#Zen poems##The most beautiful Zen poems ##天天古诗词 #
1, a thousand years of moss trees do not spring, who believes in the fragrance like a jade soul.
Ji snow is full of forest without moon sun, lighting and blowing horns to do dusk.
(Shi tang zhi yu Zen master Gu Meishi)
"A thousand-year-old moss tree does not spring, who believes in the fragrance like a jade soul", a metaphor for many years of cultivation without fruit, so that others have lost confidence in him.
"Ji Snow is full of forest without moon, lighting lights and blowing horns to do dusk" shows that no matter what, the "jade soul" is still the "jade soul", and the Buddha nature is still the Buddha nature, which will not change. At the same time, it placed the monk's unswerving determination in his practice.
2. Once Lin Qian saw the distant gong, quietly heard the truth and the world.
So far, the lonely Zen heart is there, and the peach blossom willow wind is allowed.
(Zen Master Poem of Qibai Zhibai Mountain View)
Nanshan refers to the final Nanshan Mountain. It belongs to the Qinling Mountains, in the south of present-day Xi'an City, Shaanxi Province, and has been the retreat of the famous monks since ancient times. The Jing Zen master does not know who it is, but from the following verses, it can be roughly known that he is a monk who is pure and practicing Zen.
His moral cultivation is very noble and diligent, and he can be regarded as a teacher. Qi Bai wrote this poem and sent it to him, expressing the author's admiration for Jing Shushi. The poems are concise, sincere, and deep.
3, release the water and water cattle, no one insists on the nose rope.
Green poplar grass spring breeze shore, high lying and sleeping freely.
(Huaihai Mountain Yaniu Poem)
This is a seven-sentence poem written by the Tang Dynasty monk Huaihai Zen Master. The poem uses the walking and sitting of the cow, no one to restrain, and the metaphor breaks all the shackles, free and free, expressing the poet's pursuit and yearning for "freedom".
4, sitting on the clouds to swim out of the dust, and no bottle bowl can be carried.
Whenever people do not say anything about the human world, they are people who have nothing to do in the world.
(Du Xunhe gifted the shangren poem)
The quality of the person in the title of the poem is a kind of honorific title, the quality is a title for the monk, the person refers to the high monk who has attained enlightenment, and Du Xunhe's poem is given to a high monk, but which high monk the other party is, there is no clear explanation.
This poem can be said to be deeply rooted in the hearts of the people, especially the last two sentences: "When people do not say human affairs, they are people who have nothing to do in the world." "The writing is very deep and full of philosophy, with great wisdom, and the poet highly praises the talent and character of the other party.
5, the green lamp a little window screen, good to read Leng Yan Mo remember the home.
The circumstances are like dreams, and there are only wonderful lotus flowers in the world.
(Wang Anshi and poetry for daughter)
This poem is a poem written by Wang Anshi to his daughter. The first two sentences are to comfort her daughter so that she should not blindly miss home and can often read the "Leng Yan Jing". The Lengyan Sutra is a classic work of the Buddhist family, which is hoped that my daughter can get insight in the scriptures to reduce homesickness.
The first sentence, "A little green light reflects the window screen", is not only the situation when writing about her daughter's homesickness, but also the state of mind when reading the Scriptures, which is actually quite intentional. The last two sentences are to persuade the daughter to want to open. Wang Anshi himself has always liked the Buddha, so he will have the view that "the world is like a dream, and there is only a wonderful lotus in the world".
6. Often recall the west lake virgin's home, thinning branches and cold branches from the horizontal slope.
Jingshi is a piece of current affairs, only owes fragrance and does not owe flowers.
(Void Boat Pudu Momei Poem)
The language of This Zen poem by Shi Pudu is simple and profound, and the poet evokes insights from a painting and clarifies Zen principles. The scenery in the painting can only give people a visual feeling, while the floral fragrance needs to be sensed by smell. If the artist's skill is superb, it will produce a synaesthesia similar to that in poetry, stimulating the audience's imagination, and thus achieving a wonderful effect.
The poet used vivid language and exquisite metaphors to expound the truth of dependent arising and extinction and enlightenment of one's own nature. The poet also warns that everything in the world is a delusion that affects the self, which eventually leads to illusions. When a practitioner has a peaceful mind, he can look down on gains and losses, and even become speechless!
7, go south to north to rest, white grass blows all the Chu River autumn.
The Daoists are not sad autumn guests, and the evening mountain is relatively aware.
(Cheng Hao titled Huainan Temple poem)
The journey is uncertain, coming from the north and heading south, although the road is long and hurried, but if you want to rest, you can rest and be free. Watching the autumn wind blow away all the white apples in the river, I saw a sad late autumn scene in front of me. But Cheng Ying was not the kind of passerby who was sad because of the sad autumn wind, and he let the mountains on both sides of the Chu River be relatively worried in the dusk, and he was quiet and relaxed.
