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Let's start with a simple copy poster tutorial.
Don't underestimate this work, it has reached 3 million views
If your travel photos are also like this, then it is not divided into the most beautiful cub in the circle of friends?
How is this cirrus cloud-surround sky made? How is the overall atmosphere created?
First of all, we find a cloud, crop it appropriately, and preferably crop it into a square to facilitate our subsequent processing.
After cropping, select filter-distort-polar coordinates:
Select [Planar Coordinates to Polar Coordinates] to get a preliminary effect of a ring:
But the effect obtained by this treatment lacks a three-dimensional sense, and we click on the filter-twist-squeeze:
In this way, we get a sense of depth in the clouds:
Creases can be repaired with brush repair tools or mask tools:
The sky part is complete, let's find a map of the meadow landscape, keeping the grass part:
Copy the reference drawing, adjust the center of the cloud layer appropriately, and weigh the center of gravity for the placement of subsequent character materials:
Next, find a moon material and put it in the background.
Around the moon, the clouds are reprocessed to make the divergence of the clouds around the moon more obvious.
Double-click the moon layer, open the layer style, tick The Inner Shadow, blend mode and select a filter:
Then check the Inner Illumination option and adjust the parameters to make the moon's lighting feel stronger:
In this way, the preliminary background of the collage is completed.
Group the sky and moon as a whole, create a new hue saturation layer, simulate a reference map, and reduce the saturation of the background:
After rough color processing, we make light and dark adjustments for the sky.
New curve, overall highlighting:
After reversing the mask, partially highlight with a brush for areas where the clouds are too dark:
Create a new Hue Saturation tool, select a cyan channel, and reduce the cyan saturation in a targeted manner.
Create a new curve that slightly brightens the sky and makes the texture of the moonlight more intense.
Next, we benchmark the reference map and cast the sky.
Create a new color balance tool for yellow and red color casts.
Select the moon layer individually to create a new color scale to further enhance the moon's sense of illumination.
Next, create a new curve, the overall blackout, ctrl+alt+2, to get the highlight area.
After getting the highlight area, create a new curve, highlight the highlight area, and increase the scope and layering of the light.
Similarly, given the highlight selection, we can use the color balance tool to color the highlights.
In this way, our dreamy background treatment is completed.
Next, we find the car material, cut it out and put it in the right place on the screen.
In the articulation section, manually add some weeds to make the articulation between the materials more natural.
To match the color atmosphere of the sky, create a new Hue Saturation tool for the grass layer to reduce the color saturation of the grass.
Using curves, the blackness value of the distant mountains is reduced, and the field of vision is more focused through masking.
Next, we take a picture of the car.
First, according to the position of the light source, the curve and mask are used to comb the light.
For places where the dark layer is not enough, create a new curve to adjust individually.
Finally, for the light receiving part of the car, a new brightening curve can be created and the light can be appropriately enhanced.
Finally, it is the fusion of our character materials.
The principle of the integration of character materials is the same as that of cars, black and white are unified, light and shade combing, and color adjustment.
I have also shared a lot of rongtu tutorials before, forgotten students can be viewed in the background private message [666], here will not repeat the repetition, you can try it yourself.
The last step, you should all be familiar with, ctrl+alt+shift+E stamp layer, open the Camera raw filter, and adjust the exposure and black and white of the opposite screen.
You can also make color adjustments to the highlights and shadows of the picture in a targeted manner.
Finally, add a little grain to enhance the texture of the picture, and then press the vignetting angle to focus the picture.
A copy of the manuscript, the end of the sprinkling of flowers ~
This kind of creative landscape photo synthesis, have you learned ~?
Looking at the whole article, I believe that everyone's eyes have learned, as for the hand learning has not learned, then take the practice material to try it
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