The strongest villain Kazuki Kitamura returned to the basics in "Last Winter, Separated from You"?

The suspenseful reasoning movie "Last Winter, Separated from You" is adapted from the mystery novel that won the Japanese Wasagawa Award, combining the major new eras and senior cast to create a mysterious reasoning work with a dense structure. The original was once praised by the Japanese literary community as the most difficult work to adapt and remake, but the production team spent a lot of time with the actors to successfully produce it, and one of the most important characters in the cast group was Kazuki Kitamura.

Although the new generation of actors gathered in this game, Iwata Tsuyoshi, Saito Ko, and Mizuki Yamamoto have made breakthrough performances in recent years and have experience in acting in speculative works, but to be competent in such a difficult work is to need the assistance of senior old birds. Therefore, Kitamura Kazuki was selected as the boss of the character journalist Kyosuke Yayun, played by the protagonist Tsuneyoshi Iwata, who has a heavy influence in the play.

Kazuki Kitamura can be said to be one of the most well-known villains in Japan, although he rarely participates as a starring actor, but he is an important supporting role, the overall performance volume is large, the exposure is extremely high, and he has won the Best Supporting Actor of the Japanese Drama Academy Award several times. He has a variety of roles and a wide range of plays, so he has a way to be qualified for the extremely difficult performance task of "Last Winter, Separated from You" this time. The weekly editor kobayashi, whom he plays in the film, is the driving force behind guiding the reporter Yayun to start investigating the mysterious death case, allowing Yayun to discover the true face of the talented photographer Yudai Kihara Saka, and let all the mysteries surface. Kitamura Kazuki should be able to perform good people and bad people at once, the transformation of good and bad is clearly layered, but there is still an unchanged criterion in the heart, such a precise but difficult to catch the way of expression, just the same style as this film, the audience thinks that seeing the truth, in fact, there are more mysteries.