Thunderstorm after reading

The thunderstorm seemed doomed from the beginning to be a tragedy. However, the perpetrator of the tragedy is the hero of the story: the grand young master of the Yuan Xi Mansion - Zhou Puyuan.

Like many Chinese tragedies, a mercurial teenager has taken a fancy to his maid, and such a combination will not have good results since ancient times. If the man has feelings and righteousness, it is not a big deal that the two elope, turn their backs on their parents, and go far away to fly away as a mandarin duck with a bitter fate, but the piercing heroine Shi Ping is even more bitter, zhou Puyuan, the young master of the wind, although touched by her youthful beauty and gentleness, how can his heart that only knows how to love himself stay with her for a lifetime? He eventually gave up Shi Ping for his own future. The lonely and helpless waiter Ping left with her sick second son sadly, and the original story ended like this, who knew that the creation of people, fate again involved them. The intricate relationship was staged again, it was a mess, and eventually led to half-brother and sister falling in love. As their mother, Shi Ping can only accept the trickery of fate, and can only blame the fate she has brought to her children, it seems that everything should be over, but the young Zhou Puyuan of that year said that they were half-siblings under misunderstanding. This killed 3 people...

How can such a heart-wrenching life not make people's hearts ache? Historically, such stories have been playing out for almost a long time, and there are not a few victims under similar stories, I think, this is not a simple story, and the real situation of society should be the prototype of the story. This is inseparable from the moral code and ideological concepts of the people at that time. In today's society, with the change of people's thinking, women have become strong and brave, and they will never be silently suppressed by fate, and will rebel. In addition to the development of science and technology, the progress of humanistic thought is also a major symbol of the progress of the times. People often know the misfortunes of the past and secretly rejoice that they live in such a beautiful era. However, I should not only be grateful for the happy life that the new era and the new China have given us, but also for the enlightenment given to us by the Li times. Without the misery of the past, where is the happiness and sweetness of the present?

Thunderstorm The first time I read "Thunderstorm" was on a windy and sunny afternoon, when I finished reading and closing the last page in one breath, I looked up to find that the stars in the sky were also smiling miserably at me, and my heart was as dark as night and as heavy as night.

When re-reading "Thunderstorm", what attracted me was not only its ups and downs and gripping plot, but also the plump and vivid character images created by Cao Yu with delicate techniques. His description of these images can be described as adding one point to long, subtracting one point to short, more points to be fat, and less points to be thin, which is really just right.

1. Zhou Chong

Zhou Chong will always be a child, he has all the fantasies of children, and is the representative of a group of young people who grew up after the May Fourth Movement. He dared to rebel against feudalism, wanted to accept new ideas, and simply fantasized that "the world will always be good for him." Naïve, he even thought that even love was selfless, and he even fantasized about being with the person he loved, Si Feng, forever, and when this request was rejected, he fantasized about escaping from this loveless home with Si Feng.

I think Zhou Chong is innocent from head to toe, he is a child who has not grown up, and in the end even death is unprovoked, but the appearance of Zhou Chong, after all, adds a bright color to the gray story tone.

Second, prosperity

Fangyi is not an ordinary person, she has multiple identities, so it is not difficult for her to live under feudal etiquette.

The ripples were melancholy, the fire burning her, and her eyes were often filled with the pain and despair of a young woman's disappointment, and she often restrained herself. She was a little new-educated person, she was weak, bright-witted, and had a certain love of poetry, but there was also a consistent enthusiasm and strength that churned in her heart. There is an irrepressible "brute force" in her personality, which enables her to make sudden and desperate decisions, she loves people as warmly as fire, hates people and burns people like fire, but her appearance is calm, like autumn leaves falling gently next to you.

Booming is perhaps one of the most successful characters portrayed in Thunderstorm, and I love Italia. She was a woman who had received a new type of education, she accepted feudal etiquette, and also had the courage to rebel against feudal etiquette, but because the idea of feudal etiquette was still deeply rooted in China at that time, she could not make a complete rebellion by her own strength, so she struggled in the pain of accepting and resisting, especially in "taking medicine" and dealing with the love-hate relationship with Zhou Ping.

I think it is most appropriate to use water to describe the prosperity, the ripples, the soft and strong, like the water, the water is soft, the soft intestines are full of knots, but also the water drops and stones can be worn; the ripples are lonely, although the water drops and stones wear, but the water does not matter after the water is worn, because the water has no dependence; the ripples are sad, the water persists in beating the stone with a lifetime, but it can only wear a small hole for life, and in the end it is powerless to change the stone; the ripples are pitiful, because the cold water will never bring the warmth of love to the ripples; the ripples are still tragic, After the water drops the stone, it is crushed to pieces, and it is like a flourishing wave that finally wants to phoenix nirvana.

3. Zhou Ping and Zhou Puyuan

These are two similar figures, Zhou Puyuan is tyrannical, self-righteous, stubborn, and like all people who start a career, they are particularly majestic in front of their families and subordinates, and they exploit workers at all costs. The similarity between Zhou Ping and him lies in the selfishness and self-righteousness of the two, they do not hesitate to accept feudal etiquette, but Zhou Ping always has a dim look, flashing hesitation and contradiction. He always regretted his mistakes, and when a new impulse came, his enthusiasm and desire would drown him like water. His starlike sanity is nothing more than a dead branch rolled up in a whirlpool, so that a big mistake will follow a big mistake. He was bitter and remorseful, he envied all those who dared to do bad things without scruples, and he envied all those who could do a "cause" and follow the "morality" of the upper class as a model parent and a model citizen. He admired his father, who in his eyes was an immaculate man except a little cold and stubborn, but cold and stubborn was his favorite, because it was all he himself did not have, he was a weak man.

