1, "Blood Labyrinth"; we who know the truth struggle to see them get lost in the established space in order to achieve their respective goals. We, as omniscient beings, wander through all space, picking up fragments to stitch together this absurd event, murking at the magical reality and the behavior of being in a state of madness, and marveling at the details of the Coen brothers.
2. "The End of the Dead"; the first American blockbuster introduced by the mainland in 1994, the first part of the account blockbuster. The story script is quite excellent, the rhythm is tight, the gripping escape plot, the wonderful cat and mouse drama, the decipherment process of layer by layer, the smooth justice justice, and the final observation is really painful. I don't know how many American lonely heroes I have seen in my memory, but I rarely have the amazing courage, firm determination, justice, forbearance, bravery, deep love in my heart, and rare wisdom and wisdom, who can prove my innocence alone. Tommy Jones' role as a law enforcement officer with a very different style is also complementary.
3, "True Romance"; this story is actually very Quentin, and a ring buckle, absolutely very subtle, of course, Toniscott shot very steadily, will not be as fancy as Quentin, but also has a different flavor. The biggest attraction is to watch so many big names later even at the time, which has the least drama, Samuel. Jackson won by just saying the classic lines.
4, "The Dawn of the Lover"; although it is a classical traditional narrative, dePal's scheduling ability is too strong, coupled with a solid script, several characters in the film are rich in feelings, promoting the audience's empathy ability to score full points, the front laying a little procrastination, to the female protagonist and the male second began to intervene in the life of the male protagonist, rhythm control and top tension, is completely the classic paradigm of the twilight of the West Mountain Lonely Owl Male Lamentation.
5. "Enemy of the Nation"; the film Emperor Jean Hackman, in the film, his limelight completely overshadowed the popular Will Smith, and the hairstyle and feeling are very much like Ulrich Mue in the eavesdropping storm. The theme of the film is very good, the rhythm is tight, and it is very enjoyable to watch. In the end, the theme of the film is: the real enemy of the country is ZF, and the whole world is the same. Basic victories lie in the structure and thematic intention of the script, the confrontation between public power and small individuals, and the conflict between information monitoring and free will, which are hot issues at any time. As for the presentation of the action scene, it is still the familiar style, the shaking of the lens and the fancy editing and mixing form a high-performance dynamic, as for the final "killing with a knife" is exhausted by its audiovisual means, pure sensory stimulation, enough.
Take stock of 5 early classic suspense movies, you may not have seen them all!