Shanghai Museum "Ten Thousand Years of Changchun": small, this time the pattern is small

Finally, I wrote a circle of the recent new exhibitions, and looked back at the Ming and Qing paintings and calligraphy in the Shanghai Museum's "Ten Thousand Years of Changchun - Shanghai Past Dynasties Calligraphy and Painting Art Special Exhibition". Last time I said that the concept of this exhibition came first, and the choice of Ming and Qing dynasty calligraphy and painting was also very obvious, that is, every effort was made to have a relationship with Shanghai.

Ming, Shen Du,"Lishu Si Liu Ming"

Shen Du was a native of Songjiang, who was popular in the world in the early Ming Dynasty with calligraphy and was the initiator of the "Taige style". This calligraphy shows the comprehensiveness of its calligraphy, not just the good writing.

Ming, Qian Bo," Cursive Lu Lun Cut Flying Two Knives Song

Qian Bo is a Huating native, and his true and written book is from Song Ke. The chapter on this page is indeed like that.

Ming, Zhang Bi, "Cursive Learning Jia Caotang Record"

Zhang Bi is a native of Songjiang, famous for his cursive writing, and is known as the "comeback of the upside down".

Ming, Jiang Zhenji, "Mountain Quiet Day Long Picture Scroll"

Jiang Zhenji's main activity was during the Wanli Period, and this painting has the penmanship of Yuan Ren, and there are Chen Jiru and Dong Qichangba at the end of the volume.

Ming, Gu Zhengyi, "Landscape Page for Su Xing"

Gu Zhengyi was an early representative of the Songjiang sect, and Dong Qichang was also influenced by it. Guangzhou Art Museum's "Art Sea Treasures" has his "Imitation huanggongwang Tianchi stone wall picture scroll" on display, which is a fine work.

Ming, Mo Is long, "Landscape Page for Lantai"

Mo Shilong is the eldest son of Dong Qichang's teacher Mo Ruzhong, known as a prodigy, but unfortunately failed to enter the career.

Ming, Dong Qichang,"Xingshu Tianma Fu Scroll"

The pro is a big character rice dumpling, so beautiful. This volume has also been seen in the Dong Qichang exhibition. Dong Qichang has written tianma many times, and in Hong Kong Christie's, he has also seen a volume, and the words are even bigger than this.

Ming, Dong Qichang, "Antique Landscape Album"

Only a few openings were unfolded.

Ming, Lu Yingyang,"Kaishu Poetry Volume"

Lu Yingyang is a native of Songjiang. This is Xue Yan Zhenqing's letter.

Ming, Chen Jiru, "Plum Blossom Picture Page"

Chen Jiru is a good friend of Dong Qichang. Also a songjiang native.

Ming, Zhao Zuo, "Snow Banana Zhuzhu Diagram Page"

Snow maps are so rich in color that they are rare.

Ming, Li Liufang, "Xishan Hut Map"

Li Liufang is a native of Shexian County, Anhui Province, who later settled in Jiading and is one of the four gentlemen of Jiading.

Ming, Zhang Bi, "Cursive On The Accent of the North and the South"

Ming, Gu embroidered Vetotu

Gu embroidery originated from the Gu family of Songjiang, and this painting is completely like a white painting, which is amazing.

Ming, Wen Zhengming, "Letter to Zhu Chaqingza"

Zhu Chaqing is a native of Shanghai, and the tomb of the Zhu family has been excavated in Shanghai, and the bronze seal of Zhu Chaqing has been excavated.

Ming, Xu Guangqi, "Fragments of the Northern Cultivation Record of the Xingshu"

Xu Guangqi was an ancient scientist who co-translated the Geometric Primitives with Matteo Ricci, and Xu Jiahui in Shanghai was also named after it.

Ming, Dong Qichang, "Eight Views of Yan Wu"

These three paintings are Songjiang Jiufeng, Xiao Chibi and Seongnam Poetry Society, but Dong Qichang's paintings really have nothing to do with realism.

Ming, Wen Jia,"Qushui Garden Picture Scroll"

Qushui Garden is Dong Yiyang's garden and no longer exists. After the volume, there are Wen Peng, Zhou Tianqiu and other treks.

