In the long-term practice of life, human beings have accumulated different life feelings and psychological feelings for different colors, and they will have different associations. For example, the sun, flames, and blood are all red, and red will give people a warm, warm, and stimulating psychological feeling; the fields of spring, the vigorous plants, appear as green, and the green will make people's hearts full of vitality, feel quiet, peaceful, and leisurely; high sky, distant mountains, Xuhai, off-road, starry sky, are blue, this color can give people a vast, far-reaching, cold, mysterious, dreamy feeling; clouds, frost and snow, moonlight and all white objects, respectively, white or bright colors, let people feel bright, innocent, Holy and clear, while black, often associated with darkness, deep holes, dry wells, makes people feel dull, heavy, solemn, ominous, terrible, and so on. At the same time, the color is also divided into warm and cool colors. Warm colors give people strong visual stimulation; cool colors give people weak visual stimulation and have a sense of contraction.
(1) Yellow - is the brightest and most luminous color in color. Yellow is used in modern fashion, showing human ingenuity, ingenuity and youth, for samurai, and yellow is an endorsement of bravery and fearlessness.
China's Han Dynasty has been fashionable yellow in the official field, especially the emperor's yellow brocade robe, embroidered with dragons, brilliant and majestic. In ancient China, yellow was known as the supreme heavenly son color. This is because yellow can show the highest purification of matter with the power of its bright light, and when it is used in the royal family, it replaces the purification of matter and becomes a symbol of the highest political power. In addition, yellow lacks transparency and seems to have no sense of weight, so in ancient and modern China and abroad, golden yellow has become a "color language" that describes light, sacredness, the afterlife, and the kingdom of heaven. Such as the temple of Byzantium, the temple of Japan, the treasure hall of the Jade Emperor, the throne of the Buddha, the glare of the resurrection and rise of Jesus, the golden eye of Sun Wukong's fire eye of the demon, the luxurious golden trench coat of Cleopatra, and so on. Yellow is used in modern fashion, showing human ingenuity, ingenuity and youth, for samurai, and yellow is an endorsement of bravery and fearlessness.
(2) Red - is a relatively pure color. Where there is red, there is always an irresistible sense of power and excitement. This may be the reason why red is associated with sunlight and fire. If a person is subconsciously or visually associated with blood, a sense of terror and danger arises. Red is reddish orange in sunlight and has a shimmering color effect in
In the traditional Chinese custom, women wearing red is a sign of youthful vitality, wedding ceremony occasions are an expression of love between men and women, the joy of shop opening, farmers building houses, harvest, red is a symbol of auspicious celebration... On a particular occasion, such as the "red ocean" in the "Cultural Revolution", red dominance, there is a combative enthusiasm. Red, juxtaposed or mixed with blue and white, can radiate an evil and sinister illusion, and combined with black can radiate or old-fashioned, traditional, or resolute, sublime, or demonic mood. The opacity of red and the various possibilities of heterochromatic fusion produce a variety of changes in tone, always putting red in the dominant position. Its artistic value is omnipresent, and with moderation, it can produce a similar impact force from an explosion. Westerners seem to be secretive about red, and are often used in film artworks for war and bloody occasions, making people feel fearful, dangerous, or feel mentally abnormal...
(3) Blue - Compared with the solemn warmth of red, it is a light and cool color. Blue can expand people's horizons to clear skies, glaciers, seas and mysterious and boundless vast universes, so painters and film artists often use blue to represent another world of human illusions, the "paradise" admired by Western religions, and the "earth house" feared by Easterners... Of course, blue also has a polysemantic nature, when blue and light are together, they often show a positive mood, and when blue and dim are combined, there is fear, superstition, pain and destruction.
(4) Green - is a fusion color of blue and yellow. It is a symbol of life in nature. The green under the sun has a vigorous youthful atmosphere, which invigorates the human spirit and has the value and significance of hope and joy. The postal service in human life borrows the meaning of the olive branch and likes to use green, which is the specific application of the connotation of peace; in today's world when pollution is becoming more and more serious and environmental protection is vigorously advocated, green is used as a symbolic color to awaken human beings to plant trees in large areas and beautify the self-protection consciousness of the living environment. When the green darkens, its main performance characteristics are calm and quiet. The hospital's environmental decoration is mainly green, which is beneficial to the patient's mental stability and physical conditioning.
(6) Purple - Compared with the relatively single value and meaning of green, purple appears extremely ambiguous. Bright when. Noble and pious, is a symbol of wisdom and intelligence, when dark, there is a feeling of threat of oppression, but also the embodiment of superstition, ignorance; blue and purple
Sometimes it shows loneliness and death, and sometimes it can show holiness and excitement...
The appearance of The Red Desert, the film is called the first true color film, because "Antonioni treats color like a painter, he uses different techniques to separate and compose colors, in order to create a special reality, a reality consistent with the psychological state of the main character, Juliana." "The thick yellow smoke, the blue sea, the red giant steel machinery and rooms, the green fields show Antonioni's rational thinking about industrial civilization. He treats color just like the cold abstract painter Mondrian.
This method of using color to represent the psychological world of the characters has been used repeatedly and successfully by some filmmakers. For example, Wenders's "Under the Berlin Sky", the film begins with a large overhead shot of the camera over Berlin, which is the perspective of the angel, using black and white images to represent this huge industrial city, but also shows the gap between the angel and the mortal in the feeling, until the angel falls in love with the girl who performs trapeze in the circus, determined to give up the identity of the angel to become a mortal, and the world around him suddenly has color.