Follow the ancients on a tour
Exhibition at your fingertips
"Tourism is beautiful in the spring, and tourists are charming in the spring." In the poems of the Liang Dynasty poet Shen Yue during the Southern and Northern Dynasties, the word "tourism" came out of nowhere. "Travel" is different from "travel", the former is about the object of the visit, and the latter is about the process of going. The focus of "tourism" is on "tourism", and tour is its ultimate goal. Ancient Chinese literati gave tourism more meaning, and the records of "tourism" in ancient Chinese cultural relics such as the number of sands in the Ganges River are inextricably linked.
You can travel all year round.
Plants, mountains, rivers, and lakes are not landscapes, but nature. True scenery is born when nature meets people. In ancient times, there were no mobile phones, cameras and cameras, but there were painters and poets with clever brushes. They painted the scenery of Guanlan, wrote about the reservation of tourism, lingered in the magnificent mountains and rivers, and felt the magic of creation. These recorded landscapes are the four seasons of tourism.
Today
The Cultural Tourism Jun invites you to follow in the footsteps of the ancients
Lie down in the study hall to visit scenic spots
Observe the interest of the literati
From "Four Seasons in Tourism"
Step into the tourist life of the ancients
Liutang Spring Tour Map
Liutang Spring Tour Figure Qin Yi
Qianlong Sixty Years of the Qing Dynasty (1795)
Qin Yi (?-1795), fenggang, Wuyuan, a native of Wuxi, Jiangsu, lived in Wumen (Suzhou, Jiangsu). Shanshui Zong Wang Yi, especially the small scenery of Changshui Village, made a little leaf fine willow, especially interesting, sometimes called "Qin Yang Willow".
In the spring, the new willows spit green, and it is a great pleasure to enjoy the spring scenery in the willow pond. This painting, created in the last days of Qin Yi's life, embodies the natural condition and innocence of the painter in his twilight years. The scene in the painting is realistic, and Gao Shi walks with a staff, enjoying the beautiful scenery along the way, followed by porters and servants. The porter has a bag on his shoulder, and the servant holds a tea set of melons and fruits. Since the late Ming Dynasty, scholars and doctors have attached great importance to "travel tools" or "jisheng tools", that is, the means of transportation and equipment carried during tourism. Walking and stopping along the way, drinking and tasting tea during rest, traveling to or playing a song in Panasonic incense are all manifestations of this interest. The scholar does not carry his own carrying paraphernalia, so he needs a slave retinue. These servants included porters, servants, and sometimes secretaries, cooks, stewards, roughsweets, and even singers and dancers.
Mining chart
Cai Ling Tu Wang Yi
Qing Kangxi Forty Years Xin Mi (1701)
Wang Yi (1632-1717), Zi Shigu, No. One of the "Four Kings" of the early Qing Dynasty. Good at landscape and water, integrating the strengths of the ancients and becoming its own style.
Where to cool off in the heat? Building pavilions by the water's edge should be a good choice by the fence. There are a few small boats cruising in the pond, the fisherman is busy picking the diamond, and in the lower right corner of the picture there is a white-clad coat sitting in the water pavilion, looking at the woman in red in the fishing boat. In ancient China, there are many poems related to "Cai Ling", which mostly express the meaning of acacia. When Wang Yi made this painting, he was already an old man and entered the late stage of his career, but when he painted with the poetry of "Cai Ling", he took a beautiful and delicate appearance in his brushwork, and was flexible and beautiful, rather than the thick style of his later years.
Du Mu's "Mountain Walk" poetic intent
Ming Anon
"Far up the stone path of the Cold Mountain, there is a family in Baiyunsheng." Parking to sit in love maple forest at night, frost leaves red in February flowers. "This painting fully expresses the mood in the poem. In the rich late autumn scenery, the distant peaks and rocks are beautiful, surrounded by clouds and mist, the streams reverberate, the red leaves flutter under the clouds, the pine locusts in the mountains and stones, and the grass and trees are lush. Nearby, there was a red-wheeled wooden cart with a book bag parked on the winding path, and two coachmen stood on their sides, as if waiting for their owners. On the hillside, there was a white-shirted man of letters, holding his hands on his knees, sitting and contemplating, admiring the autumn leaves that were not afraid of wind and frost, as if a new work blurted out. The two book children standing next to the master seemed to be touched by the moving autumn colors.
The painter uses a slightly broad axe to write about the steep mountains and rocks, and then depicts the characters with a neat and delicate look, vivid and delicate figure, which gives people a sense of freshness and tranquility, fully expressing the artistic conception in Du Mu's poem "Mountain Walk", which is very similar to the hand of Qiu Ying from the "Ming Four Families". In the painting, Coats travels in a large row, with wooden carts as a means of transportation, as well as coachmen and servants accompanying, wooden carts carrying various kinds of utensils, and the servants behind Coats shoulder the piano bag, which confirms the ancient literati's emphasis on entourage and utensils, showing the tendency of tourism to emphasize comfort and entertainment.
Tread on the snow in search of Meitu
Ming Jiang Song
Jiang Song (born and died unknown), courtesy name Sansong, was a native of Jiangning (present-day Nanjing, Jiangsu).
The cold winter season also contains the joy of travel. The vista of this painting depicts steep and snowy peaks. The close-up painting of mountain stones overlapping, several trees standing tall among the mountain stones, the master and servant two one after the other, stepping on the snow along the mountain stream to find plums returned. The master dragged his staff, and the servant shouldered the plum branch, followed closely behind.
Jiang Song was a famous painter between Chenghua and Jiajing in the Ming Dynasty, specializing in landscape figures, one of the famous masters of the Zhejiang School, whose landscape sect Wu Wei, but the composition is more concise than Wu Wei. The pen is fast and fast, the character lines are simple, and the few strokes are vivid. Jiang Song pursues a state of mind that is not shocked and reclusive, and in his paintings, we can see the innocence, indifference and desolation under the madness, just like the hermit who has returned slowly but resolutely on his own path.
Antique landscape book
Summerhill Idle
(Imitation of Dong Qichang)
Riverbank Fishing Village
(Imitation of Huang Gongwang)
Rafting on the rainy river
(Imitation of Juran)
Trip to Akiyama
(Imitation of Li Cheng)
Visiting friends in the mountains
(Imitation of Li Tang)
Peach Creek Tread
(Imitation horse and chi)
Spring Mountain Ancient Temple
(Imitation horse far)
Cloud Mountain after the rain
(Imitation rice)
Qiulin Mountain Residence
(Imitation of Wang Meng)
Snowy Mountain Tour
(Imitation of Wang Wei)
Water village fishing boats
(Imitation of Zhao Lingxiang)
Creek Hill Hermitage
(Imitation of Zhao Mengfu)
Qing Zhangcai
Zhang Cai (born and died unknown), zizhen, was a native of Hangzhou, Zhejiang in the early Qing Dynasty. Zhang Gu's eldest son, Zhang Sheng's brother, is one of the representative figures of the Wulin Sect. Painting inherits family learning, works landscapes, and has a majestic pen and ink, which is unique in its own style.
This album consists of 12 frames, and the chapters are drawn with the techniques of Wang Wei, Ju Ran, Zhao Lingxiang, Mi Fu, Li Cheng, Li Tang, Ma Yuan, Ma Hezhi, Zhao Mengfu, Huang Gongwang, Wang Meng, Dong Qichang and other famous artists.
All year round, each has its own beauty
At leisure
It is better to go into nature with a partner
In the real mountains and real water
Experience the comfortable life of the ancients