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From two generations of performing "White-Haired Girl", we can see the great development and great progress of the times

author:Zhang Mingming 966
From two generations of performing "White-Haired Girl", we can see the great development and great progress of the times

In 1964, the Shanghai Oriental Rhyme Dance School adapted the opera of the same name, "The White-Haired Girl", into the ballet "The White-Haired Girl".

When it was performed in 1965, it was a great success.

The dance drama "White Haired Girl" successfully shaped the dance image of Xi'er and other characters, integrated the dance factors of the Chinese nation into the ballet, and organically combined ballet with Chinese national dance.

During the Cultural Revolution, the ballet "White-Haired Girl" became one of the "Eight Great Plays".

The wonderful singing sections of the ballet "White Haired Girl", such as "North Wind Blowing" and "Tie the Red Head Rope", have become well-known songs and have become insurmountable artistic peaks.

From two generations of performing "White-Haired Girl", we can see the great development and great progress of the times

In the 1960s and 1970s, many dancers who played the "white-haired girl" in the ballet "White Haired Girl" had too short calves, too thick waists, a face full of temperament, and generally less aura...

After the 1980s, especially in the 21st century, the dancers who played the "white haired girl" in the ballet "White Haired Girl" were all well-proportioned, with long bodies, slender fingers, beautiful faces, beautiful legs, and full of elegant artistic temperament.

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