In the blink of an eye, it is autumn and early winter, the leaves are flying in the sky, and the golden wind is roaring.
At this time of year, it is time for the major domestic auction houses to compete in the autumn! The Great War, on the verge of breaking out...
In the distance, the sky is high and low, and the sky is dark.
"Whoops..." Jiade Qiupai took the lead in bright moves, and the ancient book inscriptions came menacingly...
The first move
Rainstorm pear blossom needles
Song Tuo's lonely book "Past Zhong Ding Yi Instruments Zhi Fa Ti" reproduced the jianghu thunder!
158 years!
158 years ago, the Jiangning War burned the sky, Rugu Lou was crumbling in a fire in the Taiping Heavenly Kingdom, the green smoke dissipated, and the building was destroyed! The heavy treasure that was originally treasured in the building, the twelve volumes of Song Tuo's lone copy of "The Ancient Zhong Ding Yi Instrument Zhi Fa Ti", was actually missing!
Slow down! What is this book called a heavy treasure? What a big deal!
Huang Pilie's Old Collection Song Tuo Stone Carved Orphan Book "Past Zhong Ding Yi Instruments Zhi Fa Ti"
"Zhong Ding Yi Instruments of Past Dynasties" to record the three generations of Qin and Han Zhong Ding inscriptions as a special, next to the jade, stone inscriptions, on the basis of Lü Da Lin's "Archaeological Map" and Wang Yi's "Bogu Tu", extensive search and collection, a total of 511 pieces of ancient to Han Yi ware, imitation of the original inscription, about eight-tenths of the bronze artifacts unearthed before the Song Dynasty have inscriptions are copied into this book, the interpretation of the text is also quite detailed, the achievement of Chao Mai Wang Li "Xiaotang Collection of Ancient Records", Wang Houzhi's "Zhong Ding Style Knowledge", It is the book with the richest collection of bronze inscriptions in the Song Dynasty Jinshi writings.
This book was written by Xue Shanggong, a Qiantang man in the late Northern Song Dynasty and early Southern Song Dynasty. In the fourteenth year of the Southern Song Dynasty (1144), in June, the Jiangzhou County Shoulin Master said that he ordered people to place twenty-four pieces of book carved stones in the Jiangzhou public treasury, and thus the Song carved stone extension was passed down to the world. In the prosperous era of engraving and printing, it is not put into jujube pears but engraved in stone, which can be seen in Shanggong's intention to set an example for future generations.
However, due to the extreme rarity of stone carvings, the Song Tuoben of the Ming Dynasty "Zhong Ding Yi Instruments of the Past Dynasties" is no longer found in the bibliography.
Since, the Ming Dynasty has no record? What's going on with the legends on the rivers and lakes?
Originally, the earliest record of the stone carvings of the "Successive Zhong Ding Yi Instruments Zhi Fa Ti" is found in the Southern Song Dynasty Zeng Hongfu's "Stone Carvings Lay Narrative": "The twenty volumes of the "Zhi Fa Ti of the Zhong Ding Yi Instruments of the Past Dynasties" were compiled by Dingjiang Youmu Qian Tang Xue Shanggong and interpreted. It started in Xia, and ended in Han. ...... In the fourteenth year of Shaoxing (1144), in June, the county shoulin division said that it was a public treasury to be engraved. Stones are counted in pieces, and there are four out of twenty. ...... If the golden stone seal is attached, then this post is prepared. After the death of the Song Dynasty, the carved stones of the Fa Ti did not exist, and it was said that "the Yuan Dynasty was destroyed to the tired tower".
Consulting the bibliography of ancient Chinese books, there is no record of the Song carved Song Tuoben "Zhong Ding Yi Instrument Zhi Fa Ti of the Past Dynasties", only the Zhu Seal of the Wanyue Shanren Carved in the Sixteenth Year of the Ming Wanli Calendar, the Zhu Mouyuan Inscription of the Sixth Year of Ming Chongzhen, the Ruan Yuan Inscription of the Second Year of Ming Jiaqing, and a number of Ming and Qing Manuscripts.
At the beginning of 1812, that is, the seventeenth year of Qing Jiaqing, Huang Pilie, a native of Changzhou (Suzhou), unexpectedly obtained this heavy treasure by chance.
The jianghu is so dangerous, who is this "secret book" in the hands of whom?
After Huang Pilie received this book, he was extremely excited, and made an inscription at the end of the twentieth volume of the Song carved Song Tuoben "Zhong Ding Yi Instrument Zhi Fa Ti" that he obtained.
