diametrically opposed to Teresa Teng's soft tenderness, and her voice has a sense of vicissitudes and atmosphere in addition to being agitated and tough.
This song "With Love" is included in Su Rui's second Cantonese album.
"I have stepped on it, the detour of the thorny foot, tired, who will talk", the very textured voice, at the beginning can bring people into a mood of reading the vicissitudes, and the small characters of the movie are closely linked to the sadness and joy, "I have fallen in this high and low, bending and bending, only to suddenly feel happy, simple and simple has been excellent", and the rhythmic chorus is very easy to knock on the happy door, making it difficult to extricate yourself.
This song is also very "Su Rui", the atmosphere is vicissitudes and magnetic, and there is a natural healing power.
Other cover versions are insurmountable.
In 1991.
Zhou Xingchi won the annual championship again, and Jackie Chan and Zhou Runfa were weak in desire.
Aaron Kwok set a mythical record of three consecutive Mandarin album sales exceeding one million, Dawn won the top ten Chinese golden song IFPI annual sales champion award, tan Zhang retired and brought about by the competition is about to be clear.
On April 21, the 10th Hong Kong Film Awards arrived as scheduled.
Wong Kar-wai swept the Golden Statue with "The Legend of Ah Fei", winning three awards for Best Film, Best Director and Best Actor, as well as two technical awards for Best Cinematography and Best Art Direction, which is unparalleled in popularity, which is also The first and last Golden Film Emperor Award for Cheung Kwok Wing.
The Best Film Song Award was taken away by Xu Ke's film "Laughing proud of the rivers and lakes", and the theme song "A Laugh in the Sea", written and composed by Huang Chen, arranged by Gu Jiahui, and sung by Xu Guanjie.
There should be quite a few people who are familiar with this song.
The song is full of desolation and pride, according to "feathers, signs, horns, merchants, palaces", with the five laughs of "canghai, heaven, jiangshan, breeze and cangsheng", and its majestic momentum is borrowed from "Qinyuan Spring Snow", the layout is majestic, the concept is exquisite, really people are impressed.
Debut, "a laugh in the sea, a tidal wave on both sides of the strait, floating and sinking with the waves, only remember this dynasty", life is floating and sinking, how happy life is, and what is feared in death.
Continued by the heavens, "The heavens laugh, the tides of the world, who loses and who wins, God knows", the battle between the rivers and lakes, straight like a surge, you sing I appear.
Then to the red dust of jiangshan, "the laughter of the mountains, the smoke and rain, the waves sweep away the red dust and the world", the temple and the rivers and lakes are just a light laugh.
The sunset is like blood, "the breeze laughs, it is lonely, and the pride is still a night photo", time is short, relatively lonely.
A life of ups and downs, pride like a song, "cangsheng laughing, no longer lonely, proud still, foolish laughter", with life intersected, no regrets.
The first generation of Cantonese singers Xu Guanjie, and music legends Huang Xia and Gu Jiahui.
Compose a total of one worldly gods.
In 1992.
Stephen Chow single-handedly won the top five of the top ten box office lists, known in history as "Chow Sing Chi Nian".
Aaron Kwok, who has returned to Hong Kong to develop, has reached the peak of the Hong Kong music scene with the figures of a Mandarin selection album and a Cantonese album that have sold 200,000 copies, together with Jacky Cheung, who has been on the music scene for eight years, Andy Lau, who has won the Most Popular Male Singer Award for three consecutive years, and Dawn, who has been popular for three consecutive years.
The grand age of the music world and the film world has arrived almost synchronously, with "double Mondays" on the left and "four kings" on the right.
The 11th Academy Awards are back.
Mak Dang-hung's "Lame Howe" won the Best Picture Award and kicked off the hong Kong film blockbuster biopic, while Lui Leung-wai was indignant for losing to Tsang Chi-wai of "A Tale of Two Cities" in the film contest of the current Golden Statue, and Tsui Ke won the Best Director Award for "Wong Fei Hung's Ambition".
The best movie song was awarded to the theme song of "Double Bracelet", "It seems that the old man is coming", composed by Luo Dayou, lyrics by Lin Xi, and sung by Mei Yanfang.
Mui Yanfang, there are two other names, one is "The Queen of Change", the other is "Daughter of Hong Kong", and compared to the previous one, most people, including Mui Yanfang, prefer the latter name.
The movie "Double Bracelet" itself is a tragic old age story, and the song is full of fateful sadness and helplessness.
Mei Yanfang's singing voice is unique among female singers, and it is also very vicissitudes.
"But what has not been obtained, but what is in the past, is always the most right", in the melody of the opera of the old times, in Mei Yanfangwan's shallow chanting, a strong sense of fate is revealed, "joy, sorrow, sorrow, old age, illness and life and death, not legendary, hate Qingqing on the stage, or offstage me and me, not me with you", a few words, that is, the tao is full of sorrow and joy in the world.
Everyone has a "deceased person", and everyone is a "deceased person".
And in life, in addition to "it seems that the old man came", there is also "the old man will not come again", only sad and sad, only a single shadow.
The Iraqis have been gone for many years.
True, the old man will not come again.
The old Hong Kong music is like a treasure trove.
There are many works with different styles and good singing, leaning on the corner of time.
Leave it to those who come after us to inquire.
Or maybe.
Revisited by the deceased.