This year's Golden Rooster Award shortlist opened, a whole stunned. Mainly the actress part. The name of Zhou Ye appears in the Best Actress. Zhou was also shortlisted last year with "Young You", which is well-deserved.
But this time, her nomination was "1921." The movie is mediocre, the performance is flat, and it feels like randomly picking a character to participate in the review.
The best heroine is also a fan. The number of finalists was only 4. Looking at the shortlisting in recent years, the norm is to select 5 people, and occasionally it will explode to 6 people. But down this time. There were no more than 5 people, and Liu Haocun was still questioned about what to do.
Liu Haocun's shortlisted work is "Little Red Flower". The performance is normal, but this is the queen of the golden rooster, if the normal level can be shortlisted, it is difficult not to have a big question mark: what happened to the actresses this year, is it really impossible to choose people?
Don't set a time limit on the golden rooster selection, first see what the powerful factions are doing. Zhou Xun is very prolific this year, contributing two films, "Samurai Order" and "Eleventh Time". Unfortunately, the splash is not worthy of last week's quick title. Zhou Xun has lost his position in the film industry.
Song Jia fell down and tried to spread her branches, but a bunch of titles were put out, and the memory of her was not deep. The only song jia's "Calm Wind and Waves", because the film itself did not stand, the actors and immortals were like that.
As for Hao Lei, it is a role, playing Zhang Zifeng's mother in "Midsummer Future". Zhang Ziyi has the heart to rely on "My Father and Me" to transfer to the director, but the transfer is not successful, and the explanations are different.
Looking at this year's popular movies, leaving aside "My Sister" and "Li Huanying", there is no film that can support female roles. It is a pity that "The First Incense", the excavation and discussion of women should be very rich, and finally ended in a whole network ridicule.
Look back at the list of films shortlisted for the awards. Oh, it seems a little bit understood. It is no wonder that actresses can't act out things, from the root, there are few films that can perform things for actresses. There is only "My Sister" and "Li Huanying".
The main theme film has almost become a giant in the current market. As far as these main themes are concerned this year, there are very few female characters who can have a shining point. But there used to be a high-scoring theme for women.
Very typical of "The Sound of the Wind", with group drama to spread out, but the main heart is the double heroine cooperation of Zhou Xun and Li Bingbing. Zhou Xun's goodness was expected, and it seemed that Li Bingbing had erupted into an extraordinary play.
The experience of being amazed by the actors is never outdated. So that now commenting on the acting skills of Si Dan Shuangbing, Li Bingbing can cue not many famous scenes, but Li Ningyu threw it out, OK, obedient.
Another underrated film is "The Ballad of Yun Shui", in which Li Bingbing played a small nurse in the army, fell in love with Chen Kun's Qiu Shui when participating in the War to Resist US Aggression and Aid Korea, followed him all the way to Tibet, married and had children with him, and finally died in an avalanche.
There are not many scenes, but compared with the heroine Xu Ruoxuan, I will only remember Xu Ruoxuan wearing a beautiful and miserable school uniform. And the memory of Li Bingbing is that she confessed to Qiushui, and Qiushui cried and hugged her. One is relieved, one is gained.
"The Ballad of Yunshui" cleverly uses a love that spans time and space and regions to make an incision, cutting through the various collisions between people and countries in that special era. The main theme of this proposition is obviously friendly to actresses and easy to shine.
That year, Li Bingbing took "The Ballad of Yun Shui" but shocked a series of awards.
Not to mention "The Thirteen Nobles of Jinling". Throughout the story, there are three types of protagonists on the stage, American priests, female students and Qinglou women. But the focus and core of the story are undoubtedly related to women. The highlight of the film is in women.
Taking the current thinking to think of Zhang Yimou, I think that the guoshi is simply bold, and I can actually persuade Tangtang Bell to match the newcomer Ni Ni. That year, Ni Ni came out with Mo Yu overnight, and won a bunch of newcomer awards.
That is to say, if an actress wants to win an award, you must at least give a chance to appear, right? The debut is also not limited to Zhou Ye's kind of brushing face. It is really content, there is expression, there is dynamic space to be seen acting.
Therefore, there was a time when the old screaming, the actress did not shoot when she was old, it was really unnecessary. Age is never a problem, the problem must be found in the work.
For example, the market now loves to shoot the main theme. Okay, yes, but can we play more tricks and dig more angles under the big framework of the main theme, such as shooting "The Sound of the Wind", "The Ballad of Yunshui", "Jinling Thirteen Chao", and also let the female characters take more of the main perspective, so that the actresses have more initiative in the performance?
There are such works that attract the audience, successfully attract the attention of the judges, provide options, and perhaps not for a whole year, the great Golden Rooster Queen nomination is less than 5, and one can not get rid of the controversy.
There is no need to raise the flag for so-called women's movies. Only now, standing in the perspective of the award to open the film market, the heart will be muttered. You don't shoot women much, and you don't have a very high-quality look, how do you call an actress to rush the award?
