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"A little drama reading" new column "drama reading has coffee" today officially met with readers, drama reading Jun's daily hobby is of course to chase drama, in the focus on film and television works at the same time also see a lot of excellent artists to make good dramas and efforts. To this end, the drama reader hopes that through this new column, it is recommended to all readers and fans that the current popular film and television works and artists with bright performances in variety shows, after all, every effort is worth seeing, and also hopes to build a better bridge between artists and the industry.
Date of birth: May, 23 1990
Birthplace: Jining City, Shandong Province
Height: 183cm
Weight: 68kg
Institutions: Tianjin Normal University broadcast hosting major
Brokerage company: Xifeng Culture
Hobbies: Basketball
Mango TV has produced a new "dessert", "Mr. He's Love Never Forgets" cat's eye popularity exceeded 8500, broadcast for four weeks, entered the Detaven TV drama boom index weekly list Top 10 every week, and broke through the siege in various head dramas on the July summer platform, and the topic went all the way up. Wei Zheming, who plays "Mr. He", has also received a lot of attention as a result, and successfully ranked fourth in the rising energy list of de Tabun artists in July with this work, with a gratifying momentum.
In 2017, Wei Zheming, who opened the road of official actors from "Road from Tonight White", has emerged in various film and television dramas for five years, and in the first half of 2021 alone, he has continuously broadcast three works of "Mountain and River Order", "Twelve Tans" and "Mr. He's Love Not Forgetting", and last year was also a high-yield level, and four works were broadcast throughout the year: "The Next Stop, Is Happiness", "Mr. Perfect and Almost Miss", "I Like You So Much", and "I Have Special Communication Skills". In the play, Wei Zheming often impressed the audience because of his handsome gentle and soft image; in "Mr. He's Love Not Forgotten", He Qiaoyan also blazed another trail in many "hegemons" and won the praise of netizens as "the most suitable candidate for the hegemonic general".
In terms of roles, you can also feel that Wei Zheming is constantly seeking breakthroughs, although "Mr. Perfect and Almost Miss" and "Mr. He's Love Not Forgotten" has made him sit in the eyes of the audience to confirm the image of "Sven Ba's general professional household", but in fact, in the past two years, we can see various types of roles, Wei Zheming are challenging and trying. For example, in last year's Hunan Satellite TV's new year's explosive drama "The Next Stop is Happiness", he played Chang Huan, set as an affordable man with general conditions for appearance, with a personality that is not in contention but somewhat intimate; the seventh master in "Mountain and River Order", noble and dashing but not revealing, has a unique taste in his mind, bringing a surprise to many fans of the original. Xu Zhe in "I Have Special Communication Skills" is also an extreme two-sided villain; the mythical beast dream tapir in "Twelve Tans" does not have many scenes, but because of his sloppy shape and cute and loving behavior, he has become the most cute mascot in the play.
In addition, in the upcoming drama "Forest of Illusion", Wei Zheming challenged for the first time a beautiful man in ancient costume Yunmu who was proficient in piano and chess song and dance, and specially learned a number of skills such as guqin, pipa, fan dance and so on. It is reported that Wei Zheming is currently filming "Wonderful is Entering the Book", partnering with Wang Feifei to play sister-brother love, and the CP of the "broken circle" cooperation has also made many fans full of expectations before the start of broadcasting.
Although he grew up in idol dramas, he was not attached to the position, and he could accurately find the right role every time, and the final effect was that the audience felt that he and each role were very "close to the face", and this two-way rush between actors and roles was usually encounterable and unattainable. Getting rid of the stereotypical role image is also one of the ways for actors to seek innovation and change.
Hello everyone, I am actor Wei Zheming, graduated from Tianjin Normal University majoring in broadcast hosting. At the beginning of 2017, I participated in the first TV series work "Road from Tonight White", in these five years, I have accumulated works and created more than 20 film and television roles, and I will also continue to move towards my dreams through uninterrupted filming, learning skills, improving my knowledge reserves.
