Jia Zhangke's "Twenty-Four Cities" made me reconcile with myself

A so-called pseudo-documentary directed by Jia Zhangke, "The Tale of the Twenty-Four Cities". Overall, it was turned over by me. After watching it five times, when I feel uneasy, I will subconsciously look for this film to watch it again, and watch it again, and I will be reminded that life is such an asshole.

Those you lay on the sheets, thinking about your favorite person's summer nap, you were in front of a pot of stews, kissing Daddy, kissing Mommy, your painful math. Sneaking into your house and playing games with your friends for a night are all your memories of life, engraved in a not-so-big place, and then overthrown on a not-so-clear late summer day.

I used to be crazy hot, crazy cold, 1 year and 1 year, and think about it sadly like a stray dog, but now I just want to remember the gifts he once gave, thank you. There is such a place like the 420 factory, treating me as the most precious child, even if now he calls China Resources 24 City someone else's home, and then I will remember a poem I wrote after the last time I read it, who has not yet had a broken Chang'an, a sad screen, blue waves like iron.

Mentioning the Twenty-Four Cities Chronicle, remembering the long flower standard played by Chen Chong in front of the broken makeup mirror, he said, At that time, I did not love at the age of 20, all the love stories he told were sad, but 30 years later, he followed the old people in the community to sing the Yue opera of the Dream of the Red Chamber to play Lin Daiyu, it was like carrying an invisible grinding plate fried, the eyes were clearly foreign guests, but the bottom of his heart was an old friend. At the end of this chapter, he smiled slyly at the camera, like the beautiful legend of Sicily, which was the beautiful legend of Chengdu 420 Factory, he was sad, but in that moment he opened up gracefully.

He said, even if I'm not a standard part, I'm not a scrapped part, I just feel the moment he said that sentence. After 30 years, the bright sexual tension and oily vitality are coming, you will think of the chapter of Teacher Chen Jianbin, the middle worker Song Weidong who played him recalled his youth, when the 420 factory was a small world, the teenagers in the factory ganged up with a group of teenagers outside the field to follow a dramatic revolutionary trend, coming back and forth to fight endlessly, his parents were in the factory. From a young age, he grew up to be a wild man who could speak political terms and labor trumpets. How nice it was to be a teenager. It seems that every day is a big sun, there have been, and there have been because the sun is tanned, and I will always remember how I was worried and uneasy.

At the age of 13, an important milestone that I think marks the beginning of adolescence, I have fantasized about countless versions of sunny days, but when I ended my adolescence, I found that my adolescence without me was quite desolate, how desolate was it? Just like your adolescence, barren, the traditional family of an East Asian teenager never feels how important it is to provide you with enough psychological influence, and the degree to which you are recognized in a system is the core of their concern, so the life choices presented to the East Asian teenagers seem to be only reading exams, in the contradiction of the same nature and role confusion, under all the desire to explore the world, when the weeds grow wildly, in front of the table, when we finally enter the university and live The East Asian teenager's ass was bloody.

People can't help but be close to nature, and people can't not be close to people, otherwise it is not real life, and there is no way that like Song Weidong of the 24 Cities, there have been a large number of friends like Liangshan who have not experienced these juvenile lives, because they deviate from that ancient reality. It was always a pity that my teenage years could only be bookish, and before the end of adolescence, I found that all my own perceptions of beauty were nothing more than symbols, and eventually led to the nihilism that looked very painful. I look like a pig out of the pen, and after this East Asian life test, I have become an irreparable punk.

Factory 420 is Sun Weidong's Chang'an bar, there have been that kind of sunny days, that must be a lot of abundant psychological nutrition, a teenager who has a good adolescence has this kind of Chang'an, even if he is forced to go to the Western Heavens to degrade Taihu Lake, let wanli evil crush his silence, there will always be some peace in his heart, Chang'an looks back. There are piles of shows, but it is a pity that Chang'an's look back has never been a pile of shows, which has a Chang'an in the narrative of gradually drifting away and gradually without books, can be glorious and immortal.

The other two chapters in the film, Dali played by Lu Liping and the kind of story played by Zhao Tao, also tell the story of their own reconciliation, Dali is passively reconciling herself in the long wear and tear of time and change, and Nana took the initiative to embark on the road of reconciliation under the inevitable road of growth. The Story of Power is the story of a family that has lost its independence. The 420 factory was relocated from Shenyang, but during the relocation process, Dali's son was lost and never found again. At this point, I can only empathize with the feeling of losing a loved one, because I don't have children yet, but the difference between the children in my arms and the peers is that I want to have children, and fertility is a female talent, and the genes of the loved ones who once loved you deeply, but will eventually disappear from the world, not because your fertility is continued and return to the world again, I think, my business will not be for the family, but when I give birth to an export chapter, free to write beautiful children like me, I would know that he had returned to earth again with a fragment of my grandfather's soul.

It reminds me of the difficulty. In most of life, blood kinship is the best gift in the world. We all inevitably come to this world to build intimate relationships, so when you can see your mother in a thick kung fu and can't distinguish between men and women and cry, no one can not feel the pain of true feelings, I will always envy children with enough psychological nutrition, the heavy negative pressure of life, never pressed on her shoulders, but vines are generally firmly bound to the relationship chain, last month was pain, followed by tightness. Nana's rebellious period seems to have ended at that moment all the unfolding of the proposition as an adult, which must pass through the painful lanes. At that time, the 420 factory had been demolished, and the few bare classrooms that had been demolished had windows removed. I once saw a piece of news.

After the death of an old man, his children did not want to pack his things, so they simply sold the house and sold everything about him, his letters, his photos, his military ID was thrown out like some garbage, comments to say. Thrown out is a man's doctor. 420 scenes were demolished, and the life of several generations was demolished, and the 24 high-end residential areas were extremely imaging, and the common coverage we can experience at the moment. Yu Qiuyu said that the ruins are also beautiful, just like the home lost in my heart will always be the home of the dead relatives and forever 17 days, but push off the river view I added, the large flat floor is not my home, I would rather experience 10,000 swashbread readings, the moon desolation as a moment multiplied by the distant sound, will not let my definition grope and compromise.

Most of modern life doesn't help him ruin space, you need to get used to the ruins between your own mind. Not everything will eventually be forgiven, because everything will eventually be buried. At the end of the film, all the memories of human life are removed, the steel bars are cut, the bridges are blown up, and the wires that connect the lampshades that a person enjoyed for the first half of his life are uprooted. The signs of the Chengfa Group, one by one, fell to the ground, just like those unfamiliar words that had nurtured the collective economy of our youth and filled the ears of our teenagers, we often had our workshop comrades association, the Oriental Red Cinema, every demented, silent succession speed stood at a high stronghold and watched our once life collapse. When we look at those red clothes wrapped in sweat, those passions, those youths turn into some indifferent lime, we will get the perspective of Jia Baoyu, who eventually became a monk.

The world is nothing more than this, everything will eventually pass away, but when I close my eyes, I can always be reunited with them night and night. Who has not yet broken Chang'an; on the screen of sorrow, the blue waves are like iron.