Qin Hailu is really a wonderful person, who was ridiculed for being ugly when he went to film school, and as a result, he became a film queen as soon as he graduated from college.
You think she's by luck, but over the years, none of the movies, tv, or dramas have dropped the chain.
The tide receded, revealing her.
In the movie, the most pleasing thing is those small-cost boutique movies, if not for anything else, but for the encounter and not for it.
Such a movie, Qin Hailu holds three in his hand, all of which are female number one.
If you say that you starred in "Durian Fluttering" as soon as you graduated, you still rely on your unique temperament and good luck. It became the teaching material of many film school professors," "The Piano of Steel", because of the lack of money can not continue to shoot, Qin Hailu as an actor to pay for their own investment also to support the director to shoot, and finally won the big name. I have to say qin Hailu's vision and courage.
Recently, Qin Hailu's "Six Hundred Miles to Fuyang" (2011), which is also a female number one and co-writer, is also a masterpiece, and also won the best original screenplay. Today's chat is this "Six Hundred Miles to Fuyang"
Fuyang is a small place in Anhui, home or hometown of the heroine Cao Li (Qin Hailu), who has been gone for many years and is currently working as a cleaner in a KTV in Shanghai.
When she was a child, Cao Li fell in love with people, and she fought for love, so she had a lot of trouble with her father. Later, when he had children, the husband's family wanted children, but the man refused to marry.
In the transition stage of rural women from her father's home to her husband's family, Cao Li became homeless.
Was the father a selfish man? Is there love for Cao Li? But this love is conditional, listen to Dad.
Is a lover a complete scumbag? When it was good, he was as sweet as all couples, but Cao Li was pregnant, and he and his family only wanted children and did not marry Cao Li.
Cao Li is already a very strong rural woman, but the only thing she can do is to go away from home and hope to break out of a road.
Nest in a small place and do not appear, come out and have it? Voluntarily or forced, countless young people decided to give it a try.
Cao Li's fellow countryman, Xie Qin (Tang Qun), who shares a room with Cao Li, went to Shanghai to work after her husband died, working as a nanny, hourly worker, cleaning people, taking over any work, suffering anything, and the biggest wish is that her daughter can escape her fate.
Year after year, Cao Li went to the factory to work, from Fuyang to Shanghai, Shanghai to Shenzhen, Shenzhen back to Shanghai, as a factory woman worker, as a small owner boss, and back to doing cleaners for people. Over and over again, Cao Li plucked up enough courage to work hard.
Xie Qin's efforts are for her daughter, and Cao Li may be just a little hope.
Whether it is Cao Li or Xie Qin, they are just one of thousands of foreigners who make a living in big cities, and they are not special at all.
Six hundred miles from Shanghai to Fuyang (actually six hundred kilometers), every New Year's Day, countless people worry about this short and long way home. Running and working all year round, only going home. The reason why the way home is short is because it is only six hundred miles, in the modern era of developed transportation, even if you take the train, half a day has arrived. It is said to be long because people who work outside the home are luxurious to go home.
But no matter what, I always have to go home for the New Year.
Brother Dog, Jiuzi, and Cao Li thought of a way to make money and drove a black car to send those who returned to their hometowns home. Drivers, repairers, cars, ticket sellers, those who don't go home, everyone has their own position.
There are low-level mutual harms, and there are also the friendships of small people with a bowl of noodles. The way home is the same and different.
There are mothers who encounter difficulties in work, who are homesick and think badly, and who will not come back when they go back, and some people carry the ashes of their daughters to the car, and the lonely back when they turn around.
Xie Qin, who wanted to fight for a good future for her daughter and suffered more of herself, made up her mind to go back after seeing that her daughter had finally taken a shortcut.
Cao Li sold tickets to go home, but she couldn't find a reason to go home. In the cramped rental house, she watched the light coming in from the skylight, and another year had passed.
The coming year will still have to look forward.
How about otherwise?