Yesterday a netizen diss poetry immortal wrote a thousand poems, simple and meaningless, compared to Wang Wei, Bai Juyi and other famous artists, and many supporters.
Just looking at the surface, I didn't understand Li Bai's strength at all
Didn't this punch the ancients in the face? Great poets such as Han Yu and Bai Juyi in the Tang Dynasty all respected Li Du as the supreme, and although the Song Dynasty said that a thousand families zhu du and one family zhu Li, they never doubted the supreme status of Li Bai's poetry, Li Du shuangxiong stood side by side for more than a thousand years, Li Bai was in vain? Is someone talking about playing?
Under the fame, is it difficult to live up to it?
The ancients commented on Li Bai's poetry: it is intended to be written first, outside the words of the gods, frank and natural, and the language of the heavenly immortals.
The ancients commented on Li Du's superiority and inferiority: Li Bai is like a star hanging over the sun, illuminating ancient and modern times. Du Ruodi negative sea Han, including Wanhui. Li Wei is beyond a generation, so Gao Hua is not harmonious, and the hue is difficult to find. Du Wei is also a comprehensive generation, so it is blunt and miscellaneous, and the huge and fine salty is stored. It is also known that Li Cai is high and relaxed and adjusts his strength, and Du Is big and thoughtful and elegant. Those who are beyond the Tang and not away from the Tang, Li Ye. The one who does not complete the Tang tune and has both the Tang tune, Du Ye.
The ancients also said: Li Bai's ethereal Du Fu cannot do it, and Du Fu's depression Li Bai cannot do it.
The ancients commented that Li Du had its own advantages and disadvantages, so the ancients were knowledgeable, and modern people were shallow-minded.
Back to the point, the Li Bai mentioned above is not as good as Wang Wei, Bai Juyi and others have a far-reaching artistic conception, which is simply nonsense.
Take the farewell homesickness poem to compare, Li Bai's "Send Meng Haoran", everyone knows that it is a song that has been sung for eternity, but where is the good? Good thing in three ways.
First, the artistic conception, the first sentence of the narrative, without any personal feelings, the other three sentences of the scene, the four poems do not mention the parting of sorrow, but through the description of the scenery, let the scenery tell you the parting of sorrow, faint sorrow, from the gorgeous scenery to show no doubt, introverted to the extreme, giving people unlimited imagination space, dare to say that the artistic conception is too shallow?
Second, skill, using the scenery to express emotions, let the scenery to say for themselves, this way of writing can not be said to be unique, but can write so magnificent and touching, this poem is definitely the first in eternity.
Third, the plain characters are strange, And Li Bai's masterpiece is also the most obvious difference between Du Fu, Wang Wei and others, using the most simple and understandable sentences to express profound content, beautiful and unworldly, naïve and romantic.
Let's look at Gao Shi's ancient masterpiece "Don Dong Da".
The first two sentences are written in the scene, and the last two sentences are written in love, in a standard format.
The more simple and common writing style is generally skillful, but it is strong in sincerity.
Although Wang Wei's "Weicheng Song" is famous for a while, it is also the same way of writing as "Don't Dong Da", simple and unpretentious, and sincere.
The first two sentences write scenes, and the last two sentences write love, which is almost the usual format.
Cen Shan's "Envoys Entering Beijing" is slightly different, and the four sentences are lyrical in the narrative.
Deep feelings, tear-jerking
The seven masterpieces of these great poets were compared, and the judgment was immediately made.
The skillful "Send Meng Haoran" is much more novel, the depth of the artistic conception, the imagination space, "Send Meng Haoran" is even more skilled, the degree of subtlety, Li Bai is even more victorious.
Moreover, the techniques of these poems, Li Bai and several others are completely different, other poets write the scenery in the first two sentences, the last two sentences write love, the technique is decent, but Li Bai is the opposite, he does not write love.
"Send Meng Haoran" four sentences without a word to write a parting of sorrow, but there is no word that does not penetrate the parting of sorrow, this is "outside the words of God", obviously clinging to it, that is, not to say, but the reader can feel a movie-like sad picture.
Li Bai's "Quiet Night Thoughts" is even more a god work with strange words.
Although it is not as restrained and subtle as "Send Meng Haoran", it is frank and natural, the sense of space is extremely strong, and the imagination space is huge.
The technique does not go to the extreme of "Send Meng Haoran" to write the scene, but the strong is in the scene to send affection, four sentences are lyrical, four sentences are writing scenes, it is really to the state of arbitrary, there is no trace, the ancients think that Li Bai's five words are wonderful, slightly better than the seven words.
And I prefer "Lau ting"
The first two sentences are frank and straightforward, and the last two sentences are subtle and delicate, and the imagination is rich.
The sad place in the world, LaoLao sent the guest pavilion, these two sentences are unremarkable, but the third sentence suddenly turned, the realm came up instantly, the first two sentences are like traps, lost fists, first confuse the reader, and then suddenly advanced.
The spring wind knows not to be bitter, and does not send wicker green. Turn the ruthless spring wind into a living creature rich in feelings, sympathize with the departed people, afraid of leaving people to see the verdant wicker, folding the willow to send farewell is more sad, so do not let the wicker turn blue, reduce the sadness of leaving people.
It is really a wonderful divine sentence, and the two poems in front of "mediocre" have added to the gap, so the artistic effect is stronger.
Let's look at "Early White Emperor City", the first divine work of Li Bai's Seven Absolute Scrolls, which the ancients called the Seven Absolute Scrolls.
The ultimate depiction of sight, hearing, sensation, mood.
