Over the years, there have been many stars who have played Guan Shiyin, such as the super classic Zuo Da Yue version of Guan Shiyin.
Among so many versions of Guanyin, the one that impressed me the most and is also known as the most beautiful Guanyin is the Guanyin played by Tao Huimin in "The Legend of Guanyin".
Today, I have sorted out several of Tao Huimin's appearances in "The Legend of Guanyin", and after reading it, you will understand why she is called the most beautiful Guanyin.
Tao Huimin's Guanyin went through two stages, the first stage was the reincarnation of Master Cihang, known as the Third Princess of the Myozhuang Kingdom, Miaoshan. Tao Huimin's shape at this stage is very classical and fresh, like a Jiangnan American who came out of the painting.
The first shape
Miaoshan of this shape is dressed in white, with a little blue embellishment at the neckline and belt, and the whole person looks full of fairy and fresh.
Simple and atmospheric bun dotted with a few white pearls, and a pink flower next to the ear, such a lovely person who can not love?
The second shape
The same hairstyle, But Miaoshan is paired with different clothes. This style of Miaoshan wears a green coat with a gray underwear. Such a low-key outfit can also become the most eye-catching presence in the crowd.
In order to practice better, Myo-sun left home, which was her second stage.
At this stage, Tao Huimin's shape is dignified and atmospheric, and she is still beautiful.
Ultra-fluffy half-ball head, mesh pearl necklace, beaded earrings. Obviously, it is still the previous costume, but it looks much more majestic and kind-eyed.
It is still a white-clad and fluttering shape, but the beauty of this shape is more of a tulle that can be used as both a bib and a cape.
The third shape
This shape is still the same blue and white style we are familiar with, but the jacket has become a vest style, which looks more calm.
Miaoshan, who devoted herself to the Buddha, was finally enlightened by the Buddha and cultivated to the right fruit, and Miaoshan ushered in her third stage, the Great Compassion and Great Compassion, the Guanyin Bodhisattva.
The beauty of this stage is majestic and solemn, but it looks particularly amiable.
In fact, this shape is more than one shape, it is a variety of Guanyin "formal photos" holding clean bottles, gray, white, blue clothes and veils of various colors. This style of Cihang Tuas is only different in the color of the clothing.
After becoming the voice of great compassion and great pessimism, Miaoshan continued to save the suffering and the suffering in the human world, and from time to time she also transformed into a folk woman. For example, the shape of her pink costume is the style she chose after she cultivated the positive results, and she changed from Guanyin Bodhisattva to a shy girl in minutes?
After reading the above about Tao Huimin's various looks in "The Legend of Guanyin", who does not lament that Tao Huimin's Guanyin is a beauty? The title of the most beautiful Kannon is really not just a word!