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The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot

author:Entertainment kaleidoscope

"Noon production must be a fine product" has become the creed of the audience watching the drama. Noonday Sunshine is a well-known domestic production company, and domestic dramas such as "Big River", "Know It or Not", "Parental Love", "All Is Good" are all from the hands of Noonday. The noon drama may not be all the fire, but the lower limit is much higher than other domestic dramas.

Careful netizens may find that Noon likes to explore materials from online texts and form high-quality scripts through IP adaptations. Adapted from Anai's "Ode to Joy", "Great Rivers and Great Rivers", and "Knowing or Not", which cares about chaos, etc., are all classic online film and television works in high noon works. The film and television drama adapted by the network also has a natural advantage, that is, there are many fans. If there are many fans, there are more potential viewers for TV series, but it is also common for fans of the original work and fans to tear between them.

The directorial team at Noon is also very strong, and different directors have different styles. Kong Sheng is the most controversial director in the middle of noon, he is praised by netizens as "detail control", and he is very good at the main theme and grand narrative. Whether it is a female group portrait drama such as "Ode to Joy 1", or an overhead costume drama such as "The Wind Rises in the Long Forest of Langyabang", or a TV series with a partial theme such as "Great Rivers and Rivers" and "Mountains and Seas", Kong Sheng can present it very well. In fact, Kong Sheng can digest many themes, but the most important thing is the main drama.

The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot
The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot

Li Xue is considered by netizens to be the "king of rhythm" in the noon. His directed work "The Pretender", both the rhythm and narrative logic are impeccable, and the only thing that will be picked up by the audience is probably the lighting and color grading. In addition, Li Xue also directed "No War in Peking", "Wenzhou Family", "Surgical Storm", etc., and the Douban score reached more than eight points, which is also a good result.

The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot
The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot

Jian Chuan's works are not stocked, he directs more modern dramas, remakes of Anai's works, "All is Good" and "Ode to Joy 2" are representatives. In fact, in Jian Chuan's works, the dramatic conflicts are obvious, but some netizens believe that the conflict will inevitably be "dog blood", "Ode to Joy 2" is an example.

The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot
The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot

Zhang Kaizhou is a familiar face in the director of Noon, and the TV dramas he shoots are very exquisite, and the scenery of the Northern Song Dynasty presented in "Qing Ping Le" and "Knowing or Not" has been well received by the audience. Compared with other directors at noon, Zhang Kaizhu's narrative is slow, and there are many slow-motion scenery, but some viewers will feel more procrastinating. "Children of the Qiao Family" is Zhang Kaizhu's recently broadcast work, which is obviously much faster than the previous work, and the conflict of the drama is more acute.

The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot
The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot
The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot
The noontime directors have their own styles, Kong Sheng detail control, Li Xue rhythm king, open The beauty of the shot

Perhaps it is precisely because the directors of Noon have their own styles, so Noon is very popular in the "co-directing" model. The old and the new between the directors, the model of cooperation between the two is very common, which can also make up for the shortcomings to a certain extent. The noon tv series is placed in the entire domestic drama, which can be said to be a very superior quality. The audience has higher requirements for the director, but also because everyone has higher expectations for noon.

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