Qiu Pai is the most influential jingxing genre since the 1950s, and its artistic essence lies in the fact that it has both an endless singing voice and a high degree of performance skills to portray the character of the character.
Mr. Qiu Shengrong began to accept apprentices at the age of 26, he loved apprentices such as sons, peach and plum all over the world, in the early days there were four major disciples of Tong Yunhong, Fang Rongxiang, Xia Yunlong, and Wang Zhengping, and later received many apprentices, calling Mr. Qiu a teacher's private disciples almost all over the country.
Contemporary Jingxing celebrities Deng Muwei, Kang Wansheng, Yang Yanyi, Meng Guanglu, Song Changlin, etc. are all re-disciples of Mr. Qiu, and most of the bronze hammer and flower-faced actors active on the stage today are Qiu Pai disciples or re-transmission disciples, and the team of "Ten Pure Nine Qiu" is still expanding and extending, which is the true embodiment of the artistic charm of "Qiu Pai".
In addition to the four disciples, the second generation of qiu pai disciples included: Ye Qingxian (China Peking Opera Troupe), Chen Baokui, Hao Qinghai (Beijing Opera House), Zhang Yunbin (Beijing Opera House), Wu Yuzhang (China Peking Opera House), Meng Junquan (Beijing Opera House), Li Changchun (Beijing Military Region Comrades-in-Arms Peking Opera Troupe), Mu Xiangbin (Shijiazhuang Area Peking Opera Troupe), Zhang Xiaoyu (Jilin Peking Opera Troupe), Chen Guoguang (Hubei Provincial Peking Opera Troupe), Yao Xieyue (Jinzhou Peking Opera Troupe), Li Xin (Yizi) (China Peking Opera House), Yang Dianxi (Beijing Fenglei Peking Opera Troupe), Song Baokui (Zhushikou Cinema), Liu Yuxiang (Harbin Peking Opera Troupe), Dai Yongqi (Yichun Peking Opera Troupe), Qu Fengxiang (Harbin Peking Opera Troupe), Chen Hongjun (Wuhan Peking Opera Troupe), Xu Wei (Qiqihar Peking Opera Troupe), Wang Fushan (Qiqihar Peking Opera Troupe), Ding Chengrong (Tianjin Peking Opera Troupe), Ji Shaorong (Baoding Peking Opera Troupe), Li Chengyu (Tianjin Peking Opera Troupe), Zhang Guohua (Heilongjiang Provincial Peking Opera Troupe), Xi Yanhong (Shijiazhuang Peking Opera Troupe), Li Zhigang (Shanxi Peking Opera Troupe), Chang Minggui (Shenyang Peking Opera House), Yang Bosen (China Peking Opera House), Li Guorui (Heilongjiang Provincial Peking Opera Troupe), Yu Mingkui (Xinjiang Autonomous Region Peking Opera Troupe), Li Rongwei (Tianjin Peking Opera Troupe), Huang Jingchun (Jiangxi Provincial Peking Opera Troupe), Zhao Zhiyuan (Beijing Opera House), Chang Xicheng, Yan Chengfu, Gui Weizhen (Jiangsu Provincial Peking Opera House), Li Youkui (Beijing Wind and Lei Opera Troupe), Mou Weizhang, Li Zulong (Yizi) (China Peking Opera House), Chen Zhenghong (Yizi) (Weifang Wool Spinning Factory).
The representative figure of the second generation of Qiumen is Mr. Fang Rongxiang, and Mr. Fang's official disciples are 23 people:
Li Shuangyou (1962 Shandong Dezhou Peking Opera Troupe) Huo Fuqing (1971 Jilin Peking Opera Troupe) Kang Wansheng (1978 Tianjin Peking Opera House) Deng Muwei (1981 Tianjin Peking Opera Troupe) Yang Shurong (1981 Hubei Peking Opera Troupe) He Yongmao (1982 Qinghai Peking Opera Troupe) Wang Fuyi (1982 Anshan Peking Opera Troupe) Wei Jijun (1983 Chengdu Peking Opera Troupe) Zhang Zhiliang (1983 Fushun Peking Opera Troupe) Dong Qingmin (1983 Shenyang Peking Opera Troupe) Wang Zhenwei (1984 Xuzhou Art School). Wang Shuncheng (1984 Lianyungang Peking Opera Troupe) Li Yusen (1984 Shanxi Peking Opera Troupe) Zhang Weidong (1986 Qingdao Peking Opera Troupe) Tang Yuancai (1986 Shanghai Peking Opera Troupe) Meng Guanglu (1986 Tianjin Youth Peking Opera Troupe) Ma Chuanying (1987 Qingzhou Peking Opera Troupe) Song Changlin (1987 Shandong Theater) Zhang Baozhi (1987 Shandong Theatre) Zhao Ping (1987 Huimin District Peking Opera Troupe) Ma Jisheng (1987 Jinan Peking Opera Troupe) Chang Chunsheng (1988). River Beijing Theatre) Wang Haibo (1988 Taiwan Bronze Hammer Peking Opera Troupe)
Mr. Qiu's disciple, Tong Yunhong, learned to play with the character "Rhyme" at a young age, and got Mr. Qiu Shengrong's true biography, Tao Li Tianxia. Mr. Yunhong's disciples are: Lu Deli (Qingdao Peking Opera Troupe), Zhang Weidong (Qingdao Peking Opera Troupe), Sun Aihua (Qingdao Textile Machinery Factory), Sun Qing, Zhang Guohui, Liu Jiaxin (Tianjin Peking Opera House), Liu Dake (Shanghai Peking Opera House).
