"The Knife In the Snow" has rivers and lakes, temples, but no chivalry.
The first season of "The Sword In the Snow" has ended, and Lu Zuhong's washing elephant will not be in Jiangnan under the crane, which is a pity.
Before the final chapter of the first season, the signs of good stories came out.
For example, Zhao Kai was in charge of the Shu Land, forming a corner with Western Chu, Beimang, and Northern Starling, and the temple dispute was about to erupt.
The case of the white clothes in the capital slowly unfolded, the intrigue between the Northern Starling and the Liyang Dynasty opened the curtain, and the kings and generals of the various clans were eager to move, and a good drama was about to be staged.
Xu Fengnian and Wang Xianzhi fought a battle, the third trip to the jianghu was more exciting than the first or second, the rivers and lakes were bloody and rainy, the martial arts of Shizi were greatly increased, the reincarnated body of the True Martial Emperor was about to bloom, and the sword and light sword shadow of the jianghu suddenly appeared.
Gushing out love and hatred, the feelings of home and country that are full of righteousness.
Breaking free of the shackles of flesh and blood and the ultimate romance of a smile in the sea, "Snow Knife Line" has it, but it is the lack of a chivalrous spirit, and it is this chivalry that makes "Snow Knife Line" unworthy of super high heat.
The word chivalry lies in chivalry, this is the bone of chivalry, the love of children is only its skin, some are chivalrous bones, some are righteous, some are pleasing to the eye, and some are flowing clouds.
However, "Knife Row in the Snow" has turned the flowing water into a slow-motion gathering, the pleasing eye into a fixed-frame pose, and the chivalrous tenderness into only the bones without emotion, because the emotion has no sense of substitution.
In addition, there is also good news that although the reputation of "Knife Row in the Snow" is mixed, the popularity is not reduced, the number of broadcasts is extremely high, so there will be a second season.
Since there is a second season, it is necessary to make some improvements, better than the first season, because the story of the second season is more ups and downs and fascinating.
If you want to shoot "Knife Line in the Snow", you must restore the style in the novel and make the scene and momentum grand, in other words, let people have a fragrant look after watching it.
For example, Li Chungang's sword broke through two thousand and six armor, the play is too small and childish, and the special effect effect is not as good as Qiao Feng's eighteen palms in 2003's "Tianlong Eight Parts".
However, the biggest style in the drama version of "The Sword Line in the Snow" made Xuanyuan Jingcheng installed, endured for twenty years, washed and turbid, a sentence of "Xuanyuan Respecting the City, please let the old ancestor ascend to heaven", see people swinging back to the intestines, but the sparse special effects did not sublimate this scene.
This is where the second season of "Blade In the Snow" needs to be improved.
With the experience and heat of the failure of the first season, the second season is not worried about investment and promotion, after all, "Snow in the Knife Line" is filmed, it is a cash cow.
The second is to change the director.
The director is too insistent on himself, carries too much bootleg, turns the martial arts action into slow motion, and every action is the same.
This practice belongs to the practice of not learning Wong Kar Wai, but instead becoming a Handan toddler. Xu Ke said that the martial arts action pays attention to a "fast" word, so that the audience will be very cool to watch, and the action will be beautiful.
So after the director still listens to Xu Ke's opinion, let the audience look good, the evaluation will naturally be high, rather than stuffing some miscellaneous value output for the audience, making it different.
Finally, some actors don't show up next season.
Their acting skills and line skills are too poor to take on the heavy responsibility of the protagonist, and it is better to improve their business level first, and then come out to impress the audience.
Will there be any changes in "Knife Row in the Snow"? What will it look like? We'll see.