As the saying goes, "beauty is like a flower separated by clouds", sometimes looking at the hazy beauty of beauty separated by a veil, it is more reverie and more attractive.
Therefore, in film and television dramas, directors often let the heroine wear a veil, create a sense of mystery, and use the lens to render "beauty". But whether the moment the actor unveils the veil surprises the audience depends on the appearance of the actor himself, the surrounding scene, the actor's costume style and so on.
Some people wear veils, revealing only a pair of eyes with emotional pulses, which makes people think that under the veil must be a fairy who sinks into the fish and fallen geese; while some people wear a veil, it makes people think that she is covering up the ugliness, not to mention the shock brought to everyone when the veil is lifted.
In memory, the most beautiful "veil beauty" should be Chen Hong. When I was a child, I watched the 1994 version of "Romance of the Three Kingdoms", and I was not interested in the conspiracy between uncles, but I only liked to watch beautiful women. Chen Hong, who was 26 years old at the time, played the first beautiful woman of the Three Kingdoms in it, Sable Cicada, and the moment she lifted the veil, she was really shocked.
I have always felt that she is a mink cicada, and if I were Dong Zhuo Lübu, I would definitely be fascinated by such a great beauty.
When she was young, Chen Hong was called "the first beauty in ancient costumes", and her appearance was very oriental and classical: her facial features were upright and atmospheric, her face was like a silver plate, her eyes were like water apricots, her grace was atmospheric, and she carried the gentle and virtuous lady of an ancient woman, which was very intellectually beautiful.
It is also this kind of mink cicada that makes people believe that she is not a straw bag beauty, after all, in a chaotic world, the red face is often short-lived, and the mink cicada can move between Dong Zhuo and Lü Bu, which shows that there is a brain and a means.
Jiang Qinqin, who is also a "Qiong Girl", played the "Second Dream" in "Wind and Clouds" is also a masked beauty. It's just that the second dream to cover my face is to feel that I am disfigured, faceless to see my lover, and want to cover up the ugliness with a veil.
But the beauty has a misunderstanding of herself, the audience's eyes are not blind, when she unveiled the moment, everyone exclaimed: so beautiful. Indeed, Jiang Qinqin at that moment was truly moving.
The veil shape is also stunning, and Tang Yan's Zi Xuan in "Immortal Sword III", which should be the peak of her appearance.
Zi Xuan's shape highlights the beauty of Tang Yan, there is no later thick bangs, under the exquisite forehead ornament is a pair of bright and affectionate eyes, and the delicate small face under the thin purple veil is even more difficult to forget.
Martial arts everyone Jin Yong also likes "veiled beauty", in several of his novels, there are beautiful people wearing veils, only in the "Tianlong Eight Parts" there are 3 women masked, the most impressive bridge section is the moment when Duan Yu unveiled Mu Wanqing's veil.
Mu Wanqing's mother, Qin Hongmian, fell in love with Duan Zhengchun and instilled in her daughter the concept that "all men in the world are unreliable", and also made her daughter swear that the first man who saw her true face was her husband. Therefore, Mu Wanqing is confident in her appearance on the one hand, and she is inferior on the other hand, and she is shy and more worried when she is unveiled.
Among the many versions, I feel that Jiang Xin's Mu Wanqing is most in line with the description of the original work. In 2003, Jiang Xin was only 19 years old, her face and body were not blessed, and everything seemed very pure.
Wearing the veil is the most attractive thing is the pair of Dan phoenix eyes, unstoppable tenderness; at the moment of unveiling the veil, the face is beautiful and handsome, and the pretty melon face is matched with some childish baby fat, which shows Mu Wanqing's "Chu Chu pitiful, delicate and gentle" in the original work.
Jiang Xin's version of Mu Wanqing was unveiled at the moment it was stunning, while the 2013 version of Mu Wanqing was wearing a veil and wanted to keep people away from her.
In this version, Zhao Yuanyi wears a lace mask, does not look carefully and thinks that it is lace panties, not only has no beauty, but is full of "horror" elements, especially in the original work, Mu Wanqing, who is dressed in black and black, is replaced by a red-clad black mask, which looks like a "black mountain old demon", which is too far away from the beautiful beauty.
And when the veil falls, what is revealed is an expressionless face, a pair of godless eyes, gorgeous blush and delicate red lips, really frightened, beautiful people speechless.
Such an image is too different from Mu Wanqing's tenderness, arrogance, and grace, and only "wearing a veil" is in line with Mu Wanqing's personality, and the other is that the actor plays a new role.
In film and television dramas, the beauty veil covers the face and lets the male protagonist unveil the veil, the original intention is to highlight the beauty of women, in order to create a mysterious sense of beauty, but now many TV series are also for the pursuit of "novelty", coupled with the shoddy manufacture of service props, but the prop of "veil" is used in the opposite effect.
For example, Liu Shishi's dark blue lace veil in "Strange Adventure in the Wind" looks very heavy, feeling very cumbersome to wear, coupled with Korean-style thick eyebrows and plain eyes, it looks too stiff.
The same rough beauty with strange veil is Tong Liya's style in "Dream Back to the Tang Dynasty", the smog blue veil, which looks very cheap, coupled with purple eyeshadow, looks like a thick Qinglou wind, making her very good looks only 3 points.
There is also Ju Jingyi's first beauty in "Kyushu Sky City", Snow Flying Cream, the shape of the veil covering the body, is to be funny, there is no classical beauty, not to say, that very modern makeup, with ancient costumes, looks different.
Zhao Liying's style in Zhao Liying's "Legend of the Swordsman in the Shushan War Chronicle" is also very collapsed, although the role is an exotic beauty, but the thick eyebrows and thick eye makeup, with a veil of strange colors, the overall shape looks colorful.
To be honest, honest and practical white, black veil is the most versatile, like the above 4 veils are busy pursuing "red orange yellow green blue purple" to go, but there is no "hazy beauty" of the veil.
It is recommended that the current TV series producers review the "veil shots" of their predecessors, such as Cecilia Cheung's role of Liu Yue'e in "Hedong Lion Roar", with the veil is to increase the appearance and beauty, plus the overall harmony of hair accessories and makeup, and the ten appearance of Cecilia Cheung is played to 20 points.
Also full of admiration for classical beauty is Huang Yi's hazy beauty of Feng Suzhen's veil covering her face in "The New Female Pony".
From the costumes, makeup to the shape of the veil, the overall interpretation of the beauty wearing the veil: hazy beauty, distance, expectation, the overall atmosphere of the setting, let the audience believe that the moment you unveil the veil you see is: the fairy under the mortal.
In contrast, in recent years, the veil modeling, in addition to the actor's appearance is not enough, the drag is basically a strange makeup, which destroys the audience's expectations of seeing the beauty under the veil.
Who is the most beautiful veiled beauty in your mind?