Although I have been spoiled countless times in all directions, I continue to be moved by "My Father and Me", especially in Zhang Ziyi and Huang Xuan's "Poems".
A mother endures the pain and the child explains that they face the threat of death at any time, and another child tearfully shouts "I don't want you to die"...
Ah, we older people, really can't stand the stimulation of this.
Although we have relentlessly complained about the terrible middle-aged and elderly Mary Sue after the film before, review poking here→ Ziyi turned over into a zi aunt? Boys and girls of 40 per capita really don't have to ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
The face can no longer hang flesh, the thin chest is close to the back, but also the eyes are wide open to force the smart.
Not to mention that the plot is outdated and cheesy to the extreme, the audience is tired of this "Manchu Dynasty Wenwu fell in love with me" setting, but the movie flowers at that time actually went to the underground sea to play the big heroine, and the result can be imagined tragically.
Review poke here→ she counted the blood this time...
Douban scored 5.8, which is still looked at on the filters of the past, and the shadow queen felt very wronged.
In fact, it also shows that the actors attach great importance to the Douban score
The young film queen who once said boldly that she would never play any ancient puppet beauty, later could not resist the temptation of capital and joined the blood flutter luxury gift package.
It's a movie queen, just pounce together!
Review poke → plead with them, stay away from the TV circle...
When I knew that the chapter of "Poetry" in "My Father and Me" was directed by Zhang Ziyi herself, I was very uneasy.
She was very worried that she would shoot this section into a strange sensational wind, as if her throat was stuffed with damp cotton wool and could not be swallowed.
But, yes!
Many of the Douban high praise short reviews are exaggerated Zhang Ziyi, from the film review to the people around, the praise for this paragraph is very high.
I was curious, looked at it with high expectations, and was not disappointed.
I was punched in the face, but I was still very happy
The story of the poem is very difficult to handle.
If the stories of space workers are only filmed as ordinary people's homes to live their lives, they will be invisible to everyone, and they will not be able to perceive the hardships that ordinary people cannot imagine;
But if you blindly render and infinitely elevate, the effect may be achieved, but it is inevitable that there will be a suspicion of preaching.
I always feel that what today's audience needs to feel more from these images is reverence, excitement and encouragement;
Instead of facing the predecessors and martyrs who are completely guilty and blamed, they always feel that they are not noble enough, their sense of morality is not strong enough, and watching a movie and eating popcorn is full of sin.
Therefore, this passage where Huang Xuan wrote the "poem" is very good.
Huang Xuan is too suitable for this kind of intellectual image, the study of solid fuels is a very sacred and important scientific research work, but he himself does not have a sense of arrogance, simple and natural.
It also does not show culture and authority to the child, basically play with the child.
You think he's a dad who can't beat his kids, and you absolutely believe he can give you one or two dozen lyric poems for Nissan.
In such a romance, he suddenly naughtily wrote you a "poem", find such a husband, life will be happy no matter how difficult it is.
His death was a great loss to the country and the family, especially the country and its descendants, and the family lost a husband and father forever.
The beauty of "Poetry" lies in the softness of its treatment.
Behind the children's ease is the solemnity of the adults, but they will not really expose all the cruelty naked to stimulate the audience.
The deepest feelings are secretly surging forward.
After the death of her father, the mother was quite sad, but she had to grit her teeth and persevere for the sake of work and children.
Needless to say, adults will understand such helplessness.
I saw a comment that Zhang Ziyi was too thin and looked too thin, but this thinness was reasonable.
They are scientific researchers living in the Gobi, the climate is extremely harsh and the materials are seriously scarce, and no one will show a rich appearance.
It is with this spirit of not being afraid of hardship and selflessness that everyone seems to be full of joy every day.
After the death of her father, the biggest blow was her mother, who lost her dual partner in career and family.
But she only broke out once in the scene on a rainy night.
The child stared at her deadly and asked: Is my father dead?
She was busy pouring water outside while dragging the child out the door: Your father is dead!
The rebellious child was suppressed by such a move by the adult, but felt that the father had not left, and the mother also asked the leader not to let the child know the truth until the research was successful.
All male workers have taken the initiative to leave overtime, just to leave room for hope for a child, all dads are working overtime, my dad must be there.
The rest of the time, the mother took on the heavy chores of the family as usual, with a smile on her face and never lost her attitude.
Just on the way to work, in the past, the two people accompanied each other and laughed, but now they can only walk alone.
The portrayal of women who have lost their loved ones in many works is usually very rigid.
They are either hysterical and have lost their hearts from then on, or they are like the walking dead, in short, they have no sustenance for life.
There are also many who jump between the two, or serve the family more wholeheartedly, holding the child to death; never mentioning life and death, afraid that the child will feel a little missing...
But in the poem, none of this.
The creator used a more restrained approach, but shot the ultimate toughness.
Her mother is also a scientific researcher, and she cannot leave her job no matter how hurtful, and at this moment, work is an effective sustenance for her.
She also has her own world, not dependent on her husband, so she can continue to improve her career independently and complete her goals in time.
The death of her husband did not shake her faith.
Aerospace work is strictly confidential, and parents cannot disclose anything to their children.
Faced with the child's doubts about "making firecrackers", the romantic father said that he "wrote poetry in heaven", while the mother explained to him more specifically, with a Kong Ming lantern, the principle of work.
