"City of Streamers", starring Jing Tian and Xu Weizhou, starts airing tonight.
As the first Republic of China legend drama in 2022, revenge + sadomasochism, and the appeal of the web drama that Jing Tian has since "Si Teng", "City of Streamers" was optimistic about netizens as early as the beginning of this month when it was announced.
As the male protagonist of the play , "Rong Jiashang "Rong Jiashang ", whether Xu Weizhou can cooperate with Jing Tian, who plays the heroine "Feng Shizhen", and become the first pair of screen CP in 2022, will naturally become the focus of fans' attention.
"City of Streamers" Xu Weizhou and Jing Tian
Since the 2016 web drama "Addiction", Xu Weizhou has successively exported multi-theme film and television works including "Dear Mayang Street", "Wind Rising Neon Dress", "Glory Ping Pong", etc., and has achieved good results.
Among the domestic waist students, Xu Weizhou's screen advantage has been highlighted.
01
At present, on the domestic TV drama track, in addition to the small probability event of the new top stream launched by the big explosive drama, the pattern of the head of the small student is basically stable, and the waist child wants to maintain the exposure and enhance the commercial value of the industry, and it is necessary to find a combination of its own characteristics to quickly find its own positioning.
"City of Streamers" Xu Weizhou played Rong Jiashang
It is to put traffic and popularity first, and more contact with idol dramas that are relatively easy to get on; or focus on works to earn word of mouth, and slowly straighten out on the road of mainstream dramas. For the waist students represented by Xu Weizhou, it is necessary to make trade-offs, and both roads require their own strength and some bonuses of luck.
Among the new generation of male actors rising in 2021, the strong rise of Bai Yufan and Zhang Wanyi also released a signal: in the era of traffic, the current audience's aesthetic standards for male actors are no longer single, and they pay more attention to the excitement of the role.
Such a market public opinion environment is obviously more conducive to the diversified development of waist students and newcomer actors, and there is no need to blindly limit themselves to idol dramas that target female fan audiences.
"Glory Ping Pong" Xu Weizhou
02
Back to Xu Weizhou, his biggest screen advantage is stability, and this stability is reflected in all aspects.
In appearance, although the skin in "The Wind Rises" is too dark to enter the list of costumed male gods. But I also have to admit that ancient costumes, Republic of China clothes, modern clothes, Xu Weizhou can all control, especially the tough and windy men's clothing.
This is also the key to Xu Weizhou on the screen, who can not only partner with the small and fresh Tan Songyun, the royal sister style Song Qian, but also match the stunning Gulinaza and the classical style Jing Tian.
"The Wind Rises" Naza, Xu Weizhou
In terms of performance style, although the number of works is not much at present, the degree of homogenization is low.
The aforementioned "Wind Rises and Neon Clothes" is more ancient costume inspirational, "Dear Mayang Street" focuses on life, "Glory Ping Pong" belongs to youth competition, plus the legendary "City of Streamers" of the Republic of China and the urban love theme of "Everyone Knows I Love You".
It can be said that Xu Weizhou's plays are few and refined, and the audience of each one is slightly different, which is a very good beginning for him at this stage.
"Dear Mayang Street" Tan Songyun, Xu Weizhou
summary
Xu Weizhou is definitely a microcosm of many waist students in China.
Acting skills naturally do not play, although it is not possible to do surprises everywhere, but it is more than stable and highly malleable.
It has not yet been fixed by a certain type of screen role, so it can have many opportunities to try, and can further polish the acting skills in various theme dramas, so as not to have the problem of performance patterning.
Xu Weizhou
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