Ming, Du Qiong, "South Village Villa Atlas"

The painting is the Nancun Caotang where Du Qiong's teacher Tao Zongyi lives in seclusion. Du Qiong is the teacher of Shen Zhou's father, Shen Hengji, and Shen Zhou's "Nine Duan Jin" is very similar to Du Qiong's "fine Shen" style. Dong Qichang first proposed the term "Wumen School" in guanba.

Ming, Ma Yu,"Qidian Guanfeng Picture Scroll"

Originally under the name of Shi Zhong, this volume is now repurposed as Ma Yu's work and is called the pioneer of the Wumen School. The style is too similar to Shen Zhou.

Myeong-hyun, Kim Hyun, "Fishing Boat Evening Singing Picture Page"

Kim Hyun was a native of Songjiang and a pioneer of the Wumen school. This page is a opening in the "Six Landscape Collections" in the early Ming Dynasty, which was collected by Wu Hufan.

Ming, Sun Kehong, "Yunlin Stone Spectrum Atlas"

Sun Kehong is also a Songjiang native, and in the late Ming Dynasty Shanghai is really full of talents. It can also be seen how much the people of the late Ming Dynasty loved stones.

Ming, Lu Shen,"Xingshu Collection of Calligraphy and Painting Manuscripts"

Lu Shenjia is the source of Lu Jiazui, Lu Shen is not famous for collection, but looking at his collection ledger, it can be seen that his collection is not in the minority, and Wang Wei, Han Gan and other famous traces are also listed.

Ming, Xia Chang,"Xiaoxiang Wind and Rain Picture Scroll"

It is mainly used to show the inscription of Shen Cang, who is Shen Du's younger brother and is also famous for his calligraphy.

Ming, Zhu Yunming,"Cursive Writing Volume"

This exhibition is because the literary endowment is made by Lu Ji, and Lu Ji is a Shanghainese.

Ming, Wen Peng, "Letter to Qian Yuza"

Ming, anon. "Zhongxiaotang Picture Scroll"

Created in the Chenghua years, the well-painted anonymity has the taste of Liu Songnian and feels that the pen power has approached Qiu Ying.

Qing, Lü Huancheng,"Xixi Beiye Picture Volume" (partial)

The painting is Gao Shiqi's other business in Hangzhou Xixi, and now this garden has been rebuilt, called "Gaozhuang", just next to the Xixi wetland, once visited, but the architectural scenery is not consistent with this picture, there are not many tourists, may wish to take a look.

Qing, Wang Jian," Imitation song and Yuan landscape albums

Wang Jian mentions in the book that Chen Lian had followed Wang Shimin's instructions to shrink the Song and Yuan landscapes into a book. Chen Lian is a native of Songjiang.

Qing, Wang Yi,"Imitation of Cao Zhi Bai Lin Quan Gao Yi Tu"

Qing, Gong Xian, "Landscape Atlas"

Qing, Hua Yao, Shi Mingzhong,Gao Ting Look at Plum Album

Qing, Wang Yuanqi," Imitation of Huang Gongwang Fuchun Mountain Residence Map

Ming, Shen Zhou, "Shushu West Fan Page"

Painted by Shen Zhou, inscribed by Tang Yin, Zhu Yingxiang and Sun Yiyuan, it was made after everyone traveled in the same boat at night. Zhu is a native of Huating.

Just look at these, modern ones will not look at them. It is interesting to think that the "Three Wu Momiao" exhibition of the Museum of Art and Archaeology of Zhejiang University is about the Wumen School, but in the end it is a challenge from Songjiang. And this special exhibition about Shanghai (Songjiang) is also everywhere without the figure of Wumen calligraphy and painting. In fact, where is the geographical division so clear? Many places in Shanghai were still Suzhou until the Qing Dynasty, so in my opinion, the pattern of finding a bunch of ancient calligraphy and paintings of "Shanghainese" is really a bit small. The resource advantage of Shanghai Museum should be the exchange of ancient Chinese civilization and even international culture, and the exhibition of local history should not be handed over to the Shanghai History Museum?

●"Ten Thousand Years of Changchun - Special Exhibition of Calligraphy and Painting Art in Shanghai Dynasties"

Exhibition period: June 21-October 9, 2021

Venue: Shanghai Museum