Like this time the best feature film shortlist, 5 films, in addition to "My Sister" is focused on women, other, may not be considered the strength of actresses. It is equivalent to setting a threshold for actresses in terms of performance opportunities.
And in this case, to turn over the last golden rooster award selection, in fact, there is a foreshadowing. At that time, the film with the most awards was "Win the Championship" and the second place "Heroes of Fire". The main theme has been sung in the award field. Of course, "Win the Championship" is very special, it is a rare film in the main theme in recent years, giving the lens to women.
"Heroes of Fire" is very man, and "Captain China" is a kind of operation, in the group portrait, a highlight is a male, female can participate in the part, either the wife of the male protagonist, or the subordinate of the male protagonist.
It's not that you have to fight for more drama and less drama, it doesn't matter if there is less drama, the key is that this drama can be glimpsed, there is their story line, and then there is a utilitarian point, there is a chance to compete for the award, that is also excellent.
For example, in "My Sister", the aunt played by Zhu Yuanyuan, and the mother played by Wu Yue in "Young You". The main focus of the film is not on them, and the main actors Zhang Zifeng and Zhou Dongyu are particularly brilliant.
But you will still remember that the aunt wept for the fate of not being able to sustain herself, and the mother lived in the cramped shared house to call her daughter, as if to say sorry, but actually hoped that the daughter could live on her own.
So in the main theme of male orientation, or in the male-oriented movie, there are female supporting roles like aunts and mothers, which are worth portraying their brains for the roles, rather than tool people, routine output? Domestic, it's hard to think of.
Foreign words, in "007: No Time to Die", the CIA agent who appeared for less than ten minutes, in addition to the traditional projects of the Bang girl's "sexy", "beautiful" and "able to fight", performed the death mission with a naïve face and was fiercely cute to me.
Boldly open wheat, this Bond, the limelight was all snatched up by this little girl film. So you see, even the 007 movie that pursues male hormones in the extreme, one of the female N-partners, is not sealed, there is no possibility of coming out.
Comparing our same type of film, it seems that only Tong Li, a female team member of "Red Sea Action", has survived in the man's play with her unique painting style. Jiang Luxia was also nominated for the Golden Rooster Best Supporting Actress.
"Operation Red Sea" and further ahead of "Operation Mekong" and "Wolf Warrior", in the final analysis, are still branches of the main theme faction. Also waiting in line was a copy of "Riot Squad".
These films come to the market, as long as there is no particularly eye-catching bug, popularity and box office are almost a matter of course. Otherwise, if I look at the 3D IMAX big screen, I will definitely enjoy the thrill of adrenaline rushing.
Pleasure and patriotism have been cultivated, and this kind of movie has become more and more fragrant. But from another point of view, it is more and more squeezing the space for actresses to play. Unless you are Jiang Luxia. Jiang Luxia can have several, and Tong Li can have several.
Yes, admit it, there is no such thing as an actress who punches and kicks kung fu, mixed in a muscle man, but it is not used to develop emotional lines or something. The statement may not be comprehensive, and it generally looks like this:
At present, the main theme of the big guys in the film industry, from the action type, to the era type, to the professional acura type, the number of male actors and the degree of shaping are far greater than those of actresses. Actresses basically do not occupy a good position in this important field.
Combined with the tens of billions of box office data from the Lighthouse APP in February this year, after watching it, the replacement actress took a breath. For example, the type data of the survey, the first is comedy.
You know, when it comes to comedy movies, what flashes in my mind are Xu Zheng, Shen Teng, and Chen Sicheng. Zhou Xingchi seems to be out of line. The market is cruel, and "The Mermaid" is the seventh in the box office list, which is a great result.
In the blink of an eye, "Star Girl" has lost its function. "The King of New Comedy" carries EJingwen with blood. And Star Ye is one of the comedy directors, and there is a rare "heroine" setting.
Whether comedy performance is difficult for actresses, I don't know, anyway, what is visible to the naked eye is that the directors of the northern department who now rely on comedy to dig up gold mines, no actress can get their hands on it. Probably only Mary came out.
The high data of comedy corresponds to the natural promotion of such a list of 10 billion actors: the top five, except for Wu Jing, who has acted in comedy; the top ten, all male actors.
The first time an actress was on the list, should she cry or laugh, and actually let the widow sister seize the opportunity. Later, it was only after Zhou Dongyu and Bai Baihe chased each other. Ah good regret, the chick movie is the most able to shake off the way for actresses to walk up.
Bai Baihe came to this day, walked down Wang Luodan, and walked to Zhou Dongyu to compete. However, without Bai Baihe, the chick movie also disappeared.
Where else can actresses shine, love movies can't leave them. Not to despise love, or that sentence, the movie is only good to see and not good, no matter how high or low.
The standard of "Love Letter" and "The Little Thing of First Love" is enough for you to blow for a lifetime. But the reality is that domestic romance films, to some extent, are about equal to domestic thrillers, which can cut leeks, but the quality and awards are not imagined.
The situation is such a situation, look at Liu Haocun and Zhou Ye, what can you scold, just that.