The first sentence is a narrative, magnificent and exaggerated, and the second sentence is narrative, summarizing the whole poem. The third sentence suddenly changed, flashbacks on the way to see and hear, the sound of the ape is still in the ears, the fourth sentence, the ship has passed the Ten Thousand Heavy Mountain, really write the fast word to the extreme.
But does Li Bai really just want to write fast? He did not mention his joy and happiness at all, but each poem is writing "joy", "cheerfulness", "surprise" and "ease", which is similar to "Send Meng Haoran to Guangling", but "Send Meng Haoran" is more subtle and restrained, more beautiful and unworldly, the feelings of "White Emperor City" are more released, the sound, color, feeling, and emotion expression are more intense, and the four poems are more natural, these two poems are Li Bai's seven absolute double walls.
Look again, "Gift Wang Lun" and "Wanglushan Waterfall" that were dissed by this netizen.
Su Shi: The emperor sent the galaxy to the top, and the ancients only had the word immortal.
This poem is a god work in the jingshen work, which was criticized by netizens, and it was really crying and laughing.
These four poems, each sentence is a classic song, each sentence is a fairy language, through the color scene, distance space description, height trend, imagination, just four sentences will be all the techniques of writing the scene of the use of a variety of purposes, natural, these four poems even if it is disrupted in order, single out is not hindered from reading, the sense of picture jumps on the paper, any sentence is extraordinary, ancient and modern writing landscape poetry textbook god work.
"Gift Wang Lun" is dissed by many netizens, which is the first oil poem, but do you really understand it?
Vivid and straightforward, only Li Bai can write, and others will be abolished as soon as they learn
At first glance, it seems to be too vernacular, but when you look deeper, it is very touching to look at it as a sketch.
On the one hand, it is impossible to say how deep the feelings are, but why does Li Bai say that Wang Lun's love is deeper than the pool?
They are gentlemen's friends, they have been friends for several days, they have drunk wine, and their friendship is not deep, and they may never see each other again in their lives.
But when he was parting, Li Bai thought that Wang Lun was gone, but he did not, still watching Li Bai get on the boat, and even sang songs reluctantly with a beat, so lively and vivid, such a poem can only be written in the first one, and the second poem is contrived, falling behind.
Li Bai originally did not think that there was any difference between Wang Lun and ordinary friends, but this song made the parting have a sense of ceremony, with artistry, became sentimental and interesting, so that Li Bai remembered Wang Lun's friend extra, affectionate friendship, let Li Bai sigh: The peach blossom pond is thousands of feet deep, not as deep as Wang Lun sent me affection.
The second sentence is the subtlety of the whole poem, "overheard" is unexpected, unexpected, Li Bai originally did not feel how different this friend is, but the sense of ceremony of stepping on the song made Li Bai moved.
Overhearing the singing on the shore, this is the mood, outside the words of God, just look at this poem seems to be plain as words, but vividly expresses the "sense of ceremony", "ruthless" scumbag Li Bai was suddenly moved, the flesh surged up, and the spirit said "water is a thousand feet is not as good as Wang Lunqing" This "forced to operate" type of reply, compared to Wang Lun's deep friendship, Li Bai did not say anything, took the boat to plan to head back and go, in this friendship Li Bai is dashing, ruthless, passive, nothing to express, and Wang Lun?
Admire Li Bai's poetic name, admire Li Bai's demeanor, admire Li Bai's personality, good wine and good food, personally send Li Bai to the ship, reluctantly watch in the same place, even step on the beat, sing songs, and send Li Bai away with simple but romantic rituals.
Isn't his deep friendship as deep as Tan Shui's? What about Li Bai? There is no recompense, only poetry.
The emotional contrast between the protagonist Li Bai and his friend Wang Lun is a great conflict, Li Bai is dashing and affectionate, after passing through this village, he forgot about this shop, but Wang Lun has remembered the short few days of fellowship with Li Bai for a lifetime, a ruthless, a deep affection, a sea king, an infatuation, and a sense of art.
This is the idea of "outside the words of God".
Do you think that the peach blossom pond is thousands of feet deep, and if Wang Lun sends me affection, it will really be written to death, leaving no room for imagination? No, after thinking about it carefully, on the contrary, he can taste the sorrow of sending farewell, these two poems are just Li Bai's impulsive reply to Wang Lun in the case of guilt, because Wang Lun is deeply affectionate and friendly, he can't repay it, and he can't even put in the same feelings.
The story should be like this: After Li Bai ate and drank at Wang Lun's house, he took a boat to prepare to go to another house to drink, and as a result, Wang Lun stood on the shore and did not go, and also sang a song to send him off at the beat, this pomp and circumstance made Li Bai feel very guilty, and sighed: The pool is thousands of feet, it is better to send goodbye.
After reading these interpretations, do you still think that Li Bai is "shallow" and "meaningless"? If there is, it is recommended to read Li Bai's poems several times, compare more with the works of other poets, you will find that his writing techniques, ever-changing, Tang Dynasty is unparalleled, smooth, natural and fluent, majestic and unrestrained, but also implicit and introverted, is the same as Du Fu's all-round poet, "Three Hundred Poems of Tang Poems" Selected works category is also the largest, read Li Bai's poems, must not only look at the surface meaning, to deliberate, to fineness, do not think that his poetry is simple in words, just swallow the jujube at a glance, in fact, his artistic conception comes from outside the words.
To understand Li Bai, you only need to feel the twelve characters in Li Bai's poems, "Outside the Divine Line", "Intended to Be Written First", and "Plain Characters See Strange", and naturally understand the greatness of Li Bai.