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Produced by Youyoucao Film and Television and Character Media, directed by Guo Hu and Ren Haitao, and starring Zhang Zhixi, Tong Mengshi and Wang Haozhen, the costume romance drama "Kyauk ruoyun moon" recently came to a successful conclusion. The drama has received a lot of attention at the beginning of the broadcast, among which the Three Highnesses Ye Tianyi, played by Wang Haozhen in the play, is a character with a very rich sense of layering, and when the two characters of paranoid love and sadness collide together, a wonderful chemical reaction occurs. For Wang Haozhen, the night sky in the play "The Moon in the Clouds" is his most difficult role in several recent hit dramas on the screen, and the helplessness and paranoia of the night sky Yisheng in the imperial family have created his tragic life, and he who has broken off his love and blackened career in the later period has earned enough attention from the audience, and has also become difficult for many viewers. Next, let's listen to Wang Haozhen's interpretation of The Night Sky!
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Sister Zi: Please briefly introduce your role in "The Moon in the Clouds"?
Wang Haozhen: "The Moon in the Clouds" is based on the Xizi love novel "Concubine of the World", in which I play the Three Highnesses Ye Tianyi, this role combines the fates of many characters in the novel, not only retains the affectionate side of Ye Tianyi, but also adds the role of power plot, which has a lot of room for me to play.
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Sister Zi: What do you think is the emotional contradiction embodied in NightTime?
Wang Haozhen: Ye Tianyi is a tragic character, and the reason for his tragedy is more from the lack of emotion. Ye Tianyi's life has a lot of helplessness, as a prince, not loved by his father, guarding the border pass for seven years is only to use him as a pawn that can be used, but the heir to the throne has long been secretly belonging. Regarding love, the bamboo horse friendship of seven years of love at night is not inferior to the new joy of two months, and the only thing left after the sudden disappearance of the soul is the pain of the cone into the bone. Therefore, he left all his paranoia to the power of the cause. Since life has never been kind to me, I don't have to reconcile with it, which directly creates his fierce determination to succeed regardless of any consequences.
Sister Zi: How do you think about the life of Ye Tianyi?
Wang Haozhen: The life of Ye Tianyi intersects with three women. Yun Qianyue is his bamboo horse Qingmei, and also the driving force that keeps him alive when he fights on the battlefield for seven years; Qin Yuning and Ye Tianyi are a type of person, a partner who shares a career, although there is no love between them, he believes in his heart that the peak should belong to people who are as paranoid about success as they are. Lan Yi is more like a family to Ye Tianyi, so he wants to become more powerful and become the umbrella of the Lan family. It can be said that night sky is born of character and loses to character. Less flexibility, more obsession, the fate of this character is like fireworks, instantly brilliant, instantly dissipated, just a dream of Nanke.
Sister Zi: The tragic villain role of Night Tianyi is actually very memorable in the play, so what details did you do when interpreting this role? How does the character experience feel this time?
Wang Haozhen: I did a lot of homework in this play, although the character of Ye Tianyi was very tragic, but I did not deliberately sell misery sympathy when I performed, and during the filming, I often discussed the direction of the character with the director and screenwriter. After the show aired, I found that the efforts of the actors were visible to the audience. The deep affection in the early stage of the night sky touched the audience, and the belly black after the reversal was also complained about by netizens. After the role was on the hot search, I read netizen comments on the Internet, like a time and space exchange with the audience, which I think is a happy thing for the actor.
Sister Zi: Most of the actors in this cooperation are actors of similar age, what is your first impression of everyone? Did something impressive happen during the shoot? Can you share it with you?
Wang Haozhen: The first impression of everyone is very good. This shooting time is more intense, so there is not much time to rest, and more often than not, our topic is around the performance. The filming of "Kyaukyu Moon" was in July and August, which was the hottest time in Hengdian. Especially in costume dramas, not only to stick to the hood, the costumes are also three layers outside, and sometimes they have to be paired with dozens of pounds of armor, often a shot is a sweat. When shooting, I also encountered tonsil inflammation, and I went to the scene to shoot after a drip that day, and I was sweating on my head all the time, and I often had to wipe the sweat when shooting a shot. Because it was so hot, many of the actors and crew suffered heat stroke during the shooting, so I was very impressed.