In life, I like to exercise, play basketball, fitness is my favorite thing to do when I am in the crew; I love to eat sweets and drink sugar-free Coke; I like to listen to songs, and my favorite idol is Jay Chou. Because we know that art comes from life, we will enjoy life and record life to the fullest. For example, I'll clean up my room, focus on my work, and keep my schedule organized.
In the work, every time I receive the script, I will first analyze from the character itself, his entire growth environment, personal experience and behavior habits, will be based on my understanding of the script, and then communicate with the director, so as to shape the character image more three-dimensional, highlight the character image characteristics from the details. For me, the interpretation of each role is a new beginning, and it is my constant goal to accumulate experience, treat each work with a correct attitude, and strive to become a better actor.
I played He Qiaoyan in the recently broadcast "Mr. He's Love And Don't Forget", he is a person with distinct personality characteristics. Treat the work domineering and meticulous, full of protective desire for the people he loves, and will not directly express his love, but there are silent changes in action, always a solid backing for his family, but occasionally he will show a soft side of his heart. The two opposites of external cold and internal heat, domineering and gentle are naturally integrated into the role, so that the "overlord" who looks like a sense of distance to "land" is also the biggest problem when the crew.
Every character I create can't be called perfect, but it's these little regrets that make them more human and serve as a stepping stone for me to keep moving forward. I also look forward to bringing more works and more multi-faceted roles to the audience in the future.
Drama Reader: Three works have been broadcast this year, can you describe the different harvests of the three dramas?
Wei Zheming: "Twelve Tans" should be a challenge and a breakthrough for me, the sloppy shape of "Dream Tapir" and the timid character type of Wei Weinuo are all first attempts, which subvert everyone's impression of me in the past, and I hope that there will be opportunities to try various types of roles in the future and constantly break through myself.
"Mountain and River Order" is actually a merger pressure and surprise, because the role of "Seven Masters" in the play is not too much, and it is necessary to explore the role in the character biography with very few words, and even need to use another work of the original author to try to understand and restore the role, so as a roler, he will put pressure on himself and constantly think about whether the role he understands is the same as the character in the original pen. Before the broadcast, in fact, I have always been worried about whether the role of the seventh master will be recognized by the audience, but I did not expect that after the broadcast, the effect presented was still relatively satisfactory, and I also gained a lot of likes, very surprised.
For "Mr. He's Love Not forgetting" is more expectation and gratitude, this is actually the first time I really challenged the "hegemon", before many characters may be more gentle and elegant, so how can the audience put aside their previous cognition of me to accept the role of "He Qiao Feast"? Before filming began, the director and the screenwriter and I did a lot of discussion and work, and designed a lot of small details.
At the beginning of the broadcast, I also took this "expectation" and chased the drama with everyone, which was a moment of self-acceptance of the results. Seeing everyone's love for this drama and He Qiao feast, I am very happy and very grateful for the hard work of the crew for more than three months of shooting, grateful for the audience's affirmation of He Qiao Feast, and will continue to work hard to bring you more and better works in the future.
Drama Reader: "Mr. He's Love Does Not Forget" Where are the interest points and difficulties of this drama?
Wei Zheming: The most interesting point is that Bazong takes the baby to chase love, this kind of setting has only been heard of before, and has not been practiced. The most difficult point of performance is that many of the opponents in our play are with children, in fact, in the process of playing, children will have a lot of force majeure factors, so how to communicate with children, not to be disturbed by other uncontrollable factors, in fact, is also the most important topic of He Qiao Feast.
Drama Reader: How would you flesh out the role of He Qiao Yan through performance?
Wei Zheming: When it comes to "hegemony", everyone must have the first impression of an ice cube face, speaking very self-domineering impression, but for He Qiaoyan, his domineering side is more shown in the aspect of work, in fact, in the face of children and family, he is very soft, very grounded, and has a "human touch". Like we show in many bridge sections like crowding buses and riding battery cars, he put aside the elite skin and lived a more joyful side. There are also some contrasts in setting computer wallpapers after falling in love, humming and dancing in the office, and the posture of shaking hands when facing love enemies, guarding body movements, and so on.
