Luc Bessongan, who has achieved fame over the years, is behind the scenes, hoping to promote the French local director who can gain worldwide reputation as a screenwriter, and has good intentions. He has created a series of scripts with outstanding typology and strong commercial flavor, the taste of French films has been diluted, and with medium and low cost investment, he has produced b-grade action movies similar to Hollywood, with the content of cultural understanding barrier-free, with a cross-regional universal image language, providing a guarantee that his films can travel unimpeded around the world.
However, Luc Besson's shortcomings are thus exposed: the craftsman smell is full of smell. Each film is a familiar framework structure, only one or two gorgeous chapters that occasionally flash in the air, Luc Besson's artistic talent for precise layout of the whole film seems to have disappeared, the inherent humanistic charm of Lu's films has almost disappeared, and the inherent private interest has almost disappeared, more than a large number of formulaic fillings. This "Deadly Black Orchid" is another painless work in the screenplay of Luc Besson.
The rhythm control of the film, the development of the story are very skillful and smooth, the actor's performance is impeccable, the female number one is the female lead of "Avatar" Zoe Saldana, the performance is not bad. However, the film is full of shadows of Luc Besson's old work, and the bridge section of his classic work "This Killer Is Not Too Cold" is repeatedly reproduced, such as the two movies in which Lori's family was tragically killed by gangsters, but it was changed - in "This" film, Little Lolita weakly and helplessly asked for help from the neighbor's uncle, but in this film, Little Lori unexpectedly drew her knife, directly started a war with the gang, and successfully escaped from the clutches. Unlike the twists and turns of "This", the film becomes rough and direct, creating a sense of excitement at the expense of the story's minimum credibility. From this slight difference, it can be seen that the film cannot be a little calm and calm, but it seems to be in a hurry as soon as it is on the field. The scene where the heroine's uncle shoots in the street is similar to the situation in "This" in which Little Lori shoots randomly outside the window, the role is the same, in an extreme way to promote the transformation of the character's psychology, "This" makes the killer Leon bow his head and is willing to be the killer teacher, and in this film, Little Lori bows his head and is willing to enter the school as a student. Repeated use of the same trick is the embodiment of the craftsman, luc Besson repeats himself without blushing, including the scene where the protagonist successfully escapes from the siege after the police chase and intercepts.
In the patchwork of commercial elements, this film is passed, in addition to showing the heroine's strong killing style, but also find the opportunity to show her a variety of styles, that is, to arrange a boyfriend for her, but after the assassination mission is successful, the heroine will be entangled with the little boyfriend. The film aims at the heroine's fiery figure step by step, followed by the bed scene where the display point is reached. After all, violence and youth are twins in the movie, indispensable, this film can be described as deliberate in balancing the relationship between the two, making the film commercialized full of dust.
The film also has one or two highlights, such as the process of assassinating the target character twice, the former sneaking into prison and conceiving it quite cleverly; the latter making the design of the target character's shark mouth quite laborious. However, scenes like this are limited to sensory stimulation, the aesthetic pleasure brought by the film is minimal, everywhere is a mechanized assembly of parts, the heroine's personality is lackluster, it is simplified into a bitter, vengeful, skilled flat character, lack of character inner description or in-depth portrayal, so that this film can only be reduced to an ordinary member mixed in countless second-rate action movies.