Song Shi carved Jiangzhou Gongku Ben Zhong Ding Yi Instrument Zhi Fa Ti, stored in seven, eight to fifteen6 volumes, and nineteen and twenty volumes, a total of six volumes. According to legend, it is said that it is changshu guishi thing, and wuliuju occasionally obtains it, and sells it in Yu. The two moments of the Ming Dynasty and the recent republishing have not traced the source of the stone carvings, and the rest of the treasures have been re-obtained. How can this treasure of sincerity be ignored? Six days before the Chinese New Year's Eve, Fu Weng.
It can be seen from the Huang Inscription and the Tuoben Seal that this book was "hidden" in Changshu Gui Chaoxu and Tao Zhulin Wuliuju, and then arrived at Huang Pilie's Shili Residence.
Wang Shizhong, who is also a Changzhou native, is very fond of Huang Pilie's old collection, and whoever has a book of Huang Pilie's sayings, although it is a line of numbers, will be heavily priced, so that Wu Zhongshu Jia Fan must have an old engraved copy of Huang Pilie's Tibetan seal, even if there are only one or two volumes of fragments, the price will be doubled, and even Huang Pilie's broken signatures and damaged words can be bought at a good price. This also made this "secret book" later come to the Wang Yiyun Bookstore.
During the Xianfeng period, the Yiyun Book Club was unsustainable, and the collection of books was successively purchased by many people. This Song Tuo's lone copy of the "Zhong Ding Yi Instrument Of Past Dynasties" went around and reached the hands of Cheng Wenrong, a Jiashan person.
After Cheng Wenrong got this "secret book", he worshiped the hero. In 1848, Cheng Wenrong brought the nineteenth and twenty-two volumes of the Fa Ti to the capital to borrow views from his compatriot Zhu Shanqi. Zhu Shanqi is also a Dashi who loves to make friends, after reading the Tuoben, at the end of the twenty volumes, the seal is expanded, and the "Zhu Shanqi Borrowed Guan Zhi" is engraved. In addition, on another set of "Zhong Ding Yi Instruments of the Past Dynasties" (Qing Ruan Yuan Inscription), the source flow of the Song Tuoben and the Huang inscription are recorded at the beginning of the Ruan Yuan inscription, and the ten lines of the end of the 20th volume of the Song Tuoben are also supplemented at the end of the Ruan Tuoben.
In the third year of Xianfeng (1853), the Taiping Army had captured Jiangning (Nanjing), and Cheng Wenrong, who was responsible for defending the city as the Northern Capture Judge of Jiangning Province, was martyred. Its library, RuGu Lou, was destroyed in the Xianfeng Decade (1860) by the Taiping Army, and Song Tuoben's "Zhong Ding Yi Instruments of Past Dynasties" also disappeared again.
Therefore, the twelve volumes of Song Tuo's "Zhong Ding Yi Instruments of Past Dynasties" have been successively stored in the Late Ming Luoshi, Changshu Guishi, Tao Zhulin Wuliuju, Huang Pi Martyr Liju, Wang Shi Zhong Yiyun Book Club, and Cheng Wenrongru Ancient Building.
In September 1929, the Institute of History and Linguistics of the Academia Sinica, while sorting out the archives of the Ming and Qing Cabinet archives in the Wumen City Tower in Beijing, found fragments of three leaves from Song Tuo's "Zhong Ding Yi Instruments of Past Dynasties" on the bookshelf, and later purchased sixteen leaves. The contents of these nineteen leaf fragments belong to the thirteenth and fourteenth volumes. Mr. Xu Zhongshu of the Institute of History and Language has successively written two articles, "Fragments of the Zhong Ding Yi Instruments of the Past Dynasties" and "Fragments of the Song Tuo Stone Books of the Zhong Ding Yi Instruments of the Past Dynasties". After that, the Institute of History and Language collected the fragments of paper and the Pai script, and printed a hundred copies of the Colo edition for posterity, so that the Song Tuoshi's stone book "The Recognition of the Fa Of the Zhong Ding Yi Instruments of the Past Dynasties" was once again dusted.
