laitimes

Film review of the movie series 38 Part 06 Tokyo Story (1953) that no one else has seen

author:Independent library
Director: Yasujiro Ozu Starring: Kasa Tomoharu Hara Screened: November 3, 1953
Film review of the movie series 38 Part 06 Tokyo Story (1953) that no one else has seen

Ozu, who has been alone all his life, has a real sense of humor, and he simply puts trivia in front of us, so that after the sadness, we can see the subtle knowledge, lead the impermanence, and go on the road in confusion.

He loved movies at a young age, especially American films. In 1923, he was introduced by his relatives to work in the Shochiku Kamata Photography Factory, and under the strong opposition of his father, he began to work as a photographic assistant.

The first work, Blade of Confession, was his only costume film, and he soon became a modern drama; in 1929 he began to show his talent in the field of "shumin drama", specializing in films based on the daily life of Japan's middle and lower classes. His early works were heavily influenced by foreign films, especially a string of student comedies, as well as several police films and popular dramas. In 1936, a large number of sound films were shot.

His films were not commercially successful, but he was appreciated by critics. In 1949, he re-collaborated with his old partner in the screenwriting, Takao Noda, and all his subsequent films were written by Noda. In 1958, he filmed "Flowers on the Other Side", and his first attempt was to use color film. In the late 1950s, he remade his beloved works from the 1930s and 1940s, such as "Good Morning", "Floating Grass", "Autumn Day and", respectively, "I Was Born, But...", "Floating Grass Story" and "Late Spring". He received many awards in his lifetime, such as the Minister's Award and the Purple Ribbon Award of the Ministry of Arts for "The Other Side of the Flower", the Academy Award in 1959, the Best Director Award at the Asian Film Festival in 1961 for "Autumn Day", and the election as a member of the Academy of Arts in 1963. Therefore, these works reflect the customs and customs of modern Japanese society. Those who are familiar with Japanese customs and human feelings will naturally find these films interesting and interesting, but in the eyes of those who are completely unfamiliar with Japanese customs, they may feel novel at first, but in the end they cannot grasp their delicate and subtle meanings.

#Hunan Side Affairs#Hunan Changsha Friends who like to watch movies can exchange movies together