Zi Jie: The recent hit dramas "Zhou Sheng Ru Gu", "Kyauk Ruo Yun Yue", "Ask the Heavenly Record" and so on that you have recently participated in are all costume dramas, and is there any role among these roles that makes you particularly uncomfortable? What would you like to say to that character?
Wang Haozhen: In "Asking Heaven", Ding Xiaofeng, who I played, is a young leader of the South China Sea Sect, who kills demons and exorcizes demons, narrow-minded, and he and Yang Hongxue, the daughter of the head of the Xianbao Sect, from the feud of the sect to acquaintance and love, break the mustard with each other's sincerity, and finally be happy together. Qin Yan, who I played in "Zhou Sheng As Old", was spat on miserably, and at first I would still mind, but in fact, on the other hand, it showed that the audience had entered the play, so gradually I was relieved. What makes me most uncomfortable is the night sky in "The Moon in the Clouds", I want to say to the night sky: May you not be in the emperor's house in the next life, and you can be favored in family affection and love.
Sister Zi: As an actor, you are actually a role of constant internal friction and input, how do you maintain a coordinated state to stabilize the output? At this stage, how do you interpret the identity of the actor?
Wang Haozhen: Usually, I am actually not very good at communication, but I am grateful for every encounter. In life, I will try to keep it simple, more pure and less distracting, and I will be able to focus more on the improvement of acting skills, which is also my awe of the profession of actor. At the same time exercise is a great way for me to stay in shape and relax.
Zi Jie: There are many viewers who evaluate you as a "drama throwing face", what do you think of this evaluation?
Wang Haozhen: It is a pleasure to be recognized by the audience on the road of the play. I have performed more costume plays, and the costumes of the costumes may cause the audience to distinguish the actors. Actors can't act, so to a certain extent, I am a person who has no idol baggage when acting, and I don't deliberately do expression management, but naturally bring emotions.
Sister Zi: What kind of themes and characters do you want to try most recently? What other upcoming dramas do you have?
Wang Haozhen: In the future, I hope that I can play more dramas that are closer to life, and I will want to try roles such as police and soldiers. The current dramas to be broadcast are: "Qingqiu Xing", "YaoXiang Legend", "Set You All the Way", "The Road to Dim Sum", "Everything About Dr. Tang".
Q&A
Q : What are the keywords for 2021?
A :
Q : A recent song on your phone?
Q : What are your hobbies at leisure?
Q : Where do you want to check in?
Q : What do you want to do when it snows?
Q : Recommend a book to everyone!
In July and August, Hengdian is indeed as hot as a torch, coupled with the heavy complexity of costume shooting costumes, which really increases the difficulty of shooting. In fact, the crew is very tired of filming, but despite this, Wang Haozhen, who is affected by the weather and body, can still maintain a professional spirit to complete the shooting. And the night sky in "The Moon in the Clouds" resonated with the audience, which also showed that his efforts were rewarded.
In fact, from the whole interview process, it is not difficult to see Wang Haozhen's seriousness about acting. Drama is a very emotional art, but the acting skills are very rational, and the in-depth analysis of the role plus diligent practice and research can be equated with excellent performance. Actors need abundant emotions to achieve the role, to make it three-dimensional on the screen. On the big screen that needs to combine sensibility and rationality, Wang Haozhen slowly tries to combine the two and extend the sensibility on the basis of rationality. For Wang Haozhen, many viewers gave him the evaluation of "drama throwing face", but in Wang Haozhen's view, it gave him more possibilities to shape the role. The profession of an actor is special, there is no overnight success, only hard work and persistence. The Prince Weilong in "Jade Zhao ling" broadcast on the screen this year, Qin Yan in "Zhou Sheng's Death", Ding Xiaofeng in "Asking Heaven", and The Night Tianyi in "The Moon in the Clouds" each play a remarkable role. As he said thanks for every encounter, he has been on the road!