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Why is it that Japanese male voice actors have low academic qualifications but are highly popular?

author:Figure poisoning creatures
Why is it that Japanese male voice actors have low academic qualifications but are highly popular?

There is an old saying that "a woman without talent is virtuous", which is a sentence that has been criticized in modern society, after all, men and women are now equal. Today we do not say women, but say men, Japanese website lists the academic qualifications of a male voice actor, it seems that the popularity of those who are not highly educated is higher, such as Hiroshi Kamiya, Makimi Miyano, Jun Fukuyama, Kenichi Suzumura are all high school graduates, and Sakurai Takahiro and Yuichi Nakamura are trained by the Yoyogi Professional Voice Actor Academy. Looking at these examples, it seems that there is a relationship between low education and high popularity, but when you think about it, this is not the case.

Almost all popular voice actors are men over the age of 35, so high popularity is also accumulated. Why do they have a low education, because they have long confirmed that they want to become artists, so there is no need to continue to higher education, because there is no academic pressure but they have time to work hard in the field of voice actors. For example, Miyano Mamoru was actually a small star of the troupe for a long time, so why did he go to college when he had the opportunity to become an artist? Very much the same situation in China, in fact, after going to college to find a job may not be able to find a satisfactory job, so the opportunity is better to do a job that you are good at. And the level of education has nothing to do with the level of education.

Murase Shiro Kyoto University ※Faculty of Science Ichiro Nagai, Department of Buddhist Literature, Faculty of Letters, Kyoto University Yuichiro Umehara Nagoya University Faculty of Law Yasuaki Kariya Department of Precision Engineering, Faculty of Engineering, Hokkaido University Mitsuru Kasumoto, Department of Synthetic Chemistry, Faculty of Engineering, Hokkaido University Kentaro Tone, Department of Philippine Foreign Studies, Xiankyo Foreign University Norio Wakaba, Faculty of Law, Waseda University Koji Hatsumaki Faculty of Political Economy, Waseda University Tsuyoshi Koyama, Faculty of Sociology, Waseda University Uchiyama Aung-kee Faculty of Cultural Conception, Waseda University Hirohiko Hikawa Graduated from Hayada University Kosei Tomita Faculty of Law, Chuo University Yasunori Matsumoto, Department of Political Science, Faculty of Law, Chuo University Kiyonobu Suzuki Chuo University Faculty of Political Economy, Meiji University Kenjiro Tsuda Meiji University Faculty of Letters Yuji Mitsuya Faculty of Letters, Meiji University Naya Rokuro Ritsumeikan University Faculty of Law Ritsuya Koyama Ritsumeikan University Faculty of Law (internal) Yosuke Akimoto Faculty of Economics, Hosei University Inoue Ryuhiro Hosei University Jurota Kosugi, Nihon University Faculty of Arts Akira Ishida Nihon University Faculty of Arts Hiroki Higashiji, Faculty of Yunshu, Nihon University Daiko Ono Nihon University Faculty of Arts Shunhiko Kwan Komazawa University Hoshi Koichiro Kokyo Announcement School Taniyama Akira Yoyogi Animation Academy Takahiro Makii Yoyogi Animation Academy Yuichi Nakamura Yoyogi Animation Academy Kenichi Kasumura, a high school graduate Hiroshi Kamiya, High School Graduate Akira Fukuyama, High School Graduate Mamoru Kayano, High School Graduate Yusuke Kaji, High School Graduate