Green water is worry-free, wrinkled by the wind;
Aoyama is not old, for the snow white head.
From the Qing Dynasty Li Wenfu a pair of Yang Lian.
The gist of it is: green water originally had no worries, calm like a mirror, without a single wrinkle. When the wind blows, the surface of the water ripples, as if the face is full of wrinkles.
Aoyama was not old, because it was covered with snow on the top of the mountain, like gray hair.
The original intention of this painting is to use anthropomorphic techniques to write scenes. But more than that, the world reads out the philosophy contained in it, that is, the essence of things is always blinded by some appearances.
There is also the sustenance of emotions. Wind is the lover of green water, and snow is the lover of qingshan.
When the breeze blows, how many spring and summer, the green water can only feel his presence in the touch, outline his image in the illusion, and use the haggard face of the green water to keep the figure of the breeze leaving.
When the snow drifts zero, how many autumns and winters, look like the Magpie Bridge in the Milky Way galaxy on the night of the full moon helpless. The full head of white hair is the oath of the mountain, and the agreement continues, waiting for it to remain. Because Aoyama once promised, only for the snow white head.
In this chaotic world, there are green waters and green mountains waiting, the oath of wind and snow, even if it is a thousand years, ten thousand years, what is the harm!