Bai Baihe's "Door Lock" is a remake of the South Korean film of the same name in 2018, and this version of "Door Lock" starring Kong Xiao Allah is remade from the Spanish film "When You Are Asleep". How much magic does this film really have, and it has been remade in just ten years?
If it's hard to lose weight, then I wish you a lot of money.
Hello everyone, I'm Yang Xi.
After watching the ratings of these three films, I suddenly didn't know what to say, and this score fell worse than my fund.
Just brushed the Korean version of "Door Lock", I think the script is not well written, but at least the suspense effect is still full, the same heroine, Kong Xiaozhen is also smarter than Bai Baihe. At this point, I just want to say, "Door Lock" 5.0, Buick director you deserve it.
I hope all fans can understand that I think "Door Lock" is bad because the script is too bad, don't come to me because of your main role, come to me to spread wilderness, no matter how many people wash white, I also think this is a bad film.
Family, let's talk today about why there are fewer and fewer good scripts.
I really want to ask, why are there more and more remakes, is it impossible to find a good script?
Copied from the United States to India, from Japan to South Korea, Jin Yong's novels are remade every few years, and they are almost catching up with the frequency of the Olympic Games. A good shot is called a tribute to the classic, and what is bad is to copy the homework, but most directors and screenwriters can't even copy the homework.
Bao Bell's "Sunshine Sister Tao" has been marketing Ni Hongjie's acting skills on the short video platform for several months, and I didn't understand it until I watched the movie, and Ni Hongjie's performance of eating pancakes can be taken out and blown.
The remake should not be just a simple Chinese reproduction, the film copied in full has not made half of the taste of the original, and Bao Bell, a newcomer director, even if he stands on the shoulders of giants, finally fell on his head.
The films that Bao Bell has been involved in in recent years are almost all remakes.
"Northeast Love Song" is a copycat version of "When Men Fall in Love", and this "touching and heartfelt" blockbuster movie in Taiwan is a remake of the 2014 South Korean movie of the same name.
"My Robot Girlfriend" is a remake of the 2008 Japanese film of the same name in Japan.
"Big Man" is a remake of the 2015 Korean film "Old Hand".
"Fat Man Action Team" borrows from the 2015 Hollywood movie "Ace Agent".
"Lu Yao Zhi Ma Li" is a tribute to the 1989 American film When Harry Meets Sally.
Let's say, we have fallen so much on the remake drama, Bao Bell, can you let go of yourself, just give these classic movies a way to live, see you participate in "Director Please Advise", I have vaguely worried, I really don't know which movie, and ruined in your hands.
In recent years, many classic film and television dramas have also suffered.
I really don't know where these producers have the courage to challenge the classics. My favorite "Pink Girl" was actually quietly remade, this "Ideal Life of Love" I have not even heard of, has been broadcast, fortunately I am slow on the Internet, otherwise I do not watch a difficult day, watch it is uncomfortable for a year.
Recently, I saw a new version of "The Legend of the Paladin Sword" also started, and there are two versions, a short drama version and a web drama version. Judging from Reuters, the two remake versions sucked as badly.
I really don't understand, why do you want to push these newcomer actors out to play classic works, one has no acting skills, two no protagonists like, I really want to push them, it is better to stuff them into the big production, play a stunning supporting role, let them pick the beams, really overestimated.
Web drama version Of Lee
Web drama version Zhao Ling'er
Web drama version Lin Yueru
Web drama version Anu
Short drama version
Say a thousand, say ten thousand, or the script problem.
Huang Lei's version of "Late Night Canteen", a group of people eat udon noodles and eat tempura at night, which is not in line with the habits of Chinese, how can you make the audience satisfied? Lin Yun's version of "A Kiss and a Promise of Love", acting skills are awkward out of the sky, you told me that this is a love film, "Tianlong Eight Parts", "Divine Eagle Hero", "Legend of the New White Lady", not to mention, remade a hundred times, can not surpass the original.
You can remake, please don't roll over. The pearls and jade are in front, and the tiles are difficult to be.
Most remakes, even the reproduction of the original can not be done, from where to talk about transcendence?
In addition to remakes, there are various IP adaptations that also make me dizzy.
Tail Fish complained on the social platform that in addition to "Si Teng", other IP adaptation scripts did not satisfy her, she wrote some opinions to the drama side, the drama side did not adopt, and even felt that the author did not understand the screenwriter, let alone the film and television industry. Several of Tailfish's works have been IP-defined, and now they are facing the situation of magic reform.
From the complaints of the tailfish, we can also see the current situation of some film and television circles.
Big IP comes with traffic, after the drama party buys the copyright, it will add, delete and modify many plots, and so on when the work is broadcast, the original author can't understand it, the original fans can't understand it, the general audience can't understand it, and finally the drama party puts all the responsibility down to the review system, and asks if it is not so filmed that it cannot be reviewed.
This becomes an endless cycle, but the bell must be tied to the ringer, in the final analysis, it is still a script problem.
The screenwriter can completely modify some plots in order to pass the review, but the modification should be a micro-rectification, rather than a change of head, if a work is IP, from the human settings to the plot have been deleted and modified, then why does not the screenwriter write a new script, both want the traffic of ip, but do not want to follow the direction of the original work, and finally push the problem to the radio and television, it is true that it is a bit and when it is established.
Why can "Si Teng" be a small explosion, and why is the rating still good?
Isn't it precisely because of the screenwriter's intentions, after the founding of the country can not become a fine, then set as an alien, close relatives can not get married, then modify the character setting, some plots can not be reviewed, then let it be rationalized, this is an effective adaptation.
After the tailfish was on the hot search, some screenwriters jumped out and said that the editors needed experienced people to do it.
I'm not in the industry, and I don't know much about these terms, but I think the original author, even if he can't be an editor, at least has the right to give opinions, and she knows her work better than everyone else.
"Little Beautiful" series of works, the original author Zhao Qianqian has participated in the screenwriting, the effect presented is not bad, such a small sweet drama, when I am in the famine, I can brush it twice, which shows that the original participated in the screenwriting, which is a plus.
This year's "Royal Gifts of Small Works", the director with the original author to adapt the script together, this small cost TV series, made the effect of S+, the audience is satisfied, the readers are satisfied, the capital is satisfied, this is not a win-win situation?
If you look at those dramas that have been magically changed, from the root of the script is rotten, find a first-class actor, let the second-rate director, guide the third-rate acting skills, and finally present a work that does not enter the stream, is this scolded wrong? That's right.
Can't the current screenwriter write an original script?
The game can be ip, the novel can be the IP, the comic can be the IP, and even some explosive posts can become IP, everything can be adapted, after the delay is fired, hundreds of novels have been remade, but unfortunately, "Delay 101" has not yet entered the final, the above shouted to stop, I really don't know whether it is a blessing or a curse, but I know that Chen Feiyu's top dream is going to be postponed again.
We don't need "Actors Please Be in Place", and we don't need "Director Please Advise".
What we need is a good screenwriter, a good screenwriter who can tell a story, it is not illegal to write an original script, and it is time for domestic screenwriters to work hard.
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