According to authoritative research, there are five kinds of Song Shi carved Tuoben "Zhong Ding Yi Instrument Zhi Fa Ti of the Past Dynasties" that can be seen in existence:
(1) Two kinds of collections in the Fu Sinian Library of the Academia Sinica in Taipei: Fragments of the Song Tuoshi Ben Dynasty Zhong Ding Yi Instrument Zhi Fa Ti (19 leaves, Cabinet Library);
(2) Lin Jun and Yuan Hanyun's old collection of "Eighteen Fragments of the Eighteen Volumes of the Zhong Ding Yi Instrument Zhi Fa Ti of the Past Dynasties";
(3) One kind of library of the Institute of Archaeology of the Chinese Academy of Social Sciences: a volume of Lin Jun's old collection of "Seventeen Fragments of the Seventeen Volumes of the Zhong Ding Yi Instrument Zhi Fa Ti of the Past Dynasties";
(4) Shanghai Library holds a kind of wu dayi old collection of "Fragments of the Zhong Ding Yi Instruments of the Past Dynasties" (28 leaves);
(5) Huang Pilie's old collection of Song Tuo's lonely edition of "Zhong Ding Yi Instruments of past dynasties" in six volumes and twelve volumes.
Guardian's autumn auction is exactly the first (5) species.
At present, this set of Song Tuoshi carved orphan copies of the "Zhong Ding Yi Instrument Zhi Fa Ti of the Past Dynasties" has six volumes and twelve volumes, two volumes and one volume, seven to sixteen volumes, and nineteen to twenty volumes, a total of twelve volumes. The number of volumes at the beginning of each volume is obscured by ink. The six volumes are placed in the Nanmu bookcase, and the eight-point book of "Song TuojiangZhou Gongku Ben Zhong Ding Yi Instrument Theory Six Volumes of Yiyun Shushe Collection" is inscribed on it. The beginning of volume V, volume XV, is missing and is supplemented with black paper;
An absolute rarity!
Second trick
City-to-heart tips
Ansiyuan's old collection of rare inscriptions is extremely valuable!
There are many legends of An Siyuan on the rivers and lakes...
Hao Jie, a member of the ancient Chinese art collection circle, said: He is a foreigner, but not an outsider.
Even with the four ancestral texts of Song Tuo's Chunhua Ge Ti, which was sold at the Shanghai Museum in 2003, An Siyuan has a total of twelve kinds of fifteen-volume inscriptions. These twelve inscriptions were acquired by its two auction companies, Christie's and Sotheby's in New York, from 1989 to 1995, spending a total of more than $1.2 million, which is not to say that at that time, even now, this is a considerable bold investment.
In other words, it was in 1995, when Mr. Qi Gong asked someone to find An Siyuan, hoping to bring the four-volume ancestral book of Chunhua Ge Ti to China for exhibition, and said that he could not see the "Chunhua Ge Ti" dead and blind. A year later, An Siyuan came to the Forbidden City with his twelve kinds of fifteen rare book inscriptions. Qi Gong was very excited, and he personally wrote an article entitled "The Value of the True Song Ben Chunhua Pavilion" and entrusted Mr. Wang Jingxian of the People's Fine Arts Publishing House to write an explanation for these twelve kinds of inscriptions. Later, when Qi Gong edited the Complete Collection of Chinese Fa Ti, he included all the engraved posts in An's collection.
An Siyuan has eleven kinds of rare inscriptions
The four ancestral texts of Song Tuo's "Chunhua Ge Ti" are now in the Shanghai Museum, and the remaining eleven kinds of eleven rare book inscriptions have appeared in China this time, appearing in the autumn auction of Jiade this autumn.
1.Song Tuo Jin Wang Xi Zhi Seventeen Posts Zheng Ming Zhu Shi Ben 2.Song Tuo Huang Ting Jing 3.Song Tuo Jin Tang Xiao Kai 4.Song Tuo Tang Huai Ren Wang Xi's Book of the Three Tibetan Sacred Orders 5.Song Tuo Qun Yu Tang Tian Tang Tian Ben Thousand Character Text 6.Song Tuo Small Character Magu Xian Tan Ji 7.Yuan Tuo Ming Jian Tuoba Crane Ming 8.Ming Tuo Tianfa Divine Tablet 9.Ming Tuo Han Ritual Instrument Stele 10.Ming Tuo Han Cao Quan Stele 11.Song Yuanjian TuoShi Drum Text
All are monumental treasures! Guardian is such a big face this time!
Third trick
Shusheng Death Sword
Cultural celebrities appeared together, Ji Xianlin and Lu Song'an old Tibetan ancient books
Detective Malay! This time Jiade Autumn Shoot, there are two scholars introduced as a special session, want to pay the world's knowledge to Zhiyin!
