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Floating dream old shadow Chen Tanxiang

author:Xenne Half Ink Hall

When Bingxin was young, he wrote a period of small women's essays, warblers and swallows, Qingqing me and me, the little girl who was fascinated, like the wicker of Yangchun March, gentle and gentle, very attached to the appetite of small women (including big men). In the early 1990s, some publishers smuggled and published several books by small women such as Bingxin, similar to essays and miscellaneous talks, and the title of the book was deliberately seductive, called "Bingxin Talks About Women" and "Bingxin Talks About Men". I remember that when I was on a business trip in Yinchuan, Ningxia, I bought it from a stall to pass the long silence of the night, like listening to a little woman whispering on the pillow. The content of the book, now completely can not remember, very fragmentary words, like the hand of the talented female type of small woman woven hair work, soft, gentle, elegant, but also half-mature little woman pretending to be a lady, of course, also implies the young woman who is not deeply involved in the world to pretend to be heavy and delicate. There is no need to be demanding, when Bing Xin writes this kind of text, but in her thirties, just like a modern company white-collar woman writing some pseudo-romantic online articles on the Internet, it is understandable. However, being teased by my personal voyeurism, I always wanted to read a short story by Bingxin called "Our Wife's Living Room." But at that time, the Internet was not popular and more underdeveloped, and Bingxin's early novels were not paid attention to, which was obviously invisible. This is purely a novel of the little woman with an ice heart, written solely for the sake of satirizing Lin Hui. Previously, Bingxin and Lin Huiyin were fellow Fujian compatriots, were good friends, and their elders also intersected, and her husband Wu Wenzao and Lin Huiyin's husband Liang Sicheng were the same window of Liu Yang, and she should not have written this novel, but she wrote it horizontally and vertically, disgusted, and published in the "Ta Kung Pao" in Tianjin at that time (1933), it was actually serialized. When the novel was published, Lin Hui was not in Beiping and was conducting fieldwork with her husband Liang Sicheng Construction Society. I didn't see it, but the novel was very sensational in the circle of knowledge, Lin Huiyin came from after seeing it, smiled, and entrusted someone to send a pot of Shanxi old vinegar to Bingxin, so the two people did not interact with each other. During the War of Resistance Against Japanese Aggression, the two families fled to Kunming, the residence was not far away, it was a ten-minute walk to reach, and there was no contact with each other, which was really a grudge.

Floating dream old shadow Chen Tanxiang

Youth Ice Heart

One day, on a whim, I walked into the living room of Bingxin's pen from the Internet, looked east and west, inquired around, very disappointed, it was commonplace, completely a paper paste living room, obviously Bingxin had not been to Lin Huiyin's living room, only catching the wind and catching shadows with pen and ink to paste this living room. Of course, this living room has a prototype, and Bingxin can't deny it, it is the home of Lin Huiyin, the headquarters of Beiping Dongcheng District. In Beiping in the 1930s, some professors, writers, poets, philosophers, such as Hu Shi, Tao Menghe, Zhu Guangqian, Li Ji, Jin Yuelin, Shen Congwen, Xiao Qian, etc., naturally xu Zhimo, often gathered here to talk about the world, over time, here invisibly became a famous cultural salon, because Lin Hui was the housewife and topic host of this living room, so it was called "Mrs. Lady's Living Room" by the people of the time. Looking at the description of the novel, Bingxin still hit the ambush, and the living room she wrote about resembled a Westerner's living room, not like a living room with Chinese. It is only that she wrote bitterly about the poet Xu Zhimo's "hair that is smooth and slippery on both sides, with a white face, a high nose, thin lips, a dashing attitude, and a caring attitude, and is born a 'woman's man'". This was broken, obviously a poisonous needle that stabbed Lin Huiyin. Moreover, a woman is always surrounded by so many excellent men, how can it not make people envious and jealous? Why is it all yours! I whispered that Bing Xin had thought so.

Yue Nan, the author of "Southern Crossing and Northern Return", said: "Some people say that the reason why Lin Huiyin became Lin Huiyin is inseparable from Liang Sicheng, and it is indispensable to Jin Yuelin, and it is also indispensable to Xu Zhimo, who is a lover of affection." This phrase can be said to tell the important influence and personality shaping of these three outstanding boys on Lin Huiyin's life. Indeed, it is such a group of excellent men who have fulfilled Lin Huiyin, and in turn Lin Huiyin has also completed these men, so that they (they) shine with each other, complement each other, and become a tireless topic in modern Chinese history. In the middle of this, we have to talk about the philosopher Jin Yuelin, who completed a pure love affair Chinese Platonic style for Lin Huiyin, who never married for life. Lin Huiyin is a very pure woman, she once fell in love with two men at the same time and pain, and could not bear to cheat on her husband, the little sister like to the big brother Liang Sicheng revealed the truth, the two of them thought about each other for a night, Liang Sicheng said to Lin Huiyin that you are free, he said if you choose old Jin, I wish you happiness. Then both husband and wife cried. After that, Lin Huiyin said Liang's original words to Jin Yuelin, and Jin Yuelin was very calm, saying: "It seems that Sicheng really loves you, and I can't hurt someone who really loves you." I should quit. Jin Yuelin withdrew, but he lived next to Lin Hui's family all his life, open and generous, and the children of the Liang family always called him "second father". Until Lin Huiyin's death, a few years later, Liang Sicheng remarried Lin Su, Jin Yuelin could not be dissuaded, one person bought a bottle of two pots, a package of peanuts, stomped to the tomb of Lin Huiyin in BabaoShan, first sprinkled wine to pay tribute to the dead, and then, he drank the rest of the wine on peanut rice, muttering to himself to the tomb: "Huiyin, you see, you found the wrong person back then, right?" People are married again, I am still a bare stick, it turns out that the person who loves you the most is still an old gold head! After saying that, Jin Yuelin, a philosopher who only talks about logical symbols, cried. The man who had endured all his life for love finally vented. Lin Huiyin wrote poetry all his life, but he lived his life into a novel. Here, the parable of Bingxin's novel is unfortunately a slur.

Floating dream old shadow Chen Tanxiang

Statue of the maiden Lin Huiyin

To elaborate on a sentence, Lin Hui died because of his death, and Jin Yuelin once sent a joint mourning: "A poetic thousand waterfalls, a monthly day on the earth of eternity." "The mysterious person is gone, and Jin Yuelin can't forget her goodness." Saying that Lin Huiyin is a wonderful person, I know her more wonderful after seeing her calligraphy. Many of their generations were stained with pen and ink, xianya Shude, Wen Wan Xiuyun, Lin Huiyin's elegant and elegant calligraphy, really took Chu Henan's pen and ink true soul, not weaker than Lu Xiaoman's delicate beauty. Of course, Bingxin's writing also has old roots, which is remarkable, that generation of ladies really have their own wonderful points, each has its own brilliance, and now the strange information age is afraid of no one. Therefore, each of them is a dream that cannot be preset and repeated, and the words I pieced together are only a wisp of sweet incense and prayer, but sigh; the red face is as bright as a hook, and the old shadow of the floating dream is Chen Tanxiang.

Floating dream old shadow Chen Tanxiang

Lin Huiyin calligraphy

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