On October 2, the movie "Life and Death Block" iQiyi Movie Channel was launched. Because the film is starred by teacher Li Youbin, it is highly anticipated by fans. In addition to Li Youbin, there are also a number of main actors in "Bright Sword" participating in the starring role in the film. Therefore, many fans affectionately call this "Life and Death Resistance" a movie version of "Bright Sword". According to the content of the whole film, it is not an exaggeration to call it the movie version of "Bright Sword".
In this film, the Japanese Kou launched a major sweep, and the strategic point of our army was about to be attacked by the Japanese Kou. The superior leaders instructed that the strategic materials and figures to be rushed needed to be urgently transferred. And the people in the rear must also follow the transfer. It has been less than 12 hours since the Japanese mobile troops arrived at our strategic point. In this way, the commander played by Teacher Li Youbin will lead a 300-person death squad to launch a blockade war against the enemy in Majiapu. The japanese troops who were blocked were thousands.
The highlight of the movie "Life and Death Resistance" is how the commander played by teacher Li Youbin led the 300-man Eighth Route Army to launch a Majiapu blockade war against thousands of Japanese Kou. The praiseworthy thing about this movie is that in the more than one hour of battle scenes, it does not drag mud and water, but the tactics are clear and follow the basic principles of resistance warfare. Moreover, in this film, the combat effectiveness of the Japanese Kou is very strong, and our film also respects the Japanese Kou.
The beginning of the blockade war was to carry out strategic defense in two directions of Majiapu to prevent the Japanese from attacking. The first head-on exchange of fire was when the Japanese Kou launched raiding tactics in these two directions in an attempt to find out the arrangement of our fire points. The display of this tactical play, in the film, can be described as very unique. The Eighth Route Army, on the other hand, was obviously experienced in fighting against the enemy and understood the tactics of the Japanese and Kosovars. Therefore, the arrangement of various firepower points that will be calculated can be described as bulletless.
Faced with the state that our fire points were clearly laid out and could not be raided, the Japanese Kou opened the artillery battle mode. At this time, the content of the movie has been upgraded again on the basis of the previous gunfight. Although our army's firepower deployment cannot be equal to that of the Japanese and the Koso, we also have some small artillery fire, so there is no ambiguity in the operation against the Japanese kowtow. At the end of the film, our combat hero lamented that if the artillery fire of our army could be as dense as that of the Japanese, the little devils would die even worse.
After the artillery battle, there were heavy casualties on both sides. Later, the Japanese engaged in tank warfare and infantry coordination. Obviously, the arrival of tank warfare is another escalation of artillery warfare. In this tank battle, the Japanese broke through our army's trench defense line and advanced into the interior of the street. Subsequently, our army's street warfare offensive and defensive battles began. Faced with the steel tanks of the Japanese Kou, the soldiers of the Eighth Route Army turned on the explosive pack mode. At that moment, those who were tougher than steel were the soldiers of the Eighth Route Army. This kind of scene of throwing explosive packages at Japanese tanks with flesh and blood inevitably reminds the audience of the same anti-war movie "Eight Hundred". Even in many ways, "Life and Death Blocking" is more angry.
Faced with the loss of tanks, the Japanese stopped fighting and temporarily withdrew from the battlefield. After a moment of tranquility, it was the arrival of Japanese aircraft support. Air power has always been the weakness of our army. During the War of Resistance Against Japanese Aggression, we simply did not have the combat effectiveness of our own air force. On the Korean battlefield, the enemy's air power is also the most infuriating. Similar content is also presented in the theatrical movie "Chosin Lake", which can be described as a mutual correspondence.
After the Japanese aircraft dropped bombs, our army had actually completed the task of blocking the Japanese and Kosso, and the soldiers and civilians in our rear had been transferred. However, the people near Majiapu are still in the process of transfer. Therefore, the Eighth Route Army, which had been blocking the Japanese Kou for a day, once again entered a state of combat, ready to continue to delay the main force of the Japanese Kou and prevent them from advancing. At this moment, it has entered the state of night.
As night fell, the Japanese began the "QuietLy Entering the Village" operation. Fortunately, when the soldiers of our army sent their compatriots away, they stumbled upon the Japanese Kou. The soldiers and compatriots of our army disregarded their personal lives and deaths and launched a battle against the enemy. As soon as the gunshots rang out, the Majiapu Eighth Route Army became alert, and then launched an attack on the invading enemy, and finally completely annihilated the enemy who attacked at night.
Day is coming again, and the story of the film is coming. Whether the commander played by teacher Li Youbin can lead the soldiers to break through can obviously become the suspense of this movie. I'm not in a position to continue spoilers here. The praiseworthy thing about "Life and Death Blocking" is that it follows the tactical play of blocking warfare and does not blindly fight. While respecting the tactical playing style, it also respects the portrayal of the characters. In this movie, every soldier of the Eighth Route Army has a very clear portrait. Some of the simplest bridge sections can shape the greatness and perseverance of our soldiers.
Therefore, the movie "Life and Death Blocking" can be called the bright sword of the movie version. (Text/Ma Qingyun)