But at the same time, she also confessed to her children very rationally about the dangers of work:
You have to learn to grow up!
When your mother is away, you still have to take care of your sister for your mother!
It was only after watching this movie that I learned what a "gunpowder sculptor" was.
Gunpowder carvers are an internationally certified absolute high-risk profession and an unknown behind-the-scenes hero in the space industry.
Zhang Ziyi identified such a profession that is not well known to the public after looking for information, and it is precisely to contribute a special entry point:
"When I learned about the profession of gunpowder carver, I was deeply attracted, there are only more than 200 people in China now engaged in this profession, from the development of the first launch vehicle to the successful launch of Shenzhou XII today, this high-risk work can not be replaced by mechanization." In this process, it not only helped me a lot in creation, but also made me more in awe of the heroes behind China's aerospace. ”
Xu Liping, a senior technician of China Aerospace Corporation, has been working diligently for 30 years since he joined the work in 1987, and is known as "a big country craftsman carving gunpowder" with superb technology.
When he received the Touching Chinese in 2015, the jury gave him the following words:
Every time you drop the knife, you can hear your own heartbeat. You have carved a small amount of gunpowder, and there can be no difference. This is a thousand guns tied to the shot, combat-ready missiles, manned spaceflight, every weapon of a big country, can not be separated from you. It's like a knife in your hand, forged for twenty-six years. You are a craftsman, you are a craftsman of a great power.
In the movie, Zhang Ziyi, as a female gunpowder carver, takes care of a pair of children in the family on the one hand, and does not forget to improve technology and strive for excellence, highlighting the ordinary and greatness of astronauts.
Zhang Ziyi once again played the "tough" style she was best at, but unlike Yu Jiaolong's brutality, nor like Gong Er's forbearance, she was a combination of strength and warmth, with the shadow of every mother on her body.
The place where the kong ming lantern is placed is a physiological tear-jerking point, and there are very few people who see children crying and calling for their mothers, and do not want to cry.
Although the technology and conditions have been improved by leaps and bounds since then, the "Dongfanghong I" is still the beginning of China's aerospace from the blue wisps of the Yanlu Road to the sea of stars.
Qi Faxuan, the first generation of astronauts, the person responsible for the technology of the Dongfanghong-1 satellite, and the chief designer of the Shenzhou spacecraft, said that he had read this paragraph with tears.
The real killer is a real poem:
Fuel is
Ignite yourself
Illuminate other people's things
Rockets are
For dreams
Throw away your own stuff
Life is
Something used to burn
Death is
Verify the stuff of life
The universe is
Let death, something small
"Dongfanghong No. 1" is the beginning of China's aerospace from the blue wisp of the yanlu road to the sea of stars, the romance and dreams of astronauts, the dedication and persistence, those earth-shattering and anonymous, all integrated in the poem.
Seemingly bland, it is actually dark and turbulent, delicate and rich, and the creative team of "Poetry" has gathered many female members.
At the post-screening meeting of "My Hometown and Me", Zhang Ziyi talked about her first experience as a director, saying that "female directors are too difficult" and "not a profession suitable for women".
This sentence was understood after the decapitation as "women are not suitable to be directors".
But looking at the entire interview, although she did not mean "women are not suitable", nor did she want to spoil and sell misery.
She first complained that she chose women because "men are not very reliable", and then thanked the creators one by one.
Although it is difficult, but still take advantage of such a rare opportunity to face the difficulties, all female creators are excellent role models.
In fact, not only "Poetry", the female characters of other units of "Fathers" are remarkable, and there have been many breakthroughs than before.
Zhang Tianai in "Riding the Wind", carrying a gun with a big belly, does not cry bitterness, does not call tired, and does not drag anyone behind;
Song Jia in "Duck Prophet", behind the meanness is warmth, standing up at a critical moment;
Ma Li in "The Young Man's Line", a single mother who never suffers from bitterness and hatred, is strict with her son with considerate tolerance...
From the perspective of the first director, Zhang Ziyi's debut work is quite well done.
Especially at the beginning, I really rushed shen teng and Xu Zheng to go to them, but the final impression was still the best of "Poetry", which was really rare.
I feel that it is not me alone, teacher Li Yinhe also said that "almost from the beginning to the end in tears", which is her first experience in the history of watching movies.
But she said it was really because it was real and touching.
Li Yinhe affirmed the arrangement of female power in the film.
Mother and father are equally divided, and she is first and foremost an independent person before the identity of her wife's mother.
Later, he affirmed the success of Zhang Ziyi's first director and was surprised by the combination of all the women in the main creative team.
Li Yinhe said that Zhang Ziyi's "My Father and Mother" made her amazing, and today's director also amazes her, hoping that Zhang Ziyi can produce more sophisticated works.
In fact, when I read "Poetry", I felt that there was a trace of "My Father and Mother", the same simple shape, or the real "father and mother" relationship.
Even if it is just a coincidence, it is predestined in the dark.
It can be seen that everyone believes that Ziyi can continue to make efforts in the movie, "acting and excellent directing", there is still a long way to go.
Either way, it's better than a microdermabrasion filter playing a Mary Sue.
Heroine's Original
（ID：nvxiayehua）
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