Drama Reader: After filming this play, did you learn some skills to get along with children?
Wei Zheming: The skill is not, it is very simple, as long as you are patient and communicate with him on an equal footing, instead of always directing and preaching from an adult's point of view, children can actually understand and cooperate.
Drama Reader: In the little sweet drama, which parts need to perform a sense of fantasy, and which parts need to find a sense of identification with the role?
Wei Zheming: It must be the bridge section where the emotional drama of the male and female protagonists heats up, and it is the most necessary to grasp the audience's psychology and perform the dreamy feeling, like the clip where mr. He's family of three has a bubble machine by the window, it is very dreamy. The colors on each role are different, and they cannot be similar to the actors themselves, and the different parts are more dependent on the actor's sense of belief.
Drama Reader: Now three or four plays are filmed every year, but not all of them are male number one, will this state be changed after that?
Wei Zheming: For me, as an actor, as long as time and energy permit, the role script is a more satisfactory one that I can choose at the moment, or a more subversive breakthrough, and I am willing to try and accept it. At present, I do not want to increase the frequency of filming, it is already the highest frequency, and I am basically in the crew all year round.
Drama Reader: I have filmed many small sweet dramas, do you want to achieve the ultimate in this field, or do you want to challenge the subject matter?
Wei Zheming: Some of the works that everyone pays more attention to may make everyone think that Wei Zheming is a professional household of small sweet dramas or a professional household of hegemony, in fact, looking back at my previous roles, the types are still many different. For me, of course, I am willing to try and challenge new directions, such as suspense, science fiction, comedy, etc., but because of the comprehensive factors of platform, production and other aspects, what actors can do is to reach out an olive branch project at the current stage to strive for better and more suitable for themselves.
If you act to an extreme in a genre, I am not exclusive, and it is quite challenging to perform the details of the same type of role. Ultimately, I think, when you talk about this kind of role, the first thing that comes to mind is you.
Drama Reader: "Mountain and River Order" is your first costume drama, how many points to give yourself a costume style? What's it like to shoot costumes? If there is a little fan of the Seventh Master, what part of the story do you hope to reflect?
Wei Zheming: 60 points, there is still room for improvement. The novelty lies in hanging Weiya, playing drama, which are rarely experienced in modern dramas, and the difficulty lies in the different worldviews from now, as well as the tone of the ancients, the behavior posture, etc., all of which require immersive role conversion in filming. Xiao Fanwai's words should be the story of the Seventh Master after he returned to southern Xinjiang, hoping that he would have a happy life and no longer be bound by the past.
Drama Reader: Have you encountered a bottleneck period after your debut?
Wei Zheming: Before I officially became an actor in 16 years, I experienced a long period of employment life as an ordinary worker. Being an actor is a difficult turning point, because at that time, after I made up my mind to quit my job, one was that I had no stable source of income, the second was that as a newly debuted actor, I did not have an advantage in age, and third, I had no acting experience, and it was difficult for others to believe that you were going to give you a chance.
Drama Reader: Are you worried that the audience advantage of the male actors in the field of sweet pet dramas will make the audience ignore your acting skills?
Wei Zheming: I'm not too worried, I think the audience is also very smart now. Just the appearance, is not to maintain their long-term love for you, or rely on acting skills.
Drama Reader: What are the next works to look forward to?
Wei Zheming: At present, the work I am shooting is called "Wonderful is in the Book", I play a fledgling literary and artistic young editor Feng Tianlan, this drama is the first time I have been exposed to a new type of work since I became an actor, I hope that when it is broadcast, I can give you a surprise. In addition, there may be previously filmed projects "If Sound Has Memory" and "Magic Forest" will meet with you one after another, so stay tuned.