8. The mountain county depression is released early, and the lotus pond is self-flowering without ownership.
Three forks of the road intersection cooking smoke, from the Waqing Banner one or two.
(Hui Hongshi)
In the remote mountainous areas, there are few official affairs in the small county, so they leave work early. The lotus flowers in the lotus pond are naturally growing and are opening. A wisp of cooking smoke rose at the intersection of the three forks, where one or two small hotels sat. The room was covered with white tiles, and a liquor mask made of green cloth was held high in front of the door.
The verse is written about the mountain hotel. The first two sentences write about the life of a county magistrate, and the last two sentences chant wine, which of course includes himself. Cooking smoke swaying in the air, and then lined with a high hotel flag, making the whole picture very vivid and full of life.
9, sit alone and talk for a long time, Bi Song burns the fire and warms the robe.
In the middle of the night, the boy could not be called, and the tiger roared and the mountain and the moon were high.
(Yu Zizhi Su Jiang Shan Qixia Temple)
This seven-character poem was written by Yu Zizhi in his later years, and this reclusive old monk stayed overnight at Qixia Temple in Jiangsu Province, roasted a fire in the middle of the night to keep warm, and realized this poem. The whole poem begins with a mediocre sentence, but according to the "Poetry of the Stone Forest", Wang Anshi read the last 7 words and had to be convinced, saying: "The new poem is still steeper than the old, and if Xu chases Mo too high", this means that he is inferior to the other party.
Speaking of which, Wang Anshi is also a figure of the Northern Song Dynasty literary circle, so where is this seemingly simple little poem? The first sentence of "sitting alone and talking about long time" wrote that I sat alone at night and talked about the Buddha, and it was inevitable that I felt a little tired after sitting for a long time. The second sentence, "BiSong Fire Warm Robe", is another very ordinary action, the poet feels a little cold, so he burns the pine wood warm robe. To tell the truth, these two poems in the Poetry Circle of the Tang and Song Dynasties are really not very advanced, and if you continue to write in this way, this is a bland narrative poem. But in the last two sentences, the poet began to "amplify the move". Late at night, the poet wanted to wake up the sleeping boy next to him, but the other party did not wake up, but suddenly heard the cry of a fierce tiger outside the window, the poet looked out, and a full moon in the mountain was hanging high. The beauty of this poem lies in these last 7 words, these 7 words have vision and hearing, and the cry of a fierce tiger breaks the calm of the first few sentences, like splitting the air, which is amazing. For these few sentences, different people will have different experiences, and some people may feel that the writing is a bit "mad", but the poet uses the voice of the tiger here to highlight that it is still a "quiet" word. The three images of the tiger, the mountain and the moon are fused together to form a beautiful night view of the mountain.
10, the eyes into the end of the writing of bamboo, branches and leaves lifting is the spirit.
Because of the illusion of ignorance, he asked to take the old axe wheel in the human world.
"Huang Tingjian Title Zi Zhan Mo Zhu"
The first two sentences of the poem, "The eye enters the end of the bamboo, and the branches and leaves are lifted is the spirit", writing the appearance of the eastern slope ink bamboo. Huang Tingjian on Su Shi's ink bamboo painting, the form and god are equally important, the rhyme and the technique are equally important, "writing bamboo truth", the poem first starts from the shape, and then describes its branches and leaves, through the analysis of specific techniques, writes the spirit of painting bamboo, and writes the vivid charm of the whole painting. "Branches and leaves lifting", writing about the form of painting bamboo, also talked about writing bamboo techniques. Write bamboo branches, "when you write down, you are healthy and round, and the business is continuous" (Li Yan's "Bamboo Notation"), in order to be able to "lift the branches". According to the common sense of things, more leaves are branches, fewer leaves are branches, and Su Shi's ink bamboo is both cloudy "branches", which is the performance of Ye Shu. Writing bamboo leaves, "the next pen should be strong and sharp, and the real press and the virtual rise" (Li Yan's "Bamboo Spectrum") can "ye lift". The leaves are branches, the branches and leaves are lifted, and the pen has business, so the picture has an air charm, and the portrait has a spirit.
The second half of the poem is devoted to the discussion, "Because of the illusion of knowledge, there is no image, and the old axe wheel of the world is asked." No image, that is, white paper or white silk without a portrait. These two sentences mean that all exquisite and superb painting works of art are illusioned on white paper and white silk, and they are painted by painters, and if you want to know the mystery, as long as you go to the old hand of The Wheel for advice, you will definitely get a satisfactory answer. Here, the allusion to the wheel flat in "Zhuangzi Tiandao" is used. Wheel Bian is a skillful craftsman who cuts wheels, has been operating for many years, has rich experience, and is skilled, and he once said: "It is obtained by hand, but it should be in the heart, and the mouth cannot speak." Huang Tingjian used the wheel flat metaphor for Dongpo, praising his ink and bamboo paintings as "handy and responsive", profound in achievement, and his skills have reached the state of pure fire.