Another advantage of the author's pen is to arrange the similar situation of Zhou Ping's father and son, although there is not much ink on Zhou Puyuan, it is also known that Zhou Puyuan is despicable, and Zhou Puyuan's behavior exposes the evil nature of the capitalists.

Fourth, Lu Gui and Lu Dahai

Although they are father and son, perhaps because they are not related by blood, the two have very different personalities. Lu Dahai is a typical representative of the working class, while the Chinese working class is subjected to multiple oppressions and the resistance is extremely fierce. His character is even more stubborn, he is full of energy, young excitement and enthusiasm are like a volcano about to erupt, and his spirit of resistance is thoroughly displayed.

Lu Gui, on the other hand, is very "sensible", especially etiquette. He was a bit backed, and it seemed that he should always owe his body and promise his master "yes". He scrupulously abides by the rules of "lower people", and his eyes still flash greedy eyes, but this greed is by no means the same as Zhou Puyuan's greed, Zhou Puyuan's greed is the cruel exploitation of workers with a lion-like blood basin, and Lu Gui's greed can only be the eyes of the city's villains.

5. Lu Sifeng

Like Zhou Chong, Si Feng is a very pure child, but the biggest difference with Zhou Chong is that Si Feng has not received education, and she cannot accept the impact of new ideas. She will not resist, will not stand up to the feudal rites, and therefore can only have the simple virtues of the working people: kindness, hard work.

In short, Si Feng is a girl who loves life, but she is also obedient and obedient to others' arrangements for her destiny.

6. Lu Shuping

Finally, when I talked about Shi Ping, Shi Ping really made me wonder how to evaluate, Shi Ping is also a victim of feudal etiquette, and there is too much pain in her life, and there are too many accidents.

It should be said that Shi Ping is a person with bones and a certain sense of resistance, but she also relies on Zhou Ping, so her resistance will not be complete, and on the issue of treating Zhou Chong and Si Feng, she takes the initiative to compromise, blindly retreating and forbearance to complete others and sacrifice herself.

That's all the characters in Thunderstorm, and everyone is painted in a grayish hue, so that on a thunderstorm night, all eight people show their pale faces.

Thirty years of long time, thirty years of love and hate entanglement, thirty years of tears and blood cast a sad thunderstorm. What washed away under this thunderstorm is the ritual tradition of cannibalism in China's old feudal society, the love and hatred intertwined with people's pain and contradictions in the play, and the thin corner of the mouth of the god of destiny smiling... A thunderstorm, a dream. When you wake up, everything is empty.

The beginning of a tragedy is often a mistake that is not moving. The story of the rich young master falling in love with the maid of the family in the empty and boring life was not uncommon in the context of the times at that time. Of course, the rich parents indignantly opposed the "disparity" of the two people's interactions, drove away the maid with the baby in his arms on the night of the Chinese New Year's Eve, and forced their first son with "good intentions", and the first form of tragedy began to brew here.

Zhou Puyuan, as the focus of the central contradiction in the play, is undoubtedly the most intense emotional conflict. Zhou Puyuan, who fell in love with ShuPing when he was young, may also be said to still have a trace of pure residue. But since that night Chinese New Year's Eve, when he allowed the elders of the family to drive Mei Shuping away and then married Miss Kuo, who was the right person in the house, his soul had completely become the best portrayal of the supremacy of interests. Thirty years later, the moment he recognized Shi Ping again, the emotion he showed was not the joy of a long-term reunion, but outright suspicion, doubt and fear. What he thought was that Shi Ping's arrival might pose a threat to his position and interests, the embarrassing situation he would face after the truth-to-face exposé, rather than sympathy and compassion for Shi Ping's tragic experience. He said that he had always kept the furniture she liked, that he kept her habits, that he cherished the old shirt embroidered with plum blossoms, but in the end, these were not because of love, but because they wanted to show his conscience that had long ceased to exist, and to warn the people of the world - "Look! I am a gentleman with feelings and righteousness! Even if there had been, it had disappeared in thirty years, and everything he had now—including giving Shi Ping five thousand oceans, promising her living expenses, and asking them to never set foot in the Door of the Zhou Family again—all, all for himself. For him, love has long been a little spice in a long life, dispensable, as unrealistic as a dream. The representative of this capitalist has long been blurred by flesh and blood under the "influence" of the business world, and his face is completely unrecognizable, and he is not in human form.

As for Lu Shuping, the core bearer of the tragedy, her fate is undoubtedly bumpy and painful, but it is not sad. Looking back at that love thirty years ago, she was also one of the wrong creators. But woman, woman, why are you entangled in a love that ends without illness for thirty years, and after thirty years you are still stuck in the grievances and disasters you have suffered Love or hate, is it not yourself who is ultimately hurt? Is this where the value of your life lies, a dignified confrontation, and then a dashing head up and leaving, is better than surrendering yourself to someone else, isn't it?

It's not just a story. This is the storm forged by an era. Under the wind and rain, all the evils in the world are exposed, and there is nowhere to hide. No love can travel through this infinite time, nothing can truly reach eternity. Life is like a dream, and the tears and rain in the dream are torrential. After waking up from the dream, my life still has to go bravely.