Mr. Ji Xianlin is a well-known scholar, but Mr. Ji's hobby collection is little known. Among the collections, Mr. Ji is most fond of ancient book collections. Not counting the ancient books donated to Peking University, there are 5,000 ancient books stored at home alone, and Mr. Ji is also very proud of the collection of books, often boasting that he owns the book city.
As a master of traditional Chinese studies at the level of Ji Xianlin, his collection of books was not only excellent, but also blessed with the prestige of his own master of traditional Chinese studies, which was naturally extraordinary. Guardian once set up a special session for Ji Xianlin's book collection in 2011, with a total transaction of 16.2 million, and the auction results were still higher than similar collections, exceeding most people's expectations, which can be seen as a result of everyone's high recognition of him, and it is also a kind of "love house and Wu" behavior.
Lu Song'an Old Collection Tianyuan Jade Calendar Xiang Xiang Endowment
Mr. Lu Song'an occupies an important position in the history of modern Yi studies, Mr. Lu not only studied various versions of the "I Ching", but also sorted out many precious "Yi" classics in the school journal, and left a precious "Yi Lu Collection" for future generations of scholars. Mr. Lu is particularly committed to the collection of Yi books, accumulating decades of effort, collecting more than 1,300 kinds of ancient and modern Chinese and foreign Yi books, and many rare editions, including Yuanming fine engravings, banknotes, and Qing Dynasty scholars' manuscripts. He was known as the first tibetan yi at home and abroad, and was named "Yi Wan Scroll Lu".
Both gentlemen are the great masters of the world, and each has his own achievements.
Fourth trick
Pick a hand at the trick
Hongyi becomes a Buddha, and fine products become mountains
Buddha, compassion for the heart. Dharma, Purifying sentient beings.
Since the Song and Yuan dynasties, there have been many copies of the "Random Karma", the believers have suffered without classics, and the Dharma cannot be thoroughly understood.
Master Hongyi practiced this merit, and successively consulted the Dunhuang Bible, the Northern Song Chongning Collection, the Goryeo Collection, the Song Moraine Sand Collection, and other Song, Yuan, Ming, and Qing Collections, and on the basis of which this book was already perfect, he continued to refer to the Japanese Taisho New Revision of the Great Tibetan Scriptures, the Old Song Collection and the Song and Yuan Ming Collections, the Nanshan Shu Banknotes, and the Lingzhi Records as details for the over-proofing, and precise examination and approval. From the first month of 1932 to September 20, 1936, it took a total of four years and eight months to achieve this "Random Karma of the Four Laws of The Four Divisions of the Tan Wu DeBu".
Master Hongyi Approves the Schoolbook Of Four Points, Karma Neglect
On the way to school, Master Hongyi had a great understanding of the Nanshan Vinaya. According to the Buddha's extinction time, and suitable for The reality of China, Master Hongyi has gradually changed the direction of learning the law since then, abandoning the study of the Law for more than ten years, and returning to the Nanshan Law.
After The First Movement, the scriptures were revised again by Master Tong'a to bless Buddha-nature. Therefore, in this book, there are Zhu Pen and Ink Pen Proofreading of Master Hongyi and Master Tong'a throughout the book.
Other fine works, led by Zhang Tingji's "Zhou Guan Jingyi".
Zhang Tingji School Trek Zhou Guan Jingyi
Zhang Tingji was a qing dynasty epigrapher and calligrapher. His original name was Ru Lin, the word Shun'an, the number ShuWei, the word zhou, the word Zuo Tian, the disciple under the Haiyue An, the late meishou old man, the New Huangren of Jiaxing, Zhejiang. In the third year of Jiaqing (1798), he was the first in the township examination, and after the tired test ceremony department was not in the middle, he lived in seclusion in the township, with books, calligraphy, and gold stones as entertainment. Gong poetry, fine gold stone examination, from the Shang Zhou to modern times, all the gold stone calligraphy and paintings, all collected, collected Yi Ding, law books, famous paintings are many, plum blossoms, quite a lot of ancient fun. There was a copper plate of the "Han Changli Collection" published by Shu Mengchang five generations later, which was engraved with four lines of calligraphy, each line of four words: "Yi Qi and Law, Poetry is Positive and Pu, Spring and Autumn Are Rigorous, Zuo Shi Exaggerated", which is a rare product. When Ruan Yuan was studying in Zhejiang, he was betrothed to Jinshi. His collection of books was famous for a while, and he built the "Qingyi Pavilion", which collected books, ancient artifacts, and golden stone calligraphy and paintings.
Sunset, has set.
Night, darkness.
Content source: Artwork Restoration
Editor: Cao Yinghan
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