<h1 class= "pgc-h-arrow-right" > classic blockbuster, low-key agents are forced to shoot, and gangster bosses are invincible</h1>
<h1 class="pgc-h-arrow-right" > wardrobe</h1>
At the beginning of the film, the director sets the development direction for the entire "Wardrobe" with a recorded image of the witch being killed by the ghost in the closet during the exorcism process, and then enters the main film and then pulls the focus back to the father Shang Yuan, played by Ha Zhengyu, with his dialogue with his daughter in the car, establishing a cold relationship that seems to be hindered by what seems to be between the two, which not only makes the theme of the film clear, from their daily interactions, gradually brings out the psychological trauma of their car accident half a year ago, but also adds a little suspense to "Wardrobe".
The cabinet is certainly a representative work of recent Korean horror films. In addition to the director's high grasp of the sudden horror, in a story full of suspense, living in a closet, everywhere children. At the same time, the distorted parent-child relationship is also reflected in the modern family, allowing the story to be explored in greater depth. It feels like a good movie should be like this, so that the audience gets different experiences from multiple angles.
<h1 class= "pgc-h-arrow-right" > her seamlessly</h1>
The film tells the story of an unrelated grandmother and granddaughter. On this day, the 72-year-old widowed and widowed old man Mo Shun's family welcomed a Princess Luo who claimed to be her grandson. Princess Luo was holding her mother's urn in her hand and carrying a little girl named Luo Pearl. The old woman's daughter ran away from home for many years, and now waiting for the news of her daughter's death and a pair of granddaughters who are running relatives, Grandma Su shun finally accepted the company of her granddaughter, and Grandma's lonely life became sunny.
In one game, Princess Luo accidentally revealed that she was not Sushun's granddaughter, and the old lady smiled and told her that she knew. But even if you are not a grandson, how can you live together for so long and be a relative? After the sister fell ill, in order to cure the disease left them, grandma also suffered from Alzheimer's disease, but Princess Luo still did not abandon the story of this story is very warm, very touching, but also tears, each of us may have such relatives, take advantage of the time, more warm companionship.
< h1 class="pgc-h-arrow-right" > agent</h1>
The film tells the story of Park Kim Young, a South Korean Ministry of Security spy codenamed "Black Venus" who primarily aims to find out the truth about the Ming nuclear issue, after discovering a secret deal between South Korea and the North Korean leader, and begins his own story. Inter-Korean relations can break the ice, and "black Venus" is very valuable. With the exception of "Black Venus" and the ability to sit alone, most of the films are fictionalized or rewritten for the plot, including his brotherhood with Lee Ming-yun. It wasn't a biopic, it was a bit of a boring spy drama without smoke and war scenes.
Park Hyo-young, a former Major in the South Korean Army, worked as a secret agent in January 1992 at the suggestion of a staff member of the Ministry of Security, drinking alcohol every day, going to gambling places, borrowing money from friends in the name of doing business, and finally becoming a bad-trust agent, starting work as a code-named "Black Venus". In 1992, he became the first person to learn that North Korea had developed two low-grade nuclear warheads.
<h1 class="pgc-h-arrow-right" > kidnaps the dog at the door</h1>
The film is a dog that tells the story of a man. The characters in the movie are connected by dogs: the male protagonist who has no status at home, who vents his indignation by killing the dog, who has worked hard for many years, who has only enough to buy a dog with a pension for many years, who pays his husband to bribe the male protagonist's wife of the fund, who works and eats and waits for death, who is bent on catching the culprit of killing dogs on TV, and who eats dog meat without heartache. They are like rainy weather, with a gloomy, musty smell. At the beginning of the story, the apartment building, which is the main place of the story, presents a dull elevation shot, in which two highly camera-like chase scenes appear. Just as the protagonist lives under a system, he has been unwilling to accept his fate but is tired, and finally he is still trapped in it.
Fortunately, Bong Joon-ho's debut film, while keenly capturing social dynamics and character images, is also convinced that there will be sunshine after the rain, and the male protagonist has experienced the psychological process from killing dogs to finding dogs, and "getting what he wants" has become a professor's life and is back on track. The protagonist is unemployed, and it is a new beginning to get away from the hustle and bustle of the city and be close to nature. At the end of the film, the male protagonist takes out a pair of pedal-off rearview mirrors to let the sunlight shine directly into the camera, which also seems to illuminate our hearts: don't be a wolf, everyone cares for each other and builds a harmonious society.
Classic blockbusters, low-key agents are forced to shoot, and gangster bosses are invincible. What do you think about that? Welcome to leave a comment.