In 1938, another disciple of Mr. Qiu, Xia Yunlong, entered the "Jade" character class of the Chinese Opera College to learn drama, taking the name Xia Yulong, and once moved his name to Xia Yonglong with the "Yong" class. Two years later, the Chinese Drama School was dissolved, and he transferred to the "Rhyme" character class of Fulian Chengshe and changed his name to Xia Yunlong.
Xia Yunlong sat in the department for eight years, and studied art with Guo Chunshan, Xiao Changhua, Wang Lianping, Chen Furui, Song Futing, Qian Fuchuan, Sun Shengwen, Ye Shengzhang and other predecessors, and because he was smart and hardworking, he learned as many as a hundred plays. In the later period, he specialized in net line, where copper hammers, shelves, anti-seats, wrestling flowers and the play of "Eight Great Take" were all studied, and he was one of the students of "Fu Lian Cheng Corey Red". In 1942, he went to Shanghai with the class to perform, and after Mr. Qiu Shengrong saw the many plays he performed, he praised him greatly and accepted him as an apprentice after returning to Beijing.
Mr. Xia and Mr. Qiu Yunhong became the second disciple of the Qiu family, he was deeply taught by the teacher, the attainment was extremely profound, the performance and teaching could express the charm of the Qiu School, and a large number of Qiu Pai re-transmission disciples were trained, all of whom were the artistic backbone and main actors of various theater troupes across the country. Xia Yunlong's disciples include: Li Mengxiong (Beijing Fenglei Peking Opera Troupe), Li Lianyuan (Beijing Peking Opera House), Anping (Shanghai Peking Opera House), Li Dashen, Wang Wenzhi (Beijing Peking Opera House), Ma Zijun (Beijing Peking Opera House), Ma Ziqiang (Beijing Fenglei Peking Opera Troupe), Song Changlin, Yang Yanyi, Chen Junjie, and Taiwanese female flower-faced Wang Haibo.
Mr. Wang Zhengping's disciples are: Meng Guanglu (Tianjin Youth Peking Opera Troupe), Kang Wansheng (Tianjin Peking Opera House), Li Mengxiong (Beijing Fenglei Peking Opera Troupe), Tang Yuancai (Shanghai Peking Opera House), Zhang Dafa (Shanghai Peking Opera House),
Song Changlin (Shan Tokyo Theatre), Ma Fengliang (Shanghai Peking Opera House), Hou Lianying (Beijing Peking Opera House), Cui Yongming (Ningbo TV), Weng Sike (Shanghai Peking Opera House), Feng Likun (Ningbo TV), Zhang Zhiqing (Shanghai Peking Opera House), Zhou Chunguang (Shanghai Peking Opera House), Guo Hongchang (Tianjin Nursing Home), Zhang Zuguang.
Li Changchun's disciples were: Chen Junjie (Beijing Peking Opera House), Chen Hanwen (Taiwan Guoguang Opera Troupe), and Wei Jijun (China Peking Opera House).
Mr. Liu Yuxiang's disciples are: Su Kun (Harbin Peking Opera House) and Wang Bo (School of Dramatic Arts, Shenyang Normal University).
Mr. Meng Junquan's disciple: Li Xiaopei (Beijing Opera House).
Mr. Zhang Yunbin's disciples are Hou Lianying (Beijing Peking Opera House), Lu Youkuan (Beijing Peking Opera House), and Liang Mintong (Hubei Provincial Peking Opera Troupe).
Mr. Yang Bosen's disciples are: Yang Yanyi (Beijing Military Region Comrades-in-Arms Peking Opera Troupe);
The four generations of disciples of the Qiu Sect include: Kang Wansheng's disciples: Li Lei (Tianjin Art School), Tian Lihe (Jixian Court);
Mr. Deng Muwei's disciples: Chen Changqing (Jinan Peking Opera House), Wang Jiaqing (Tianjin Peking Opera House), Shi Wei (Tianjin Peking Opera House), Liu Yong (Tianjin Peking Opera House);
Meng Guanglu's disciples: Gao Hang (Tianjin Peking Opera House), Yao Shenghao (Shenyang University), Li Bing (Shijiazhuang Peking Opera Troupe), Fu Boyang (Beijing Peking Opera House) Fang Xu, etc.